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Neil Gaiman|Where's Neil When You Need Him?

Where's Neil When You Need Him?

Neil Gaiman

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As concept albums go, Where's Neil When You Need Him? is stranger than most. Neil Gaiman is not a musician; he's a comic-book author and screenwriter. Although this album is credited to him, he appears only as a commentator in the liner notes. The actual music is provided by 17 bands and solo artists, all of whom are fans of his work and each of whom were invited to write a song about one of his stories or characters. Thus references to Sandman, Coraline, wolves, goldfish, and mirrors abound, and the songs themselves vary across quite a wide spectrum of styles, from Tori Amos' voice-and-piano minimalism to Schandmaul's Teutonic folk-rock, and from Azam Ali's Middle Eastern exoticism to Thea Gilmore's sturdy roots rock. As you might expect, it's something of a mixed bag, quality wise: Rasputina impresses with their industrial/orchestral "Coraline," and Gilmore's "Even Gods Do" is another powerful contribution. Less impressive are the icky "Come Sweet Death" by Voltaire (note to Voltaire: you need to ignore people who tell you that death is either cool or romantic), and Amos' contribution, which is overwrought and self-involved even by her own considerable standards. But overall, the album offers a fascinating array of musical interpretations of the work of one of America's more interesting graphic artists.

© Rick Anderson /TiVo

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Where's Neil When You Need Him?

Neil Gaiman

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1
Coraline
00:02:38

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

2
When Everyone Forgets
00:04:02

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

3
Trader Boy feat. Greg Mackintosh of Paradise Lost
00:04:00

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

4
Raven Star
00:05:15

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

5
A Fish Called Prince
00:05:22

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

6
Even Gods Do
00:03:34

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

7
Coraline
00:04:04

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

8
Magda Treadgolds Marchen
00:03:48

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

9
We Won't Go
00:04:27

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

10
Come Sweet Death
00:03:43

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

11
Mr. Punch
00:03:05

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

12
The Endless
00:05:15

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

13
Wake the White Queen
00:05:46

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

14
You Better Leave the Stars Alone
00:04:27

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

15
The Cold Black Key
00:05:39

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

16
Vandemar
00:03:45

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

17
Sister Named Desire (Remastered Version)
00:05:27

Neil Gaiman, Primary

2006 DANCING FERRET Copyright 2006

Album review

As concept albums go, Where's Neil When You Need Him? is stranger than most. Neil Gaiman is not a musician; he's a comic-book author and screenwriter. Although this album is credited to him, he appears only as a commentator in the liner notes. The actual music is provided by 17 bands and solo artists, all of whom are fans of his work and each of whom were invited to write a song about one of his stories or characters. Thus references to Sandman, Coraline, wolves, goldfish, and mirrors abound, and the songs themselves vary across quite a wide spectrum of styles, from Tori Amos' voice-and-piano minimalism to Schandmaul's Teutonic folk-rock, and from Azam Ali's Middle Eastern exoticism to Thea Gilmore's sturdy roots rock. As you might expect, it's something of a mixed bag, quality wise: Rasputina impresses with their industrial/orchestral "Coraline," and Gilmore's "Even Gods Do" is another powerful contribution. Less impressive are the icky "Come Sweet Death" by Voltaire (note to Voltaire: you need to ignore people who tell you that death is either cool or romantic), and Amos' contribution, which is overwrought and self-involved even by her own considerable standards. But overall, the album offers a fascinating array of musical interpretations of the work of one of America's more interesting graphic artists.

© Rick Anderson /TiVo

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