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MC Solaar|Qui sème le vent récolte le tempo

Qui sème le vent récolte le tempo

MC Solaar

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The debut disc from MC Solaar is a clear signal that quality hip-hop can exist outside the U.S. and the English language barriers. Most of his lyrics read as "I'm the man" MC boasts and shout-outs to the Paris hip-hop crew, but the French rapper has superb flow and a masterful producer in Jimmy Jay, an absolute natural when it comes to creating sonic pastiches/collages to fit the lyrics. It's French hip-hop and therefore a softer, gentler sound with the music more on the acid jazz tip to match the rhythm and flavor of Solaar's native tongue. The title track immediately alerts you to the difference -- the rapid but never rushed delivery works off the rhythms of active, chopping drums anchoring a full arrangement topped by organ fills and flavored by sax near the end. Solaar is far from one-dimensional, adeptly adopting a conversational tone ("Victime de la Mode" on a fashion victim theme), changing up vocal tempos (the low-key "A Temps Partiel," a slick segue from the brief, jazzy-with-acoustic-bass "Interlude"), and leaving more open spaces in the forceful "Quartier Nord." He whispers the lost-love tale "Caroline" while Jimmy Jay enhances the melancholy mood with mournful strings and his customary attention to detail and dynamics (listen for the near-subliminal organ). The producer's like that, very smoooove but also deceptive in that there's always a lot going on in the arrangements underneath. "Armand Est Mort" gets a laid-back feel from the sax solo, and a single, mood-creating piano chord echoes "Inner City Blues" enough to make you wonder if that's a fragmentary sample of Marvin Gaye's voice popping up there in the background. But the funk front isn't neglected -- "L'Histoire de l'Art" has clavinet licks and horns over turntable scratches, "Matière Grasse Contre Matière Grise" sports an early-'70s, JB-ish funk backing with wah-wah guitar and upfront drums (and a lyrical day-in-the-life reflection on Paris and the world). And the '70s funk groove for "La Musique Adoucit les Mouers" works from a bass/drums spine with scratching and keyboard sounds while "Bouge de Là" goes off from direct drum drive and bass funk before part two injects skank organ and dubbed-out toasting. It makes for a good transition to the quasi-duel of motormouths on "Ragga Jam," probably good for lighting up audiences live, but just lightweight here, and it brings the momentum to Qui Sème le Vent Récolte le Tempo a halt. But it's an impressive debut and important historically -- by pairing a rapper and producer in perfect sync with one another, it gave early French hip-hop a sound and tone of its own from the beginning.
© Don Snowden /TiVo

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Qui sème le vent récolte le tempo

MC Solaar

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1
Intro
00:00:59

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - MC Solaar, MainArtist - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

2
Qui sème le vent récolte le tempo
00:04:14

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer, ComposerLyricist - Guy Harvey, Saxophone, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

3
Matière grasse contre matière grise
00:03:28

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

4
Victime de la mode
00:03:02

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

5
L'histoire de l'art
00:03:30

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Soon E MC, Background Vocalist, AssociatedPerformer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

6
Armand est mort
00:03:11

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

7
Quartier nord
00:03:11

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer, ComposerLyricist - Guy Harvey, Saxophone, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

8
Interlude
00:00:29

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer, ComposerLyricist - Guy Harvey, Saxophone, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

9
À temps partiel
00:03:46

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

10
Caroline
00:04:43

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, Author - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Composer, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Melaaz, Background Vocalist, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

11
La musique adoucit les mœurs
00:05:01

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Clip Payne, Background Vocalist, AssociatedPerformer, ComposerLyricist - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer - Arsene Pigale, Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

12
Bouge de là (Part. 1)
00:03:11

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer, ComposerLyricist - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Melaaz, Background Vocalist, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

13
Bouge de là (Part. 2)
00:03:05

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer, ComposerLyricist - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

14
Ragga Jam
00:05:13

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - Kery James, Background Vocalist, AssociatedPerformer - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Daddy Mory, Background Vocalist, AssociatedPerformer - Big Red, Background Vocalist, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Jean-Marc Bidaubayle, Mixer, StudioPersonnel - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

15
La devise
00:03:43

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - CLAUDE M'BARALI, ComposerLyricist - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer, ComposerLyricist - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Ahmed Djemai, Percussion, AssociatedPerformer - Jean-Marc Bidaubayle, Mixer, StudioPersonnel - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

16
Funky Dreamer
00:01:15

Jimmy Jay, Producer, D J, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - MC Solaar, Vocals, MainArtist, AssociatedPerformer - Philippe Cerboneschi, Mixer, Recording Engineer, StudioPersonnel - Jean Francois Delfour, Keyboards, AssociatedPerformer - Boom Bass, Producer - Guy Harvey, Saxophone, AssociatedPerformer - Christophe Viguier, ComposerLyricist - Ahmed Djemai, Percussion, AssociatedPerformer - Olivier Contat, Bass Guitar, AssociatedPerformer - Alain Verneray, Bass Guitar, AssociatedPerformer

℗ 1991 Sentinel Ouest

Album Description

The debut disc from MC Solaar is a clear signal that quality hip-hop can exist outside the U.S. and the English language barriers. Most of his lyrics read as "I'm the man" MC boasts and shout-outs to the Paris hip-hop crew, but the French rapper has superb flow and a masterful producer in Jimmy Jay, an absolute natural when it comes to creating sonic pastiches/collages to fit the lyrics. It's French hip-hop and therefore a softer, gentler sound with the music more on the acid jazz tip to match the rhythm and flavor of Solaar's native tongue. The title track immediately alerts you to the difference -- the rapid but never rushed delivery works off the rhythms of active, chopping drums anchoring a full arrangement topped by organ fills and flavored by sax near the end. Solaar is far from one-dimensional, adeptly adopting a conversational tone ("Victime de la Mode" on a fashion victim theme), changing up vocal tempos (the low-key "A Temps Partiel," a slick segue from the brief, jazzy-with-acoustic-bass "Interlude"), and leaving more open spaces in the forceful "Quartier Nord." He whispers the lost-love tale "Caroline" while Jimmy Jay enhances the melancholy mood with mournful strings and his customary attention to detail and dynamics (listen for the near-subliminal organ). The producer's like that, very smoooove but also deceptive in that there's always a lot going on in the arrangements underneath. "Armand Est Mort" gets a laid-back feel from the sax solo, and a single, mood-creating piano chord echoes "Inner City Blues" enough to make you wonder if that's a fragmentary sample of Marvin Gaye's voice popping up there in the background. But the funk front isn't neglected -- "L'Histoire de l'Art" has clavinet licks and horns over turntable scratches, "Matière Grasse Contre Matière Grise" sports an early-'70s, JB-ish funk backing with wah-wah guitar and upfront drums (and a lyrical day-in-the-life reflection on Paris and the world). And the '70s funk groove for "La Musique Adoucit les Mouers" works from a bass/drums spine with scratching and keyboard sounds while "Bouge de Là" goes off from direct drum drive and bass funk before part two injects skank organ and dubbed-out toasting. It makes for a good transition to the quasi-duel of motormouths on "Ragga Jam," probably good for lighting up audiences live, but just lightweight here, and it brings the momentum to Qui Sème le Vent Récolte le Tempo a halt. But it's an impressive debut and important historically -- by pairing a rapper and producer in perfect sync with one another, it gave early French hip-hop a sound and tone of its own from the beginning.
© Don Snowden /TiVo

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