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Jimmy Smith|Root Down

Root Down

Jimmy Smith

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Toward the end of his stint with Blue Note, Jimmy Smith's albums became predictable. Moving to Verve in the mid-'60s helped matters considerably, since he started playing with new musicians (most notably nice duets with Wes Montgomery) and new settings, but he never really got loose, as he did on select early Blue Note sessions. Part of the problem was that Smith's soul-jazz was organic and laid-back, relaxed and funky instead of down and dirty. For latter-day listeners, aware of his reputation as the godfather of modern soul-jazz organ (and certainly aware of the Beastie Boys' name drop), that may mean that Smith's actual albums all seem a bit tame and restrained, classy, not funky. That's true of the bulk of Smith's catalog, with the notable exception of Root Down. Not coincidentally, the title track is the song the Beasties sampled on their 1994 song of the same name, since this is one of the only sessions that Smith cut where his playing his raw, vital, and earthy. Recorded live in Los Angeles in February 1972, the album captures a performance Smith gave with a relatively young supporting band who were clearly influenced by modern funk and rock. They push Smith to playing low-down grooves that truly cook: "Sagg Shootin' His Arrow" and "Root Down (And Get It)" are among the hottest tracks he ever cut, especially in the restored full-length versions showcased on the 2000 Verve By Request reissue. There are times where the pace slows, but the tension never sags, and the result is one of the finest, most exciting records in Smith's catalog. If you think you know everything about Jimmy Smith, this is the album for you.

© Stephen Thomas Erlewine /TiVo

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Root Down

Jimmy Smith

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1
Sagg Shootin' His Arrow (Live)
00:12:52

WILTON FELDER, Electric Bass, AssociatedPerformer - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer - Jack Hunt, Engineer, StudioPersonnel

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

2
For Everyone Under The Sun (Live/1972)
00:05:53

WILTON FELDER, Electric Bass, AssociatedPerformer - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer - Jack Hunt, Engineer, StudioPersonnel - Peter Chase, ComposerLyricist

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

3
After Hours (Live/1972)
00:07:45

Robert Bruce, ComposerLyricist - WILTON FELDER, Electric Bass, AssociatedPerformer - Aretha Franklin, ComposerLyricist - Quincy Jones, ComposerLyricist - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Avery Parrish, ComposerLyricist - BUDDY FEYNE, ComposerLyricist - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer - Jack Hunt, Engineer, StudioPersonnel

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Root Down (And Get It) (Live)
00:12:37

WILTON FELDER, Electric Bass, AssociatedPerformer - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Let's Stay Together (Live/1972)
00:06:26

Al Jackson, Jr., ComposerLyricist - WILTON FELDER, Electric Bass, AssociatedPerformer - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Al Green, ComposerLyricist - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer - Jack Hunt, Engineer, StudioPersonnel - Willie Lawrence Mitchell, ComposerLyricist

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Slow Down Sagg (Live)
00:10:18

WILTON FELDER, Electric Bass, AssociatedPerformer - Eric Miller, Producer - Ed Greene, Engineer, StudioPersonnel - Jimmy Smith, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Paul Humphrey, Drums, AssociatedPerformer - Arthur Adams, Guitar, AssociatedPerformer - Jack Hunt, Engineer, StudioPersonnel

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Root Down And Get It (Alternate Take)
00:12:12

Eric Miller, Producer - Jimmy Smith, MainArtist, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

Album review

Toward the end of his stint with Blue Note, Jimmy Smith's albums became predictable. Moving to Verve in the mid-'60s helped matters considerably, since he started playing with new musicians (most notably nice duets with Wes Montgomery) and new settings, but he never really got loose, as he did on select early Blue Note sessions. Part of the problem was that Smith's soul-jazz was organic and laid-back, relaxed and funky instead of down and dirty. For latter-day listeners, aware of his reputation as the godfather of modern soul-jazz organ (and certainly aware of the Beastie Boys' name drop), that may mean that Smith's actual albums all seem a bit tame and restrained, classy, not funky. That's true of the bulk of Smith's catalog, with the notable exception of Root Down. Not coincidentally, the title track is the song the Beasties sampled on their 1994 song of the same name, since this is one of the only sessions that Smith cut where his playing his raw, vital, and earthy. Recorded live in Los Angeles in February 1972, the album captures a performance Smith gave with a relatively young supporting band who were clearly influenced by modern funk and rock. They push Smith to playing low-down grooves that truly cook: "Sagg Shootin' His Arrow" and "Root Down (And Get It)" are among the hottest tracks he ever cut, especially in the restored full-length versions showcased on the 2000 Verve By Request reissue. There are times where the pace slows, but the tension never sags, and the result is one of the finest, most exciting records in Smith's catalog. If you think you know everything about Jimmy Smith, this is the album for you.

© Stephen Thomas Erlewine /TiVo

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