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Robert Plane|Messiaen: Chamber Works

Messiaen: Chamber Works

Robert Plane, Gould Piano Trio

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The Gould Piano Trio, along with clarinetist Robert Plane, performs Messiaen's greatest chamber composition along with two attractive smaller pieces. Their reading of Quatuor pour la fin du Temps is notable for the musicians' sense of balance, bringing some lines to the foreground and keeping others in the shadows. Maintaining that sense of balance with this unusual ensemble is one of the marks of a performance that's transcendent rather than merely correct. Here the unusual subtlety of the dynamics and the broad palette of colors the players produce are revelatory. Plane brings exceptional finesse to the piece; his eight-minute solo is a marvel of expressiveness and absolutely clean articulation. Alice Neary has some difficulties with breaks in the impossibly high, impossibly long, and impossibly quiet sounds the cellist is required to produce, but otherwise the playing is just about immaculate. Violinist Lucy Gould and pianist Benjamin Frith make a strong case for the composer's very early Thème et variations, a marvel of post-Impressionist fervor. Les Offrandes oubliées, recorded here for the first time in Messiaen's own arrangement for piano, is less effective than the orchestral version; the slow outer sections suffer from being played on a percussive instrument with limited ability to sustain notes, but the fast middle section works as a kind of keyboard toccata. Chandos' sound is clean, intimate, and focused.

© TiVo

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Messiaen: Chamber Works

Robert Plane

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Les offrandes oubliees (Olivier Messiaen)

1
Les Offrandes oubliées (Arr. for Piano by Olivier Messiaen)
Benjamin Frith
00:08:46

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist

2008 Chandos Records 2008 Chandos Records

Thème et Variations (Olivier Messiaen)

2
I. Thème. Modéré
Benjamin Frith
00:01:50

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

3
II. Première Variation
Benjamin Frith
00:01:37

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

4
III. Deuxième Variation
Benjamin Frith
00:01:00

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

5
IV. Troisième Variation
Benjamin Frith
00:00:47

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

6
V. Quatrième Variation
Benjamin Frith
00:01:13

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

7
VI. Cinquième Variation
Benjamin Frith
00:03:49

Olivier Messiaen, Composer - Benjamin Frith, Piano, MainArtist - Lucy Gould, Violin, MainArtist

2008 Chandos Records 2008 Chandos Records

Quatuor pour la fin du temps (Olivier Messiaen)

8
I. Liturgie de cristal. Bien modéré
Gould Piano Trio
00:02:43

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

9
II. Vocalise, pour l'Ange qui annonce la fin du Temps
Gould Piano Trio
00:04:57

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

10
III. Abîme des oiseaux
Gould Piano Trio
00:08:40

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

11
IV. Intermède. Décidé
Gould Piano Trio
00:01:45

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

12
V. Louange à l'Éternité de Jésus
Gould Piano Trio
00:09:03

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

13
VI. Danse de la furer, pour les sept trompettes
Gould Piano Trio
00:06:35

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

14
VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps
Gould Piano Trio
00:07:20

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

15
VIII. Louange à l'Immortalité de Jésus
Gould Piano Trio
00:07:28

Olivier Messiaen, Composer - Robert Plane, Soloist, MainArtist - Gould Piano Trio, MainArtist, MusicalEnsemble

2008 Chandos Records 2008 Chandos Records

Album review

The Gould Piano Trio, along with clarinetist Robert Plane, performs Messiaen's greatest chamber composition along with two attractive smaller pieces. Their reading of Quatuor pour la fin du Temps is notable for the musicians' sense of balance, bringing some lines to the foreground and keeping others in the shadows. Maintaining that sense of balance with this unusual ensemble is one of the marks of a performance that's transcendent rather than merely correct. Here the unusual subtlety of the dynamics and the broad palette of colors the players produce are revelatory. Plane brings exceptional finesse to the piece; his eight-minute solo is a marvel of expressiveness and absolutely clean articulation. Alice Neary has some difficulties with breaks in the impossibly high, impossibly long, and impossibly quiet sounds the cellist is required to produce, but otherwise the playing is just about immaculate. Violinist Lucy Gould and pianist Benjamin Frith make a strong case for the composer's very early Thème et variations, a marvel of post-Impressionist fervor. Les Offrandes oubliées, recorded here for the first time in Messiaen's own arrangement for piano, is less effective than the orchestral version; the slow outer sections suffer from being played on a percussive instrument with limited ability to sustain notes, but the fast middle section works as a kind of keyboard toccata. Chandos' sound is clean, intimate, and focused.

© TiVo

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