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Hrvatski|Swarm & Dither

Swarm & Dither

Hrvatski

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Keith Fulleron Whitman skips bail from his stunningly titled Reckankreuzungklankewekzeuge imprint for a new home with Mike Paradinas off-world retreat. This debut for the label collates work recorded in the main from 1999-2002, stepping off with his psychotic take on Kid 606's "Vatstep DSP" before treading slightly less crazed boards. Percussion is the key throughout, in fact pretty much the sole element of tracks like "EWC3" and "Re: When Was the Last Time You Were Violent." The writhing cod junglism becomes less and less surprising as each track makes its inevitable octave slipping snare slide down into detailed but ultimately well-worn programming, and it is when Whitman is emotive that his true power really lies -- the rich layers of his "Paint It Black" and later in "Gemini" and the accompanying "Anaesthetise Thineself," moments of considerable beauty among the chaos that prove considerable range beyond the well-worn breakcore.

© Kingsley Marshall /TiVo

More info

Swarm & Dither

Hrvatski

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1
Vatstep Dsp
00:05:59

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

2
Untitled Fields 1994
00:00:16

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

3
Paint It Black
00:04:46

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

4
2nd Zero Fidelity Mandible Investigation
00:03:48

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

5
Ewc3
00:02:20

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

6
Re: When Was The Last Time You Were Violent?
00:04:12

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

7
Marbles
00:03:48

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

8
Echoes
00:02:50

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

9
Ewc4
00:02:24

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

10
Gemini (Early)
00:03:16

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

11
Anaesthetise Thineself
00:03:52

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

12
Freie Zeit
00:04:43

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

13
Carrot (Hrvatski's Nightvision)
00:06:01

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

14
Tegenborg
00:04:30

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

15
Gemini (Revision)
00:08:39

Copyright Control, MusicPublisher - Hrvatski, MainArtist - K.Whitman, Composer

2002 Planet Mu Records Ltd. 2002 Copyright Control

Album review

Keith Fulleron Whitman skips bail from his stunningly titled Reckankreuzungklankewekzeuge imprint for a new home with Mike Paradinas off-world retreat. This debut for the label collates work recorded in the main from 1999-2002, stepping off with his psychotic take on Kid 606's "Vatstep DSP" before treading slightly less crazed boards. Percussion is the key throughout, in fact pretty much the sole element of tracks like "EWC3" and "Re: When Was the Last Time You Were Violent." The writhing cod junglism becomes less and less surprising as each track makes its inevitable octave slipping snare slide down into detailed but ultimately well-worn programming, and it is when Whitman is emotive that his true power really lies -- the rich layers of his "Paint It Black" and later in "Gemini" and the accompanying "Anaesthetise Thineself," moments of considerable beauty among the chaos that prove considerable range beyond the well-worn breakcore.

© Kingsley Marshall /TiVo

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