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Kelly Hall-Tompkins|In My Own Voice

In My Own Voice

Kelly Hall-Tompkins

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South Carolina-born, New York-based violinist Kelly Hall-Tompkins, with degrees from the Eastman School and the Manhattan School of Music, here offers a debut recital disc that proceeds from the familiar to the unusual. That's noteworthy in itself. Many African American musicians have performed works from the African American concert repertory, but to build toward a little-heard virtuoso work in a premiere recording takes confidence and control. That work, David Baker Jr.'s Ethnic Variations on a Theme of Paganini (1976), comes from the so-called Third Stream movement, which aimed to bridge the gap between jazz and classical traditions. That the composers associated with that movement underestimated the size of the gap doesn't mean that the effort itself was wasted, and indeed it's more needed now than ever. Baker's piece is one of the great crowd pleasers of the Third Stream, with all the resources of the violin deployed in realizations less of jazz than of African-American popular rhythms like "Heavy Rhythm and Blues" (track 14). The level of sheer virtuosity associated with Paganini is retained in diverting ways, and Hall-Tompkins plays with obvious enthusiasm. The Baker work is effectively introduced by William Grant Still's Summerland, a short lyrical work mixing jazz and blues harmonies with Romantic conventions. Prior to that, the program has more of feel of a school recital, with performances of virtuoso standards that are convincing in themselves but that don't quite fit together. The lurch from the Chaconne from Bach's Partita No. 2 in D minor for solo violin, BWV 1004, to Saint-Saëns' Fantasy in A major for Violin and Harp, Op. 124, is particularly striking, and the booklet notes, of the standard composer-biography-plus-notes-on-the-individual-work type, point up the fact that the program isn't a coherent whole. Technically everything's solid, however, and in her capacity for taking chances on unfamiliar material, Hall-Tompkins serves notice that she's a young violinist to be watched.
© TiVo

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In My Own Voice

Kelly Hall-Tompkins

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1
Recitativo and Scherzo-Caprice for Violin Solo, Op. 6
00:04:47

Fritz Kreisler, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

2
Liebeslied
00:05:56

Joseph Suk, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

3
Sonata for Unaccompanied Violin, in D Minor, No. 3: Ballade
00:08:15

Eugene Ysaye, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

4
Violin Partita, in D Minor, No. 2, Bwv 1004: Chaconne
00:15:31

Johann Sebastian Bach, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

5
Fantasy for Violin and Harp, in a Major, Op. 124
00:13:45

CAMILLE SAINT-SAENS, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

6
Summerland
00:03:30

William Grant Still, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

7
Ethnic Variations On a Theme of Paganini: Theme
00:00:27

Kelly Hall-Tompkins, MainArtist - David Baker, Jr., Composer

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

8
Ethnic Variations On a Theme of Paganini: I. Bebop
00:00:43

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

9
Ethnic Variations On a Theme of Paganini: II. Swing
00:00:27

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

10
Ethnic Variations On a Theme of Paganini: III. Funky Groove
00:00:49

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

11
Ethnic Variations On a Theme of Paganini: IV. Calypso
00:01:19

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

12
Ethnic Variations On a Theme of Paganini: V. (Swing) Bluesy
00:01:04

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

13
Ethnic Variations On a Theme of Paganini: VI. Left Hand Pizz
00:00:34

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

14
Ethnic Variations On a Theme of Paganini: VII. Heavy Rhythm And
00:01:00

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

15
Ethnic Variations On a Theme of Paganini: VIII. (Spiritual)
00:02:21

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

16
Ethnic Variations On a Theme of Paganini: IX. Finale
00:02:14

David Baker, Composer - Kelly Hall-Tompkins, MainArtist

2008 Kelly Hall-Tompkins 2008 Kelly Hall-Tompkins

Album review

South Carolina-born, New York-based violinist Kelly Hall-Tompkins, with degrees from the Eastman School and the Manhattan School of Music, here offers a debut recital disc that proceeds from the familiar to the unusual. That's noteworthy in itself. Many African American musicians have performed works from the African American concert repertory, but to build toward a little-heard virtuoso work in a premiere recording takes confidence and control. That work, David Baker Jr.'s Ethnic Variations on a Theme of Paganini (1976), comes from the so-called Third Stream movement, which aimed to bridge the gap between jazz and classical traditions. That the composers associated with that movement underestimated the size of the gap doesn't mean that the effort itself was wasted, and indeed it's more needed now than ever. Baker's piece is one of the great crowd pleasers of the Third Stream, with all the resources of the violin deployed in realizations less of jazz than of African-American popular rhythms like "Heavy Rhythm and Blues" (track 14). The level of sheer virtuosity associated with Paganini is retained in diverting ways, and Hall-Tompkins plays with obvious enthusiasm. The Baker work is effectively introduced by William Grant Still's Summerland, a short lyrical work mixing jazz and blues harmonies with Romantic conventions. Prior to that, the program has more of feel of a school recital, with performances of virtuoso standards that are convincing in themselves but that don't quite fit together. The lurch from the Chaconne from Bach's Partita No. 2 in D minor for solo violin, BWV 1004, to Saint-Saëns' Fantasy in A major for Violin and Harp, Op. 124, is particularly striking, and the booklet notes, of the standard composer-biography-plus-notes-on-the-individual-work type, point up the fact that the program isn't a coherent whole. Technically everything's solid, however, and in her capacity for taking chances on unfamiliar material, Hall-Tompkins serves notice that she's a young violinist to be watched.
© TiVo

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