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London Philharmonic Orchestra|Rawsthorne: Symphonic Studies - Piano Concertos Nos. 1 & 2

Rawsthorne: Symphonic Studies - Piano Concertos Nos. 1 & 2

John Pritchard, Nicholas Braithwaite, Malcolm Binns

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There are fine performances out there for every work on this disc devoted exclusively to English modernist composer Alan Rawsthorne. There are the biting premiere recordings of the Symphonic Studies and Overture "Street Corner" by Constant Lambert and the Philharmonic Orchestra from 1946, plus a sprightly "Street Corner" by John Barbirolli and the Hallé Orchestra from 1968. There is the big-hearted premiere recording of the Piano Concerto No. 1 by Moura Lympany from 1956 and the exacting premiere recording of Piano Concerto No. 2 by Clifford Curzon from 1951, plus an outstanding 1956 recording by Denis Matthews and a compelling 1983 John Ogdon. And then there are the exciting 1992 recordings of both concertos by Geoffrey Tozer and the masterful 2001 recordings by Peter Donohoe. But still, for anyone who already knows the music, another recording will be hard to pass up, particularly one as attractive as this. Pianist Malcolm Binns has plenty of power, more than enough passion, and just enough irony to make his performances of the concertos appealing in their own right, and conductor Nicholas Braithwaite and the London Symphony Orchestra support him from start to finish. John Pritchard and the London Philharmonic Orchestra's Symphonic Studies and Overture might not have quite the snap of Lambert's performance, but Pritchard is technically a better conductor, the LPO is clearly a better orchestra, and the 1977 Lyrita stereo sound is vastly cleaner and warmer than the 1946 premieres. In short, this disc is well worth hearing by fans of English modernism in general and Rawsthorne in particular.
© TiVo

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Rawsthorne: Symphonic Studies - Piano Concertos Nos. 1 & 2

London Philharmonic Orchestra

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Symphonic Studies (Alan Rawsthorne)

1
I. Theme
London Philharmonic Orchestra
00:00:49

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

2
II. Allegro di bravura
London Philharmonic Orchestra
00:03:08

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

3
III. Allegretto
London Philharmonic Orchestra
00:04:31

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

4
IV. Allegro di bravura
London Philharmonic Orchestra
00:01:56

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

5
V. Lento
London Philharmonic Orchestra
00:03:35

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

6
VI. Allegro piacevole
London Philharmonic Orchestra
00:06:12

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

Street Corner (Alan Rawsthorne)

7
Overture
London Philharmonic Orchestra
00:05:32

London Philharmonic Orchestra, Orchestra, MainArtist - Alan Rawsthorne, Composer - John Pritchard, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

Piano Concerto No. 1 (version for piano and orchestra) (Alan Rawsthorne)

8
I. Capriccio: Allegro molto - Presto
Malcolm Binns
00:07:50

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

9
II. Chaconne: Andante con moto
Malcolm Binns
00:06:26

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

10
III. Tarantella: Vivace
Malcolm Binns
00:05:56

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

Piano Concerto No. 2 (Alan Rawsthorne)

11
I. Allegro piacevole
Malcolm Binns
00:10:28

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

12
II. Allegro molto
Malcolm Binns
00:05:37

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

13
III. Intermezzo: Adagio semplice
Malcolm Binns
00:08:30

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

14
IV. Allegro
Malcolm Binns
00:06:54

London Symphony Orchestra, Orchestra - Nicholas Braithwaite, Conductor - Alan Rawsthorne, Composer - Malcolm Binns, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

Album review

There are fine performances out there for every work on this disc devoted exclusively to English modernist composer Alan Rawsthorne. There are the biting premiere recordings of the Symphonic Studies and Overture "Street Corner" by Constant Lambert and the Philharmonic Orchestra from 1946, plus a sprightly "Street Corner" by John Barbirolli and the Hallé Orchestra from 1968. There is the big-hearted premiere recording of the Piano Concerto No. 1 by Moura Lympany from 1956 and the exacting premiere recording of Piano Concerto No. 2 by Clifford Curzon from 1951, plus an outstanding 1956 recording by Denis Matthews and a compelling 1983 John Ogdon. And then there are the exciting 1992 recordings of both concertos by Geoffrey Tozer and the masterful 2001 recordings by Peter Donohoe. But still, for anyone who already knows the music, another recording will be hard to pass up, particularly one as attractive as this. Pianist Malcolm Binns has plenty of power, more than enough passion, and just enough irony to make his performances of the concertos appealing in their own right, and conductor Nicholas Braithwaite and the London Symphony Orchestra support him from start to finish. John Pritchard and the London Philharmonic Orchestra's Symphonic Studies and Overture might not have quite the snap of Lambert's performance, but Pritchard is technically a better conductor, the LPO is clearly a better orchestra, and the 1977 Lyrita stereo sound is vastly cleaner and warmer than the 1946 premieres. In short, this disc is well worth hearing by fans of English modernism in general and Rawsthorne in particular.
© TiVo

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