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Kammerakademie Potsdam|Mendelssohn: Symphonies Nos. 1-5

Mendelssohn: Symphonies Nos. 1-5

Kammerakademie Potsdam & Antonello Manacorda

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This box set, released in 2021, collects individual recordings of Mendelssohn's five symphonies by the Kammerakademie Potsdam and conductor Antonello Manacorda, dating as far back as 2015. Four were recorded at Berlin's Teldex Studios, and one, the Symphony No. 2 in B flat major, Op. 52 ("Hymn of Praise"), was a live performance; all are sonically very strong. The Kammerakademie Potsdam may seem both rough and underpowered for those whose point of reference for these works is the London Philharmonic, but these recordings have been successful because they have added fresh outlooks to these well-worn pieces. As the name suggests, the Kammerakademie Potsdam is a small group of about 40 players, rightly varying according to the individual piece. There are some historical instruments; the horns used are natural or keyed, depending on the work as this instrument evolved rapidly over Mendelssohn's career, and Manacorda deploys his instruments in new ways. Throughout, he emphasizes the lower parts. This tends to steer away from Mendelssohn's ever-attractive tunes and toward his structural thinking, which often shows him wrestling with the legacy of Beethoven. Listen to the finale of the Symphony No. 3 in A minor, Op. 56 ("Scottish"), where the resolution to A major at the end is taken quickly and in a grand sweep rather than luxuriating in the triumphal melody. Try the tarantella finale of the Symphony No. 4 in A major, Op. 90 ("Italian"), as well; it doesn't have the catchy lilt so often associated with this piece, but it hangs together. The recording of the Symphony No. 1 in C minor, Op. 11, is exceptionally good, clearly placing the work in the mature set of symphonies rather than with the set of 12 string symphonies that preceded it. Listeners will find things they like and things they don't, but these will vary according to the individual, and that suggests longevity for Manacorda's recordings.

© TiVo

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Mendelssohn: Symphonies Nos. 1-5

Kammerakademie Potsdam

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Symphony No. 4 in A Major, Op. 90, "Italian" (Felix Mendelssohn)

1
I. Allegro vivace
00:10:42

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

2
II. Andante con moto
00:07:03

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

3
III. Con moto moderato
00:06:32

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

4
IV. Saltarello. Presto
00:05:32

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

Symphony No. 1 in C Minor, Op. 11 (Felix Mendelssohn)

5
I. Allegro di molto
00:10:30

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

6
II. Andante
00:07:36

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

7
III. Menuetto. Allegro molto
00:05:46

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

8
IV. Allegro con fuoco
00:08:14

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2016 Sony Music Entertainment Germany GmbH

DISC 2

Symphony No. 3 in A Minor, Op. 56, "Scottish" (Felix Mendelssohn)

1
I. Andante con moto - Allegro un poco agitato
00:16:02

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

2
II. Vivace non troppo
00:04:19

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

3
III. Adagio
00:09:42

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

4
IV. Allegro vivacissimo - Allegro maestoso assai
00:09:47

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

Symphony No. 5 in D Minor, Op. 107, "Reformation" (Felix Mendelssohn)

5
I. Andante - Allegro con fuoco
00:11:19

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

6
II. Allegro vivace
00:04:42

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

7
III. Andante
00:05:31

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

8
IV. Choral "Ein' feste Burg ist unser Gott". Andante con moto - Allegro vivace - Allegro maestoso
00:08:45

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2017 Sony Music Entertainment Germany GmbH

DISC 3

Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang" (Felix Mendelssohn)

1
I. Sinfonia: Maestoso con moto - Allegro
00:11:18

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

2
I. Sinfonia: Allegretto un poco agitato
00:06:01

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

3
I. Sinfonia: Adagio religioso
00:07:21

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

4
II. Allegro moderato maestoso. "Alles, was Odem hat, lobe den Herrn!"
00:07:05

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer - Maria Bengtsson, Soprano

(P) 2018 Sony Music Entertainment Germany GmbH

5
III. Allegro moderato. "Saget es, die Ihr erlöset seid; Er zählet uns're Tränen"
00:02:53

Felix Mendelssohn-Bartholdy, Composer - Pavol Breslik, Tenor - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

6
IV. A tempo moderato. "Sagt es, die ihr erlöst seid"
00:01:59

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

7
V. Andante. "Ich harrete des Herrn. Wohl dem, der seine Hoffnung setzt auf den Herrn"
00:05:06

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Johanna Winkel, Soprano - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer - Maria Bengtsson, Soprano

(P) 2018 Sony Music Entertainment Germany GmbH

8
VI. Allegro un poco agitato - Allegro assai agitato. "Stricke des Todes hatten uns umfangen"
00:04:09

Felix Mendelssohn-Bartholdy, Composer - Pavol Breslik, Tenor - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor

(P) 2018 Sony Music Entertainment Germany GmbH

9
VII. Allegro maestoso e molto vivace. "Die Nacht ist vergangen"
00:04:30

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

10
VIII. Andante con moto - Un poco più animato. "Nun danket alle Gott"
00:04:47

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

11
IX. Andante sostenuto assai. "Drum sing ich mit meinem Liede"
00:04:35

Felix Mendelssohn-Bartholdy, Composer - Pavol Breslik, Tenor - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - Maria Bengtsson, Soprano

(P) 2018 Sony Music Entertainment Germany GmbH

12
X. Allegro non troppo - Più vivace - Maestoso come I. "Ihr Völker! bringet her dem Herrn Ehre und Macht"
00:05:35

Felix Mendelssohn-Bartholdy, Composer - Kammerakademie Potsdam, MainArtist, AssociatedPerformer - Antonello Manacorda, Conductor - NDR Chor, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

Album review

This box set, released in 2021, collects individual recordings of Mendelssohn's five symphonies by the Kammerakademie Potsdam and conductor Antonello Manacorda, dating as far back as 2015. Four were recorded at Berlin's Teldex Studios, and one, the Symphony No. 2 in B flat major, Op. 52 ("Hymn of Praise"), was a live performance; all are sonically very strong. The Kammerakademie Potsdam may seem both rough and underpowered for those whose point of reference for these works is the London Philharmonic, but these recordings have been successful because they have added fresh outlooks to these well-worn pieces. As the name suggests, the Kammerakademie Potsdam is a small group of about 40 players, rightly varying according to the individual piece. There are some historical instruments; the horns used are natural or keyed, depending on the work as this instrument evolved rapidly over Mendelssohn's career, and Manacorda deploys his instruments in new ways. Throughout, he emphasizes the lower parts. This tends to steer away from Mendelssohn's ever-attractive tunes and toward his structural thinking, which often shows him wrestling with the legacy of Beethoven. Listen to the finale of the Symphony No. 3 in A minor, Op. 56 ("Scottish"), where the resolution to A major at the end is taken quickly and in a grand sweep rather than luxuriating in the triumphal melody. Try the tarantella finale of the Symphony No. 4 in A major, Op. 90 ("Italian"), as well; it doesn't have the catchy lilt so often associated with this piece, but it hangs together. The recording of the Symphony No. 1 in C minor, Op. 11, is exceptionally good, clearly placing the work in the mature set of symphonies rather than with the set of 12 string symphonies that preceded it. Listeners will find things they like and things they don't, but these will vary according to the individual, and that suggests longevity for Manacorda's recordings.

© TiVo

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