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Billy Taylor Trio|The Billy Taylor Trio With Candido

The Billy Taylor Trio With Candido

Billy Taylor Trio

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Having already dedicated half of 1953's Cross Section to numbers with Machito's band, it was no surprise that Bill Taylor's 1954 follow-up, Trio with Candido, would feature more Latin touches -- this time with star Cuban conga player Candido. In line with fellow jazz pianists George Shearing and Red Garland, Taylor doesn't incorporate the Cuban clavé beat so much as he includes the percussion for accentuation. In spite of this, Candido offers up some provocative solos, especially on the fast-paced Taylor original "A Live One," which features the pianist and percussionist trading an energetic set of fours. Medium to slow-tempo Taylor originals, though, dominate the program, including "Bit of Bedlam," where the chaos is decidedly cool. Throughout the album, Taylor uses his fleet, Teddy Wilson-informed solo chops to pleasant effect, even stretching out a bit on "Mambo Inn" to complement Candido's own lengthy workout. A very nice program of Latin-tinged bop numbers which unfortunately has not found its way to CD, but occasionally can be found on LP. For at least some of Taylor's Latin forays, there is the CD reissue of Cross Section.

© Stephen Cook /TiVo

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The Billy Taylor Trio With Candido

Billy Taylor Trio

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1
Mambo Inn
00:04:48

Bobby Woodlen, ComposerLyricist - Grace Sampson, ComposerLyricist - Mario Bauza, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Original Jazz Classics

2
Bit Of Bedlam
00:05:12

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer, ComposerLyricist - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Prestige Records

3
Declivity
00:04:39

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer, ComposerLyricist - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Prestige Records

4
Love For Sale
00:07:44

Cole Porter, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Prestige Records

5
A Live One
00:02:48

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer, ComposerLyricist - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Prestige Records

6
Different Bells
00:06:30

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Candido, Bongos, Conga, AssociatedPerformer - BILLY TAYLOR, Piano, AssociatedPerformer, ComposerLyricist - Earl May, Bass Guitar, AssociatedPerformer - Bob Weinstock, Recording Supervisor, StudioPersonnel - Billy Taylor Trio, MainArtist - Percy Brice, Drums, AssociatedPerformer - Gary Hobish, Mastering Engineer, StudioPersonnel

℗ 1954 Prestige Records

Album review

Having already dedicated half of 1953's Cross Section to numbers with Machito's band, it was no surprise that Bill Taylor's 1954 follow-up, Trio with Candido, would feature more Latin touches -- this time with star Cuban conga player Candido. In line with fellow jazz pianists George Shearing and Red Garland, Taylor doesn't incorporate the Cuban clavé beat so much as he includes the percussion for accentuation. In spite of this, Candido offers up some provocative solos, especially on the fast-paced Taylor original "A Live One," which features the pianist and percussionist trading an energetic set of fours. Medium to slow-tempo Taylor originals, though, dominate the program, including "Bit of Bedlam," where the chaos is decidedly cool. Throughout the album, Taylor uses his fleet, Teddy Wilson-informed solo chops to pleasant effect, even stretching out a bit on "Mambo Inn" to complement Candido's own lengthy workout. A very nice program of Latin-tinged bop numbers which unfortunately has not found its way to CD, but occasionally can be found on LP. For at least some of Taylor's Latin forays, there is the CD reissue of Cross Section.

© Stephen Cook /TiVo

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