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Stephanie Mills|Stephanie Mills Greatest Hits: 1985-1993

Stephanie Mills Greatest Hits: 1985-1993

Stephanie Mills

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Early chart smashes "Never Knew Love Like This" and "Sweet Sensation" didn't make it onto this one, so you can't call Greatest Hits: 1985 to 1993 -- which represents Stephanie Mills' last run of hits MCA Records -- definitive. Mills interprets Angela Winbush's songs as if they were sent to her directly from God: "(Something in the Way) You Make Me Feel" and "I Have Learned to Respect the Power of Love" -- originally by Alton McClain & Destiny -- are thrilling examples. Ever romantic, Mills remains the swept-away lover, as the exhilarating "(You're Puttin') a Rush on Me" and "I Feel Good All Over" attest too. Her remake of Gladys Knight & the Pips' "If I Was Your Woman" stirs the same can of emotions as the original. "Home," a song with a heavy message, closes her live shows: the uplifting ballad prompts encore after encore. The only other knock aside from the two missing hits: the contrived disco tracks like "Stand Back." Mills should have passed on the dumb stuff.

© Andrew Hamilton /TiVo

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Stephanie Mills Greatest Hits: 1985-1993

Stephanie Mills

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1
Something In The Way (You Make Me Feel) (Album Version)
Stephanie Mills
00:05:27

David Bianco, Mix Engineer, StudioPersonnel - Stephanie Mills, MainArtist - ANGELA WINBUSH, Producer, ComposerLyricist - Mitch Gibson, Recording Engineer, StudioPersonnel - Louil Silas Jr., Mixer, StudioPersonnel

℗ 1989 UMG Recordings, Inc.

2
(You're Puttin') A Rush On Me (Album Version)
Stephanie Mills
00:05:52

Stephanie Mills, MainArtist - Paul Laurence, Producer, Participant, ComposerLyricist - Louil Silas Jr., Remixer, StudioPersonnel - Timothy Allen Miskimon, ComposerLyricist - Ron "The Binks" Banks, Engineer, StudioPersonnel

℗ 1987 UMG Recordings, Inc.

3
I Have Learned To Respect The Power Of Love (Edit)
Stephanie Mills
00:06:33

Rene Moore, ComposerLyricist - Stephanie Mills, MainArtist - ANGELA WINBUSH, ComposerLyricist - Ron "have mercy" Kersey, Producer - Cassandra Mills, Remixer, StudioPersonnel - Louil Silas Jr., Remixer, StudioPersonnel

℗ 1985 UMG Recordings, Inc.

4
If I Were Your Woman (Album Version)
Stephanie Mills
00:04:36

Pamela Sawyer, ComposerLyricist - Clarence McMurray, ComposerLyricist - Erik Zobler, Engineer, StudioPersonnel - Vesta Williams, Background Vocalist, AssociatedPerformer - Stephanie Mills, MainArtist - Gloria Jones, ComposerLyricist - Ron "have mercy" Kersey, Producer, Recording Arranger, AssociatedPerformer - Hill Swimmer, Engineer, StudioPersonnel

℗ 1987 Geffen Records

5
Stand Back (Radio Edit)
Stephanie Mills
00:05:10

Carl Sturken, ComposerLyricist - Evan Rogers, ComposerLyricist - Nick Martinelli, Producer - Stephanie Mills, MainArtist - Louil Silas Jr., Remixer, StudioPersonnel

℗ 1985 UMG Recordings, Inc.

6
Secret Lady
Stephanie Mills
00:05:25

La La, Producer, Recording Arranger, AssociatedPerformer - Carl Beatty, Engineer, StudioPersonnel - Stephanie Mills, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Cassandra Mills, Remixer, StudioPersonnel - Louil Silas Jr., Remixer, StudioPersonnel - Howard Grate, ComposerLyricist

℗ 1987 UMG Recordings, Inc.

7
I Feel Good All Over
Stephanie Mills
00:05:01

Nick Martinelli, Producer, Recording Arranger, AssociatedPerformer - Stephanie Mills, MainArtist - Taavi Mote, Remixer, StudioPersonnel - Gabriel Hardeman, ComposerLyricist - Annette Hardaman, ComposerLyricist

℗ 1987 UMG Recordings, Inc.

8
All Day, All Night (Album Version)
Stephanie Mills
00:04:43

Vassal Benford, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Ron Spearman, ComposerLyricist - Stephanie Mills, MainArtist

℗ 1992 UMG Recordings, Inc.

9
Rising Desire (Album Version)
Stephanie Mills
00:05:56

Unknown, ComposerLyricist - Raymond Jones, Producer, Associate Producer, ComposerLyricist - George Duke, Producer - Stephanie Mills, MainArtist

℗ 1985 UMG Recordings, Inc.

10
Bit By Bit (Theme From "Fletch") (From "Fletch" Soundtrack)
Stephanie Mills
00:03:29

Franne Golde, ComposerLyricist - Harold Faltermeyer, Producer, ComposerLyricist - Stephanie Mills, MainArtist

℗ 1985 UMG Recordings, Inc.

11
Comfort Of A Man (Album Version)
Stephanie Mills
00:05:55

LeMel Humes, Producer, Mixer, StudioPersonnel - Dyna Brein, ComposerLyricist - Stephanie Mills, MainArtist - TOMMY VICARI, Engineer, StudioPersonnel - Alan Gregorie, Mixer, StudioPersonnel - David Young, ComposerLyricist - David Dyha Dynah Brein, ComposerLyricist - Mike Sak, Engineer, StudioPersonnel

℗ 1989 UMG Recordings, Inc.

12
Never Do You Wrong (Album Version)
Stephanie Mills
00:04:46

Vassal Benford, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stephanie Mills, MainArtist - Carol Duboc, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

13
Where Is The Love (Single Version)
Robert Brookins
00:04:41

William Salter, ComposerLyricist - Ralph MacDonald, ComposerLyricist - Stephanie Mills, Producer, Co-Producer, FeaturedArtist - Robert Brookins, Producer, MainArtist - Louil Silas Jr., Remixer, StudioPersonnel

℗ 1988 Geffen Records

14
Home (Album Version)
Stephanie Mills
00:05:26

Bruce Weeden, Engineer, StudioPersonnel - Nick Martinelli, Producer - Take 6, Background Vocalist, AssociatedPerformer - Charlie Smalls, ComposerLyricist - Stephanie Mills, MainArtist

℗ 1989 Geffen Records

Album review

Early chart smashes "Never Knew Love Like This" and "Sweet Sensation" didn't make it onto this one, so you can't call Greatest Hits: 1985 to 1993 -- which represents Stephanie Mills' last run of hits MCA Records -- definitive. Mills interprets Angela Winbush's songs as if they were sent to her directly from God: "(Something in the Way) You Make Me Feel" and "I Have Learned to Respect the Power of Love" -- originally by Alton McClain & Destiny -- are thrilling examples. Ever romantic, Mills remains the swept-away lover, as the exhilarating "(You're Puttin') a Rush on Me" and "I Feel Good All Over" attest too. Her remake of Gladys Knight & the Pips' "If I Was Your Woman" stirs the same can of emotions as the original. "Home," a song with a heavy message, closes her live shows: the uplifting ballad prompts encore after encore. The only other knock aside from the two missing hits: the contrived disco tracks like "Stand Back." Mills should have passed on the dumb stuff.

© Andrew Hamilton /TiVo

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