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Counterpoint|Let Me Fly: Music of Struggle, Solace, and Survival in Black America

Let Me Fly: Music of Struggle, Solace, and Survival in Black America

Counterpoint & Counterpoint, Robert De Cormier

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This disc collects choral arrangements of African-American spirituals, some of them drawn from longer works, by choir director Robert DeCormier. He worked as an arranger for such artists of the 1950s and 1960s as Odetta and Harry Belafonte, and some of the arrangements here date back to a group called the DeCormier Singers that he founded around that time. They are very much of that period, although they are sung by DeCormier's new group, Counterpoint. It doesn't take much of a stretch to imagine some of them as part of the soundtrack to A Mighty Wind, for the listener to this disc enters the realm of the folkie spiritual. Curiously, the free-standing spiritual arrangements here work better than those incorporated into the ballet Rainbow 'Round My Shoulder (later part of the repertory of the Alvin Ailey Dance Company) and the cantata-ballet They Called Her Moses, based on the life of Harriet Tubman and narrated by Jonita Lattimore. The individual spirituals have harmonically rich arrangements not far removed from those made by the African-American choir leaders who inspired DeCormier, but many of the effects in the two dramatic works are definitely dated (sample the shuffle-beat guitar of track 19, "To Da Darlin Day"). The choir has a certain reserve that may annoy listeners who associate African American music with deep emotional conviction. The choir here is interracial, as was DeCormier's previous group, and the live question of ownership of the spirituals by African Americans is only tangentially relevant. This music may evoke an era in which black-white cooperation in the arena of civil rights seemed easier than it does not. But it's still a throwback that makes one realize how much times have changed.

© TiVo

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Let Me Fly: Music of Struggle, Solace, and Survival in Black America

Counterpoint

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1
Ezekiel Saw the Wheel
00:03:33

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

2
Walk Together Children
00:02:28

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

3
By n' By
00:02:10

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

4
Ain't a That Good News
00:02:04

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - Hal Leonard, MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

5
Obey the Spirit of the Lord
00:03:38

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

6
John Henry
00:04:59

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

7
Rainbow 'Round My Shoulder: Rocks and Gravel
00:03:42

Robert de Cormier, Composer, Conductor, Contributor - Milton Okun, Composer - Counterpoint, MainArtist - Cherry Lane Music, MusicPublisher - Donald McKayle, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

8
Rainbow 'Round My Shoulder: Dink's Blues
00:04:02

Robert de Cormier, Composer, Conductor, Contributor - Milton Okun, Composer - Counterpoint, MainArtist - Cherry Lane Music, MusicPublisher - Donald McKayle, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

9
Rainbow 'Round My Shoulder: Rainbow 'Round My Shoulder
00:03:08

Robert de Cormier, Composer, Conductor, Contributor - Milton Okun, Composer - Counterpoint, MainArtist - Cherry Lane Music, MusicPublisher - Donald McKayle, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

10
Rainbow 'Round My Shoulder: Another Man Done Gone
00:01:42

Robert de Cormier, Composer, Conductor, Contributor - Milton Okun, Composer - Counterpoint, MainArtist - Cherry Lane Music, MusicPublisher - Donald McKayle, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

11
My Lord What a Mornin'
00:03:46

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - Hal Leonard, MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

12
Amen
00:03:36

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

13
Let Me Fly
00:02:33

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

14
Hold On
00:02:20

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - Hal Leonard, MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

15
Ride On, King Jesus
00:02:38

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

16
Hear the Lambs a Cryin'
00:02:47

Robert de Cormier, Composer, Conductor, Contributor - Traditional, Composer - Counterpoint, MainArtist - WB Music Corp., MusicPublisher

(C) 2006 Albany Records (P) 2007 Albany Records

17
They Called her Moses: They Called Her Moses
00:03:20

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

18
They Called her Moses: Journey (Part I)
00:05:20

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

19
They Called her Moses: To Da Darlin' Day
00:03:03

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

20
They Called her Moses: Journey (Part II)
00:04:21

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

21
They Called her Moses: I Been In the Storm so Long
00:03:56

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

22
They Called her Moses: Finale
00:04:42

Robert de Cormier, Conductor, Contributor - Counterpoint, MainArtist - WB Music Corp., MusicPublisher - Jonita Lattimore, Composer

(C) 2006 Albany Records (P) 2007 Albany Records

Album review

This disc collects choral arrangements of African-American spirituals, some of them drawn from longer works, by choir director Robert DeCormier. He worked as an arranger for such artists of the 1950s and 1960s as Odetta and Harry Belafonte, and some of the arrangements here date back to a group called the DeCormier Singers that he founded around that time. They are very much of that period, although they are sung by DeCormier's new group, Counterpoint. It doesn't take much of a stretch to imagine some of them as part of the soundtrack to A Mighty Wind, for the listener to this disc enters the realm of the folkie spiritual. Curiously, the free-standing spiritual arrangements here work better than those incorporated into the ballet Rainbow 'Round My Shoulder (later part of the repertory of the Alvin Ailey Dance Company) and the cantata-ballet They Called Her Moses, based on the life of Harriet Tubman and narrated by Jonita Lattimore. The individual spirituals have harmonically rich arrangements not far removed from those made by the African-American choir leaders who inspired DeCormier, but many of the effects in the two dramatic works are definitely dated (sample the shuffle-beat guitar of track 19, "To Da Darlin Day"). The choir has a certain reserve that may annoy listeners who associate African American music with deep emotional conviction. The choir here is interracial, as was DeCormier's previous group, and the live question of ownership of the spirituals by African Americans is only tangentially relevant. This music may evoke an era in which black-white cooperation in the arena of civil rights seemed easier than it does not. But it's still a throwback that makes one realize how much times have changed.

© TiVo

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