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Frédérick Haas|Pièces de clavecin des Livres I & II

Pièces de clavecin des Livres I & II

François Couperin

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The booklet for this double-disc recording of seven of François Couperin's Ordres for harpsichord refers to the instrument used, a 1751 instrument by Jean-Henry Hemsch, in extravagant terms like "almost supernatural richness." As played by keyboardist Frédérick Haas, it lives up to such claims. Haas offers a revisionist reading of Couperin that will surprise many listeners. His lengthy booklet essay lays out an argument contending that, just as much as the pieces explicitly mentioning a "reunion" of French and Italian tastes, the Ordres reflected Italian influences. Couperin, in Haas's view, was not a court composer inhabiting a narrow musical world of rules and charming listeners with incredibly detailed miniatures within those constraints. Instead, he was a rule-breaker who ignored traditional ideas about texture and rhetoric, fundamentally rethinking the small dance structures in which he worked. What this means for the listener is Couperin that Glenn Gould might have enjoyed, with racing tempos, phrasing set up to highlight moments of striking density in the music, and an overall free approach. The Hemsch instrument can take whatever Haas dishes out, with ringing resonances in its upper registers; the potential buyer ought to sample this recording just to hear it. The album is beautifully illustrated, as usual with Alpha, by a painting of the period annotated by Quebec art historian Denis Grenier; Poussin's A Dance to the Music of Time, with an ecstatic treatment of light and brushwork shining through its classical subject matter, seems especially illuminating for the music at hand and the way it is played. Listeners who are used to decorous Couperin may be in for a shock when they hear this, but for many others this will be a recording that gets immediately started again after its last perorations die away.

© TiVo

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Pièces de clavecin des Livres I & II

Frédérick Haas

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1
L'Art de toucher le clavecin: Troisième Prélude (Mesuré)
00:00:59

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

Premier ordre (François Couperin)

2
I. Allemande l'Auguste
00:03:19

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

3
II. Première Courante
00:01:17

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

4
III. Seconde Courante
00:02:00

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

5
IV. Sarabande la Majestüeuse
00:02:15

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

6
V. Gavotte
00:01:20

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

7
VI. La Milordine - Gigue (Gracieusement et légérement)
00:01:28

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

8
VII. Menuet - Double du Menuet précédent
00:01:57

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

9
VIII. Les Silvains (Majestüeusement, sans lenteur)
00:04:44

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

10
IX. Les Abeilles (Tendrement)
00:01:11

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

11
X. La Nanète (Gaÿement)
00:01:04

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

12
XI. Les Sentiments - Sarabande (Très tendrement)
00:03:23

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

13
XII. La Pastorèlle (Naïvement)
00:01:00

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

14
XIII. Les Nonètes. Les Blondes (1ère partie) [Tendrement] - Les Brunes (2ème partie)
00:02:12

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

15
XIV. La Bourbonnoise - Gavotte (Gaÿement)
00:00:50

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

16
XV. La Manon (Vivement)
00:00:59

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

17
XVI. L'Enchanteresse
00:02:18

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

18
XVII. La Fleurie, ou la tendre Nanètte (Gracieusement)
00:02:47

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

19
XVIII. Les Plaisirs de Saint Germain en Laÿe
00:03:13

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

20
L'Art de toucher le clavecin: Cinquième Prélude
00:02:28

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

Cinquième ordre (François Couperin)

21
I. La Logivière - Allemande (Majestueüsement, sans lenteur)
00:04:50

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

22
II. Courante
00:02:04

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

23
III. Seconde Courante
00:01:41

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

24
IV. Sarabande la Dangereuse (Gravement)
00:03:11

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

25
V. Gigue
00:01:39

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

26
VI. La Tendre Fanchon (Gracieusement)
00:03:25

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

27
VII. La Badine (Légérement et flaté)
00:01:25

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

28
VIII. La Bandoline (Légérement, sans vitesse)
00:01:51

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

29
IX. La Flore (Gracieusement)
00:02:01

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

30
X. L'Angélique (D'une légéreté modérée)
00:02:39

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

31
XI. La Villiers (Gracieusement) - Seconde partie (Un peu plus vivement)
00:03:59

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

32
XII. Les Vendangeuses
00:01:27

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

33
XIII. Les Agrémens (Gracieusement, sans lenteur)
00:05:34

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

34
XIV. Les Ondes (Gracieusement, sans lenteur)
00:03:01

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

DISC 2

1
L'Art de toucher le clavecin: Septième Prélude (Mesuré-lent, mesuré moins lent)
00:02:24

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

Sixième ordre (François Couperin)

2
I. Les Moissonneurs (Gaÿement)
00:02:11

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

3
II. Les Langueurs-Tendres
00:04:02

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

4
III. Le Gazoüillement (Gracieusement et coulé)
00:01:19

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

5
IV. La Bersan (Légérement)
00:02:09

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

6
V. Les Baricades Mistérieuses (Vivement)
00:02:38

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

7
VI. Les Bergeries (Naïvement)
00:05:06

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

8
VII. La Commère (Vivement)
00:01:52

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

9
VIII. Le Moucheron (Légérement)
00:02:07

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

Septième ordre (François Couperin)

10
I. La Ménetou (Gracieusement, sans lenteur)
00:03:11

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

11
II. Les Petits âges. La Muse Naissante
00:02:09

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

12
III. Les Petits âges. L'Enfantine
00:01:51

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

13
IV. Les Petits âges. L'Adolescente
00:01:55

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

14
V. Les Délices
00:03:21

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

15
VI. La Basque
00:01:54

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

16
VII. La Chazé (Très-lié, sans lenteur)
00:04:39

Frédérick Haas, Performer - François Couperin, Composer

2008 Alpha 2007 Alpha

Album review

The booklet for this double-disc recording of seven of François Couperin's Ordres for harpsichord refers to the instrument used, a 1751 instrument by Jean-Henry Hemsch, in extravagant terms like "almost supernatural richness." As played by keyboardist Frédérick Haas, it lives up to such claims. Haas offers a revisionist reading of Couperin that will surprise many listeners. His lengthy booklet essay lays out an argument contending that, just as much as the pieces explicitly mentioning a "reunion" of French and Italian tastes, the Ordres reflected Italian influences. Couperin, in Haas's view, was not a court composer inhabiting a narrow musical world of rules and charming listeners with incredibly detailed miniatures within those constraints. Instead, he was a rule-breaker who ignored traditional ideas about texture and rhetoric, fundamentally rethinking the small dance structures in which he worked. What this means for the listener is Couperin that Glenn Gould might have enjoyed, with racing tempos, phrasing set up to highlight moments of striking density in the music, and an overall free approach. The Hemsch instrument can take whatever Haas dishes out, with ringing resonances in its upper registers; the potential buyer ought to sample this recording just to hear it. The album is beautifully illustrated, as usual with Alpha, by a painting of the period annotated by Quebec art historian Denis Grenier; Poussin's A Dance to the Music of Time, with an ecstatic treatment of light and brushwork shining through its classical subject matter, seems especially illuminating for the music at hand and the way it is played. Listeners who are used to decorous Couperin may be in for a shock when they hear this, but for many others this will be a recording that gets immediately started again after its last perorations die away.

© TiVo

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