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Arthur "Big Boy" Crudup|Rock Me Mama - When The Sun Goes Down Series

Rock Me Mama - When The Sun Goes Down Series

Arthur "Big Boy" Crudup

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This seventh volume in Bluebird/BMG's Secret History of Rock & Roll series may be its first to directly connect with early rock. Bluesman Arthur "Big Boy" Crudup is well known, as is Otis Blackwell, for creating the material that inspired Elvis Presley and gave him his earliest successes. "That's All Right Mama" was one of Presley's first Sun recordings, and it holds up as a feral rollicking classic. But Crudup's own version, recorded in Chicago in 1946, has enough piss, vinegar, and razor-sharp teeth to make Presley's read a cipher. In Crudup's version, the words "that's all right" are not so clear cut as they are coming from Presley's mouth. There is a degree of menace, sarcasm, and the hint of "just wait and see, baby" in the way they fire off his lower lip; he's not looking in, but at his woman, straight in the eye. Proof of this is in Crudup's "My Baby Left Me." Where Presley's was full of swagger and determination to win sympathy, Crudup's is full of a barely contained rage and a sorrow that lies in bewildering feelings of helplessness and aggression. His trio with drummer Judge Riley and bassist Ransom Knowing from 1950 is a revelation in intent. The point is that over 22 tracks, Crudup reveals time and again that while he may be kept out of the history books as little more than a footnote as Presley's inspiration and to his success (and to the greed of Lester Melrose). Crudup was in fact one of the edgiest and scariest bluesmen of his generation whose phrasing and guitar attack preceded even that of Chuck Berry ( the real Elvis, or was Presley the other, later Chuck Berry?). No matter, here is a look at Crudup in fine, remastered sound that showcases the many records he placed on jukeboxes throughout the South and in large Midwestern cities like Detroit and Chicago in the 1940s and early '50s. The music here begins in 1941 with "Death Valley Blues," one of the most forlorn, highly lonesome blues tunes of the year, and "Black Pony Blues," coming out of the hokum tradition in the Delta. It ends in 1954 on a Chicago radio station with "If You've Ever Been to Georgia," with Crudup in full throat, laying it out raw and snaky with a full band backing him. Rock & roll was officially born a few months later, but Crudup's rolling and tumbling blues were the hardcore beginnings of the sound that Presley would be enamored with his entire life. This is an essential volume in an essential series.

© Thom Jurek /TiVo

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Rock Me Mama - When The Sun Goes Down Series

Arthur "Big Boy" Crudup

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1
That's All Right (Remastered 2003)
Various Interprets
00:02:53

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1946. All rights reserved by BMG Music

2
So Glad You're Mine (Remastered 2003)
Various Interprets
00:02:45

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Lester Melrose, Producer

Originally Recorded 1946. All rights reserved by BMG Music

3
My Baby Left Me (Remastered 2003)
Various Interprets
00:02:21

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Steve Sholes, Producer - Ransom Knowling, Bass

Originally Recorded 1950. All rights reserved by BMG Music

4
Cool Disposition (Remastered 2003)
Various Interprets
00:03:08

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Lester Melrose, Producer

Originally Recorded 1944. All rights reserved by BMG Music

5
Rock Me Mama (Remastered 2003)
Various Interprets
00:02:56

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Lester Melrose, Producer

Originally Recorded 1944. All rights reserved by BMG Music

6
Mean Old Frisco Blues (Remastered 2003)
Various Interprets
00:02:35

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1942. All rights reserved by BMG Music

7
Black Pony Blues (Remastered 2003)
Various Interprets
00:03:20

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Joe McCoy, Bass - Lester Melrose, Producer

Originally Recorded 1941. All rights reserved by BMG Music

8
Death Valley Blues (Remastered 2003)
Various Interprets
00:03:13

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal - Joe McCoy, Bass - Lester Melrose, Producer

Originally Recorded 1941. All rights reserved by BMG Music

9
Dirt Road Blues (Remastered 2003)
Various Interprets
00:03:03

Charles "Chick" Sanders, Drums - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur Crudup, Guitar - Arthur "Big Boy" Crudup, Vocal

Originally Recorded 1945. All rights reserved by BMG Music

10
Give Me a 32-20 (Remastered 2003)
Various Interprets
00:02:50

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Stephen H. Sholes, Producer - N. Butler, Drums - J. Sheffield, Bass - Joe Thomas, Producer

Originally Recorded 1952. All rights reserved by BMG Music

11
Raised to My Hand (Remastered 2003)
Various Interprets
00:03:06

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Electric Guitar - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1942. All rights reserved by BMG Music

12
Chicago Blues (Remastered 2003)
Various Interprets
00:03:11

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1946. All rights reserved by BMG Music

