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Forma Antiqva|Concerto Zapico

Concerto Zapico

Forma Antiqua

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Three brothers named Zapico -- Aarón, Pablo, and Daniel -- are part of the early music group Forma Antiqua (or, Antiqva); they appear here by themselves in a program of "Iberian-Italian" Baroque dance music, a genre whose influence stretched as far north as mid-Germany. The listener who samples this disc and wonders whether Baroque keyboard pieces ever actually had this much oomph can be assured that the recording falls purely into the not-even-speculative realm of using musical scores purely as a stimulus for further creative activity; keyboard music was something of a realm unto itself in the 17th century, and the booming guitar-and-theorbo arrangements heard here are purely the invention of the players. Indeed, they offer no justification other than that of wanting to play the music together. This said, the disc has the considerable virtue of reminding the listener that all of the patterns -- the fandangos, ciaccona, giga, folía, and so on heard here -- that made their way into Baroque music as ground basses were originally dances. The accompaniments devised by the Zapicos perhaps go beyond the intensity Baroque audiences would have recognized as appropriate (or perhaps they don't). But they're a great deal of fun, and they go together with the exciting group of releases that's defining the secular repertory exemplified by such composers as Santiago de Murcia, a repertory whose echoes have come down to the present day in both old and new worlds. Not "authentic," but if you don't tap your feet to a piece like Murcia's Folías gallegas (track 12), you'd better check for a pulse.

© TiVo

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Concerto Zapico

Forma Antiqva

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Fandango (Domenico Scarlatti)

1
Fandango
00:05:11

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Preludio (Ludovico Roncalli)

2
Preludio
00:00:57

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Passacaglia (Giovanni Girolamo Kapsperger)

3
Passacaglia
00:03:19

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Bayle del Gran Duque (Anonymous)

4
Bayle del Gran Duque
00:06:50

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Fandango (Santiago de Murcia)

5
Fandango
00:03:40

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Toccata XI (Giovanni Girolamo Kapsperger)

6
Toccata XI
00:01:29

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Capona & Ciaccona (Giovanni Girolamo Kapsperger)

7
Capona & Ciaccona
00:04:43

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Obra de Lleno de Primer Tono sin paso (Jusepe Ximenez)

8
Obra de Lleno de Primer Tono Sin Paso
00:04:38

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Preludio Grabe (Santiago de Murcia)

9
Preludio Grabe
00:02:15

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Giga (Santiago de Murcia)

10
Giga
00:02:29

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Partite diversi di follia (Bernardo Pasquini)

11
Partite Diversi Di Follia
00:06:06

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Folias Gallegas (Santiago de Murcia)

12
Folías Gallegas
00:04:12

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Fandango de España (José de Nebra)

13
Fandango de España
00:01:39

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Colascione (Giovanni Girolamo Kapsperger)

14
Colascione
00:01:50

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Recercada I / Lo Ballo dell'Intorcia (Diego Ortiz)

15
Recercada I / Lo Ballo Dell'intorcia
00:05:24

Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar

2010 Winter & Winter GmbH 2010 Winter & Winter GmbH

Album review

Three brothers named Zapico -- Aarón, Pablo, and Daniel -- are part of the early music group Forma Antiqua (or, Antiqva); they appear here by themselves in a program of "Iberian-Italian" Baroque dance music, a genre whose influence stretched as far north as mid-Germany. The listener who samples this disc and wonders whether Baroque keyboard pieces ever actually had this much oomph can be assured that the recording falls purely into the not-even-speculative realm of using musical scores purely as a stimulus for further creative activity; keyboard music was something of a realm unto itself in the 17th century, and the booming guitar-and-theorbo arrangements heard here are purely the invention of the players. Indeed, they offer no justification other than that of wanting to play the music together. This said, the disc has the considerable virtue of reminding the listener that all of the patterns -- the fandangos, ciaccona, giga, folía, and so on heard here -- that made their way into Baroque music as ground basses were originally dances. The accompaniments devised by the Zapicos perhaps go beyond the intensity Baroque audiences would have recognized as appropriate (or perhaps they don't). But they're a great deal of fun, and they go together with the exciting group of releases that's defining the secular repertory exemplified by such composers as Santiago de Murcia, a repertory whose echoes have come down to the present day in both old and new worlds. Not "authentic," but if you don't tap your feet to a piece like Murcia's Folías gallegas (track 12), you'd better check for a pulse.

© TiVo

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