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Wiley|The Ascent

The Ascent

Wiley

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Having jumped from the ultra-cool label Big Dada to the multi-billion dollar Warner Music Group, Wiley seems pushed into a poptacular world on The Ascent, which is strange because he always seemed willing to jump. Take the lead single "Heatwave," which is sun, fun, and infectious enough for radio and where Wiley sounds perfectly at home until special guest Ms. D delivers the good, but not gangsta grand, hook. Ms. D's back, along with Skepta and JME, on the barnstorming highlight "Can You Hear Me," where steel drums, Latino shout outs, and dubstep drops all combine for a near-perfect floor filler. Almost as good, "Reload" switches out dubstep for good old grime and Chip for Skepta and JME -- Ms. D stays -- but these quirky cool, Black-Eyed-Peas-for-the-streets type thrills don't give goosebumps once the Far East Movement arrive with the shiny and too polished "So Alive." Maybe it's the number of anthems like "Lights On" ("Even if you don't know my name/Me and you bleed exactly the same"), and all the other B or B+ material is blunted by the superior singles, and while the gritty grimetacular "Skillzone" (a gargantuan posse cut with Ghetts, Griminal, Manga, Frisco, Double S, Scratchy, and Big Shizz -- deep breath -- all in the mix) brings reminders of when this snappy rebel was "Wearing My Rolex," it's one the few times the album offers a "punch in the gut." Everything else is more "hands in the air" and from every radio-friendly strain of wonky pop, giving the impression that The Ascent is a mixtape of Wiley features and not a proper album. Think of it that way and it is good enough, or part it out over a month of weekends for best results.

© David Jeffries /TiVo

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The Ascent

Wiley

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1
Ascent Intro
00:03:35

Wiley, MainArtist - Richard Cowie, Writer - David Phelan, Mixer - Saltwives, Producer, Mixer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

2
First Class (feat. Kano & Lethal Bizzle) Explicit
00:04:01

Wiley, MainArtist - Richard Cowie, Writer - Kano, Writer - Xaphoon Jones, Producer, Mixer, Writer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2012 Richard Cowie under exclusive licence to Warner Music UK Limited

3
Skillzone (feat. Ghetts, Griminal, Manga, Frisco, Double S, Scratchy & Big Shizz) Explicit
00:03:47

Wiley, MainArtist - Richard Cowie, Writer - Manga, Writer - Griminal, Writer - Ghetts, Writer - Frisco, Writer - Scrufizzer, Writer - Double S, Writer - Wize, Producer, Mixer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2012 Richard Cowie under exclusive licence to Warner Music UK Limited

4
Hands in the Air (feat. Tulisa & Ice Kid)
00:03:25

Wiley, MainArtist - Richard Cowie, Writer - Ari, Writer - Tulisa, Writer - Ariowa Irosogie, Backing Vocals - Rymez, Producer, Mixer, Writer - Ice Kid, Writer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

5
Reload (feat. Chip & Ms D)
00:03:28

Wiley, MainArtist - Richard Cowie, Writer - Talay Riley, Writer - Wez Clarke, Mixer - Olatunji, Composer - Ms D, Additional Vocals - Dayo Olatunji, Writer - Mike 'Scribz' Riley, Producer - The Skeptiks, Additional Producer - Michael Orabiyi, Writer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

6
Chainsaw (A List) [feat. Wrigz & J2K & Kivanc]
00:03:58

Wiley, MainArtist - Richard Cowie, Writer - Jason Black, Writer - Thomas Mellor, Producer, Mixer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

7
Heatwave (feat. Ms. D)
00:03:14

Wiley, MainArtist - Rodney Hwingwiri, Composer, Writer - Ms. D, FeaturedArtist - Rhymez, Produced & Mixed by - Oladayo Olatunji, Composer, Writer - Richard Kylie Cowie, Composer, Writer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2012 Richard Cowie under exclusive licence to Warner Music UK Limited