13
Dust My Broom (Remastered 2002)
Various Interprets
00:02:36

Ransom Knowling, Bass - Barry Feldman, Re-Issue Producer - Lester Melrose, Producer - Doug Pomeroy, Re-Mastering Engineer - Doug Pomeroy, Mastering Engineer - Judge Riley, Drums - Colin Escott, Re-Issue Producer - Arthur Crudup, Composer - Arthur Crudup, Lyricist - John R.T. Davies, Re-Mastering Engineer - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar

Originally Recorded 1949. All rights reserved by BMG Music

14
Come Back Baby (Remastered 2003)
Various Interprets
00:02:36

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1949. All rights reserved by BMG Music

15
Hoodoo Lady Blues (Remastered 2003)
Various Interprets
00:03:01

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1947. All rights reserved by BMG Music

16
Shout, Sister, Shout (Remastered 2003)
Various Interprets
00:02:41

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

Originally Recorded 1949. All rights reserved by BMG Music

17
Anytime is the Right Time (Remastered 2003)
Various Interprets
00:02:55

Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Stephen H. Sholes, Producer - Judge Riley, Drums - Unknown, Composer - Unknown, Lyricist - Ransom Knowling, Bass

Originally Recorded 1950. All rights reserved by BMG Music

18
Nobody Wants Me (Remastered 2003)
Various Interprets
00:02:40

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Stephen H. Sholes, Producer - Judge Riley, Drums - Ransom Knowling, Bass

Originally Recorded 1950. All rights reserved by BMG Music

19
Star Bootlegger (Remastered 2003)
Various Interprets
00:02:33

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Stephen H. Sholes, Producer - Judge Riley, Drums - Ransom Knowling, Bass

Originally Recorded 1950. All rights reserved by BMG Music

20
Mr. So and So (Remastered 2003)
Various Interprets
00:02:38

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Stephen H. Sholes, Producer - N. Butler, Drums - J. Sheffield, Bass - Joe Thomas, Producer

Originally Recorded 1952. All rights reserved by BMG Music

21
I'm Gonna Dig Myself a Hole (Remastered 2003)
Various Interprets
00:03:12

Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Judge Riley, Drums - Ransom Knowling, Bass - Lester Melrose, Producer

(P) Recorded Prior to 1972. All Rights Reserved by BMG Music zMusic

22
If You Have Ever Been to Georgia (Remastered 2003)
Various Interprets
00:02:33

Robert Fulton, Guitar - Joseph E. Thomas, Conductor - Joseph E. Thomas, Bass - Willie J. Willis, Drums - Arthur Crudup, Composer - Arthur Crudup, Lyricist - Arthur "Big Boy" Crudup, Vocal - Arthur "Big Boy" Crudup, Guitar - Thomas Patten, Piano - Joe Thomas, Producer - Danny Kessler, Producer

Originally Recorded 1954. All rights reserved by BMG Music

Album review

This seventh volume in Bluebird/BMG's Secret History of Rock & Roll series may be its first to directly connect with early rock. Bluesman Arthur "Big Boy" Crudup is well known, as is Otis Blackwell, for creating the material that inspired Elvis Presley and gave him his earliest successes. "That's All Right Mama" was one of Presley's first Sun recordings, and it holds up as a feral rollicking classic. But Crudup's own version, recorded in Chicago in 1946, has enough piss, vinegar, and razor-sharp teeth to make Presley's read a cipher. In Crudup's version, the words "that's all right" are not so clear cut as they are coming from Presley's mouth. There is a degree of menace, sarcasm, and the hint of "just wait and see, baby" in the way they fire off his lower lip; he's not looking in, but at his woman, straight in the eye. Proof of this is in Crudup's "My Baby Left Me." Where Presley's was full of swagger and determination to win sympathy, Crudup's is full of a barely contained rage and a sorrow that lies in bewildering feelings of helplessness and aggression. His trio with drummer Judge Riley and bassist Ransom Knowing from 1950 is a revelation in intent. The point is that over 22 tracks, Crudup reveals time and again that while he may be kept out of the history books as little more than a footnote as Presley's inspiration and to his success (and to the greed of Lester Melrose). Crudup was in fact one of the edgiest and scariest bluesmen of his generation whose phrasing and guitar attack preceded even that of Chuck Berry ( the real Elvis, or was Presley the other, later Chuck Berry?). No matter, here is a look at Crudup in fine, remastered sound that showcases the many records he placed on jukeboxes throughout the South and in large Midwestern cities like Detroit and Chicago in the 1940s and early '50s. The music here begins in 1941 with "Death Valley Blues," one of the most forlorn, highly lonesome blues tunes of the year, and "Black Pony Blues," coming out of the hokum tradition in the Delta. It ends in 1954 on a Chicago radio station with "If You've Ever Been to Georgia," with Crudup in full throat, laying it out raw and snaky with a full band backing him. Rock & roll was officially born a few months later, but Crudup's rolling and tumbling blues were the hardcore beginnings of the sound that Presley would be enamored with his entire life. This is an essential volume in an essential series.

© Thom Jurek /TiVo

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