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Vic Chesnutt|Drunk

Drunk

Vic Chesnutt

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On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.

© Matt Fink /TiVo

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Drunk

Vic Chesnutt

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1
Sleeping Man
00:04:39

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

2
Bourgeois and Biblical
00:02:01

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

3
Intro (#1)
00:00:34

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

4
One of Many
00:02:15

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

5
Supernatural
00:03:36

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

6
When I Ran off and Left Her
00:02:54

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

7
Dodge
00:04:09

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

8
Gluefoot
00:02:22

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

9
Untitled
00:00:35

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

10
Drunk
00:03:30

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

11
Naughty Fatalist
00:03:13

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

12
Super Tuesday
00:01:25

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

13
Sleeping Man (Syd Version)
00:04:44

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

14
Kick My Ass
00:02:39

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

15
Cutty Sark
00:03:03

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

16
Lillian Gish
00:03:13

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

17
Arthur Murray
00:02:39

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

18
Bad Boy Town
00:02:52

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

19
Great Buffet
00:02:42

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

20
Intro (#2)
00:00:12

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

21
Aunt Avis
00:03:05

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

22
Intro (#3)
00:00:32

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

23
Gravity of the Situation
00:04:40

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher - Veal Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

24
Intro (#4)
00:00:28

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

25
I Dreamed I Saw St. Augustine
00:04:47

Vic Chesnutt, MainArtist - Dwarf Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

26
Intro (#5)
00:00:15

Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

27
Naw
00:04:31

Vic Chesnutt, MainArtist - Bug Music, Inc., MusicPublisher

2004 New West Records, LLC 2004 New West Records, LLC

Album review

On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.

© Matt Fink /TiVo

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