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Slovak Philharmonic Orchestra|Mozart: Requiem in D Minor

Mozart: Requiem in D Minor

Slovak Philharmonic Orchestra, Zdenek Kosler, Magdaléna Hajóssyová and Slovenský filharmonický zbor

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Zdenek Kosler's performance of Mozart's Requiem follows the standard Süssmayr edition, so there are no revisionist novelties or alternate orchestrations here to concern the listener. However, there are still some surprises -- unpleasant ones -- that should be noted. The strings of the Slovak Philharmonic Orchestra have a thin, scraping quality from the beginning, which is especially distracting in the Introitus. Their raw sound recurs periodically throughout the rest of the Requiem. Whether it is due to poor recording or just scrappy playing is hard to discern, though both factors may contribute to the coarse sound. Intonation problems from the vocal soloists appear in the Tuba mirum and the Recordare, especially noticeable in the exposed quartets, and their sound is also artificially amplified in these sections and in the Benedictus. Tempi are problematic, sometimes at odds with the meaning of the texts. The Confutatis maledictis proceeds at an inappropriately stodgy pace and is unconvincing as a result of the labored playing and lazy dotted rhythms. Conversely, the Domine Jesu Christe is distressingly fast, and the fugal Quam olim Abrahae is unnecessarily choppy and aggressive. The uneven digital recording is unsatisfactory, even by standards in 1985, and despite the budget price, this disc is not recommended.

© TiVo

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Mozart: Requiem in D Minor

Slovak Philharmonic Orchestra

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1
Requiem in D Minor, K. 626: Introit: Requiem aeternam
00:05:03

Slovak Philharmonic Orchestra, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

2
Requiem in D Minor, K. 626: Kyrie eleison
00:02:44

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

3
Requiem in D Minor, K. 626: Sequence No. 1. Dies irae
00:01:46

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Magdalena Hajossyova, Primary - Slovenský filharmonický zbor, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

4
Requiem in D Minor, K. 626: Sequence No. 2. Tuba mirum
00:04:17

Slovak Philharmonic Orchestra, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

5
Requiem in D Minor, K. 626: Sequence No. 3. Rex tremendae majestatis
00:02:20

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

6
Requiem in D Minor, K. 626: Sequence No. 4. Recordare, Jesu pie
00:06:27

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

7
Requiem in D Minor, K. 626: Sequence No. 5. Confutatis maledictis
00:03:07

Slovak Philharmonic Orchestra, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

8
Requiem in D Minor, K. 626: Sequence No. 6. Lacrimosa dies illa
00:03:19

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

9
Requiem in D Minor, K. 626: Offertory No. 1. Domine Jesu Christe
00:03:35

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

10
Requiem in D Minor, K. 626: Offertory No. 2. Hostias et preces
00:04:39

Slovak Philharmonic Orchestra, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

11
Requiem in D Minor, K. 626: Sanctus
00:01:38

Slovak Philharmonic Orchestra, Primary - Magdalena Hajossyova, Primary - Slovenský filharmonický zbor, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

12
Requiem in D Minor, K. 626: Benedictus
00:05:36

Slovak Philharmonic Orchestra, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

13
Requiem in D Minor, K. 626: Agnus Dei
00:03:46

Slovak Philharmonic Orchestra, Primary - Zdenek Kosler, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

14
Requiem in D Minor, K. 626: Communion. Lux aeterna
00:05:48

Slovak Philharmonic Orchestra, Primary - Slovenský filharmonický zbor, Primary - Magdalena Hajossyova, Primary - Zdenek Kosler, Primary - Wolfgang Amadeus Mozart, Composer

2016 SMOOTH CLASSICAL

Album review

Zdenek Kosler's performance of Mozart's Requiem follows the standard Süssmayr edition, so there are no revisionist novelties or alternate orchestrations here to concern the listener. However, there are still some surprises -- unpleasant ones -- that should be noted. The strings of the Slovak Philharmonic Orchestra have a thin, scraping quality from the beginning, which is especially distracting in the Introitus. Their raw sound recurs periodically throughout the rest of the Requiem. Whether it is due to poor recording or just scrappy playing is hard to discern, though both factors may contribute to the coarse sound. Intonation problems from the vocal soloists appear in the Tuba mirum and the Recordare, especially noticeable in the exposed quartets, and their sound is also artificially amplified in these sections and in the Benedictus. Tempi are problematic, sometimes at odds with the meaning of the texts. The Confutatis maledictis proceeds at an inappropriately stodgy pace and is unconvincing as a result of the labored playing and lazy dotted rhythms. Conversely, the Domine Jesu Christe is distressingly fast, and the fugal Quam olim Abrahae is unnecessarily choppy and aggressive. The uneven digital recording is unsatisfactory, even by standards in 1985, and despite the budget price, this disc is not recommended.

© TiVo

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