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Jennifer Choi|Orlando Jacinto García: Orchestral Music, Vol. 2

Orlando Jacinto García: Orchestral Music, Vol. 2

Orlando Jacinto Garcia, Malaga Philharmonic Orchestra

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Born in Havana in 1954, the Miami-based Orlando Jacinto García studied with Morton Feldman and has inherited some of Feldman’s concerns: his music likewise evolves gradually over slow-moving spans of time – here and there with an echo of West Coast minimalism. Like the still surface of the sea, the works on this album (three of them concertante pieces for virtuoso soloists) mirror the unhurried movement of natural phenomena, often in textures of considerable delicacy – and occasionally hinting at larger forces behind the apparent stasis. © Toccata Classics

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Orlando Jacinto García: Orchestral Music, Vol. 2

Jennifer Choi

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una marea creciente (a rising tide) (Orlando Jacinto Garcia)

1
una marea creciente (a rising tide)
Jennifer Choi
00:14:20

Malaga Philharmonic Orchestra, Orchestra - Orlando Jacinto Garcia, Composer, Conductor - Jennifer Choi, Artist, MainArtist

(C) 2018 Toccata Classics (P) 2018 Toccata Classics

From Darkness to Luminosity (Orlando Jacinto Garcia)

2
From Darkness to Luminosity
Cristina Valdes
00:17:22

Malaga Philharmonic Orchestra, Orchestra - Orlando Jacinto Garcia, Composer, Conductor - Cristina Valdes, Artist, MainArtist

(C) 2018 Toccata Classics (P) 2018 Toccata Classics

The Distant Wind II (Orlando Jacinto Garcia)

3
The Distant Wind II
Fernando Dominguez
00:14:18

Fernando Dominguez, Artist, MainArtist - Malaga Philharmonic Orchestra, Orchestra - Orlando Jacinto Garcia, Composer, Conductor

(C) 2018 Toccata Classics (P) 2018 Toccata Classics

Of wind, sea, and light (Orlando Jacinto Garcia)

4
Of wind, sea, and light
Malaga Philharmonic Orchestra
00:14:45

Malaga Philharmonic Orchestra, Orchestra, MainArtist - Orlando Jacinto Garcia, Composer, Conductor

(C) 2018 Toccata Classics (P) 2018 Toccata Classics

Album review

Born in Havana in 1954, the Miami-based Orlando Jacinto García studied with Morton Feldman and has inherited some of Feldman’s concerns: his music likewise evolves gradually over slow-moving spans of time – here and there with an echo of West Coast minimalism. Like the still surface of the sea, the works on this album (three of them concertante pieces for virtuoso soloists) mirror the unhurried movement of natural phenomena, often in textures of considerable delicacy – and occasionally hinting at larger forces behind the apparent stasis. © Toccata Classics

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