8
So Alive (feat. Far East Movement) Explicit
00:02:54

Wiley, MainArtist - Richard Cowie, Composer - Syleena Johnson, Composer - Toxic, Producer, Mixer - Fredrick Taylor, Composer - John Gant, Composer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

9
Lights On (feat. Angel & Tinchy Stryder)
00:03:24

Wiley, MainArtist - Richard Cowie, Composer - Kwasi Danquah, Composer - Charles, Composer - Sirach Charles, Composer - Kassa Alexander, Composer, Additional Producer - Wez Clarke for and on behalf of Threesixzerogroup.com, Mixer, Additional Production - Sirach "Angel" Charles of Parallel, Producer, Additional Vocals

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

10
Can You Hear Me? (ayayaya) [feat. Skepta, JME & Ms D]
00:03:52

Wiley, MainArtist - Richard Cowie, Vocals, Writer - Skepta, Vocals, FeaturedArtist - JME , Vocals, FeaturedArtist - Wez Clarke, Mixer - Rodney Hwingwiri, Writer - Olatunji, Writer - Adenuga, Writer - Ms D, Vocals, FeaturedArtist - Bamgboye, Writer - Rymez, Producer - Anthony "Krunchie" Bamgboye, Additional Producer - Sillkey, Producer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2012 Richard Cowie under exclusive licence to Warner Music UK Limited

11
Tomorrow (feat. Megaman & Styalz Fuego) Explicit
00:03:39

Wiley, MainArtist - Richard Cowie, Composer - Kaelyn Behr, Composer - Dwayne Vincent, Composer - Styalz Fuego, Additional Vocals - Styalz Fuego for Affinity Music, Produced & Mixed by

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

12
My Heart (feat. Emeli Sande & French Montana)
00:02:59

Wiley, MainArtist - Richard Cowie, Composer - Adele Sande, Composer - Chris Loco, Produced & Mixed by - Jason Black, Composer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

13
Humble Pie
00:03:45

Wiley, MainArtist - Richard Cowie, Composer - Kid D, Produced & Mixed by - Dean Robertson, Composer

© 2013 Richard Cowie under exclusive licence to One More Tune / Warner Music UK Limited ℗ 2013 Richard Cowie under exclusive licence to Warner Music UK Limited

Album review

Having jumped from the ultra-cool label Big Dada to the multi-billion dollar Warner Music Group, Wiley seems pushed into a poptacular world on The Ascent, which is strange because he always seemed willing to jump. Take the lead single "Heatwave," which is sun, fun, and infectious enough for radio and where Wiley sounds perfectly at home until special guest Ms. D delivers the good, but not gangsta grand, hook. Ms. D's back, along with Skepta and JME, on the barnstorming highlight "Can You Hear Me," where steel drums, Latino shout outs, and dubstep drops all combine for a near-perfect floor filler. Almost as good, "Reload" switches out dubstep for good old grime and Chip for Skepta and JME -- Ms. D stays -- but these quirky cool, Black-Eyed-Peas-for-the-streets type thrills don't give goosebumps once the Far East Movement arrive with the shiny and too polished "So Alive." Maybe it's the number of anthems like "Lights On" ("Even if you don't know my name/Me and you bleed exactly the same"), and all the other B or B+ material is blunted by the superior singles, and while the gritty grimetacular "Skillzone" (a gargantuan posse cut with Ghetts, Griminal, Manga, Frisco, Double S, Scratchy, and Big Shizz -- deep breath -- all in the mix) brings reminders of when this snappy rebel was "Wearing My Rolex," it's one the few times the album offers a "punch in the gut." Everything else is more "hands in the air" and from every radio-friendly strain of wonky pop, giving the impression that The Ascent is a mixtape of Wiley features and not a proper album. Think of it that way and it is good enough, or part it out over a month of weekends for best results.

© David Jeffries /TiVo

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