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Alissa Zoubritski|Transcriptions lyriques

Transcriptions lyriques

Alissa Zoubritski

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Designed as a lyrical recital from Schubert to the 21st century, this programme celebrates voice, poetry, and the piano in a unique genre, piano transcription. This stems from years of cooperation with the lyrical sphere, where musical and human experiences considerably influenced Zoubritski's way of playing and of apprehending music.
Pieces might be short, yet the extreme polyphonic and harmonic density together with a particularly virtuoso style captivate player and audience all along. The challenge is huge; hearing and giving to hear – with ten fingers – a melodic line, its accompaniment, even possibly letting people guess the text within the interpretation. After Schumann, Siloti, and Reger, this is the challenge the pianist wished to take up to add to this recording melodies she very much likes and which were missing from the repertoire, Francis Poulenc’s Les Chemins de l’amour and Sergei Rachmaninoff’s The Dream Op. 38 No. 5. © Paraty

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Transcriptions lyriques

Alissa Zoubritski

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1
4 Lieder, Op. 27: II. Cäcilie (Arr. for Piano)
00:02:06

Richard Strauss, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

2
4 Lieder, Op. 27: IV. Morgen (Arr. for Piano)
00:03:53

Richard Strauss, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

3
Sonetto del Petrarca, Op. 104
00:05:45

Franz Liszt, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

4
Goyescas: Quejas, o La Maja y el Ruiseñor
00:05:53

Enrique Granados, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

5
6 Romances, Op. 21: V. Lilacs (Arr. for Piano)
00:02:17

Sergei Rachmaninoff, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

6
6 Romances, Op. 38: III. Daisies (Arr. for Piano)
00:02:25

Sergei Rachmaninoff, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

7
Die schöne Müllerin, D. 795: Wohin? (Arr. for Piano)
00:02:48

Franz Schubert, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

8
Lullaby, Op. 16 No. 1 (Arr. for Piano)
00:04:01

Sergei Rachmaninoff, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

9
Le Rossignol, S. 250/1 (Arr. for Piano)
00:03:45

Copyright Control, MusicPublisher - Alexander Alabiev, Composer - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

10
Les Chemins de l'Amour, FP.106 (Arr. for Piano)
00:03:35

Francis Poulenc, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

11
d'après la mélodie pour voix et piano Tic-Tac
00:01:55

Copyright Control, MusicPublisher - Jean-Baptiste Robin, Composer - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

12
2 Mélodies hébraïques, M.A 22: I. Kaddisch (Arr. for Piano)
00:04:30

Maurice Ravel, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

13
6 Romances, Op. 38: V. The Dream (Arr. for Piano)
00:03:04

Sergei Rachmaninoff, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

14
Myrthen, Op. 25: I. Widmung (Arr. for Piano)
00:03:35

Robert Schumann, Composer - Copyright Control, MusicPublisher - Alissa Zoubritski, Soloist, MainArtist

2020 Paraty 2020 Paraty

Album review

Designed as a lyrical recital from Schubert to the 21st century, this programme celebrates voice, poetry, and the piano in a unique genre, piano transcription. This stems from years of cooperation with the lyrical sphere, where musical and human experiences considerably influenced Zoubritski's way of playing and of apprehending music.
Pieces might be short, yet the extreme polyphonic and harmonic density together with a particularly virtuoso style captivate player and audience all along. The challenge is huge; hearing and giving to hear – with ten fingers – a melodic line, its accompaniment, even possibly letting people guess the text within the interpretation. After Schumann, Siloti, and Reger, this is the challenge the pianist wished to take up to add to this recording melodies she very much likes and which were missing from the repertoire, Francis Poulenc’s Les Chemins de l’amour and Sergei Rachmaninoff’s The Dream Op. 38 No. 5. © Paraty

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