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Stevie Wonder|Stevie At The Beach

Stevie At The Beach

Stevie Wonder

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Stevie Wonder once described this period in his musical development as embarrassing. He particularly spoke of "Harmonica Man" in this regard; an early single release, it featured a barking male backing chorus, a zippy beat, and some spirited harmonica playing and vocalizing by Stevie. "Red Sails in the Sunset" and "Beachstomp" have the same feel as "Harmonica." The slower "Castles in the Sand" also failed to scale the charts, as it's a rather dull attempt to appeal to surfers and beach hangers; the instrumental version (included) is more appealing than the vocal, since the lyrics were just too wimpy. It's not one of Stevie's most sterling efforts, but it's not the embarrassment he claims either. Well...maybe for him.

© Andrew Hamilton /TiVo

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Stevie At The Beach

Stevie Wonder

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1
Castles In The Sand (Album Version)
00:02:12

Dorsey Burnette, Producer - Stevie Wonder, MainArtist - Mark Gordon, Producer, ComposerLyricist - Frank Wilson, ComposerLyricist - Hal Davis, Producer, ComposerLyricist - Mary O'Brien, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

2
Ebb Tide (Album Version)
00:01:46

Dorsey Burnette, Producer - Stevie Wonder, MainArtist - Carl Sigman, ComposerLyricist - Robert Maxwell, ComposerLyricist - Mark Gordon, Producer - Hal Davis, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

3
Sad Boy (Album Version)
00:02:30

Gerald Nelson, ComposerLyricist - Dorsey Burnette, Producer, ComposerLyricist - Stevie Wonder, MainArtist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

4
Red Sails In The Sunset (Album Version)
00:02:03

Dorsey Burnette, Producer - Stevie Wonder, MainArtist - Mark Gordon, Producer - Wilhelm Grosz, ComposerLyricist - Hal Davis, Producer - James Kennedy, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

5
The Beachcomber (Album Version)
00:01:47

A. Wright, ComposerLyricist - Dorsey Burnette, Producer - Stevie Wonder, MainArtist - Mark Gordon, Producer - Hal Davis, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

6
Castles In The Sand (Instrumental)
00:01:54

Stevie Wonder, MainArtist - Mark Gordon, Producer, ComposerLyricist - Frank Wilson, ComposerLyricist - Hal Davis, Producer, ComposerLyricist - Mary O'Brien, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

7
Happy Street (Album Version)
00:02:19

Dorsey Burnette, Producer - Jule Styne, Composer - Stevie Wonder, MainArtist - Mark Gordon, Producer - Hal Davis, Producer - George Everette Hemric, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

8
The Party At The Beach House (Album Version)
00:02:03

Dorsey Burnette, Producer - Stevie Wonder, MainArtist - Mark Gordon, Producer - Frank Wilson, ComposerLyricist - Hal Davis, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

9
Hey Harmonica Man (Single Version)
00:02:38

Marty Cooper, ComposerLyricist - Lou Josie, ComposerLyricist - Stevie Wonder, MainArtist - Mark Gordon, Producer - Hal Davis, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

10
Beach Stomp (Album Version)
00:02:38

Stevie Wonder, MainArtist - Frank Wilson, ComposerLyricist - Hal Davis, Producer, ComposerLyricist

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

11
Beyond The Sea (Album Version)
00:02:47

Dorsey Burnette, Producer - Charles Trenet, ComposerLyricist - Stevie Wonder, MainArtist - Albert Lasry, Composer - Jack Lawrence, Translator - Mark Gordon, Producer - Hal Davis, Producer

℗ 1964 Motown Records, a Division of UMG Recordings, Inc.

Album review

Stevie Wonder once described this period in his musical development as embarrassing. He particularly spoke of "Harmonica Man" in this regard; an early single release, it featured a barking male backing chorus, a zippy beat, and some spirited harmonica playing and vocalizing by Stevie. "Red Sails in the Sunset" and "Beachstomp" have the same feel as "Harmonica." The slower "Castles in the Sand" also failed to scale the charts, as it's a rather dull attempt to appeal to surfers and beach hangers; the instrumental version (included) is more appealing than the vocal, since the lyrics were just too wimpy. It's not one of Stevie's most sterling efforts, but it's not the embarrassment he claims either. Well...maybe for him.

© Andrew Hamilton /TiVo

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