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Os Mutantes|Mutantes

Mutantes

Os Mutantes

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here.

© John Bush /TiVo

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Mutantes

Os Mutantes

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1
Don Quixote
00:03:53

Rita Lee, ComposerLyricist - Arnaldo Baptista, ComposerLyricist - Os Mutantes, MainArtist

℗ 1969 Universal Music Ltda

2
Não Vá Se Perder Por Aí
00:03:15

Rita Lee, Vocalist, AssociatedPerformer - Arnaldo Baptista, Bass Guitar, AssociatedPerformer - Sérgio Dias, Guitar, AssociatedPerformer - Os Mutantes, MainArtist - Roberto Lafayette Loyola, ComposerLyricist - Raphael Thadeu Vilardi Da Silva, ComposerLyricist - Manuel Barenbein, Producer

℗ 1969 Universal Music International

3
Dia 36
00:04:01

Johnny Dandurand, ComposerLyricist - Os Mutantes, MainArtist, ComposerLyricist

℗ 1969 Universal Music Ltda

4
2001 (Dois Mil E Um)
00:03:56

Tom Zé, ComposerLyricist - Rita Lee, ComposerLyricist - Os Mutantes, MainArtist

℗ 1969 Universal Music Ltda

5
Algo Mais
00:02:37

Rita Lee, ComposerLyricist - Arnaldo Baptista, ComposerLyricist - Os Mutantes, MainArtist - Sergio Dias Batista, ComposerLyricist

℗ 1969 Universal Music Ltda

6
Fuga Nº II
00:03:41

Rita Lee, Composer - Arnaldo Baptista, Composer - Os Mutantes, MainArtist - Sergio Dias Batista, Composer

℗ 1969 Universal Music Ltda

7
Banho De Lua
00:03:40

Fred Jorge, Translator - Rita Lee, Vocalist, AssociatedPerformer - Arnaldo Baptista, Bass Guitar, AssociatedPerformer - Sérgio Dias, Guitar, AssociatedPerformer - Francesco Migliacci, Author - Bruno De Fillipini, Composer - Os Mutantes, MainArtist - Manoel Barenbein, Producer

℗ 1969 Universal Music International

8
Rita Lee
00:03:08

Rita Lee, ComposerLyricist - Arnaldo Baptista, ComposerLyricist - Os Mutantes, MainArtist - Sergio Dias Batista, ComposerLyricist

℗ 1969 Universal Music Ltda

9
Mágica
00:04:36

Os Mutantes, MainArtist, ComposerLyricist

℗ 1969 Universal Music Ltda

10
Qualquer Bobagem
00:04:35

Tom Zé, ComposerLyricist - Os Mutantes, MainArtist, ComposerLyricist

℗ 1969 Universal Music Ltda

11
Caminhante Noturno
00:05:11

Rita Lee, ComposerLyricist - Arnaldo Baptista, ComposerLyricist - Os Mutantes, MainArtist

℗ 1969 Universal Music Ltda

Album review

One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here.

© John Bush /TiVo

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