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Jack Jezzro|Brazilian Nights

Brazilian Nights

Jack Jezzro

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Jack Jezzro was among the more versatile session players of the 1980s and 1990s; though the guitarist did his share of country-pop dates in Nashville, he had no problem playing pop-jazz. One of the NAC-oriented albums he recorded as a leader was Brazilian Nights, a decent but unremarkable collection of pop-jazz mood music. The CD is light and gentle enough to appeal to 1990s NAC tastes, but as mellow as it is, Brazilian Nights has some substance and isn't outright elevator Muzak. As its title indicates, this release has strong Brazilian leanings -- instrumentals like "Latin Storm" (which bears a slight resemblance to Kenny Dorham's "Blue Bossa"), "Señor Samba," and "Café Calypso" underscore Jezzro's appreciation of bossa nova. But not everything on the CD is Brazilian-minded "Ladrón de Corazon," for example, has more of an Andean/Peruvian/Bolivian appeal, while "Fiesta Español" is flamenco-influenced. Not fantastic but generally pleasant, Brazilian Nights has more going for it than a lot of the NAC releases that came in the late 1990s.

© Alex Henderson /TiVo

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Brazilian Nights

Jack Jezzro

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1
Brazilian Nights
00:03:58

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

2
Fiesta Espanol
00:02:55

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

3
Senor Samba (Brazilian Nights Album Version)
00:04:12

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

4
Leblon (Brazilian Nights Album Version)
00:04:30

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

5
Paqueta, Isle Of Love
00:05:43

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

6
Café Calypso
00:04:25

Jack Jezzro, Composer, Producer, Guitar, MainArtist, AssociatedPerformer - Eric Darken, Percussion, AssociatedPerformer - Craig Nelson, Guitar, Bass Guitar, AssociatedPerformer - Denis Solee, Flute, AssociatedPerformer - George Tidwell, Trumpet, AssociatedPerformer - Glen Caruba, Percussion, AssociatedPerformer - Pat Coil, Keyboards, AssociatedPerformer

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

7
Latin Storm
00:04:06

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

8
Miranda
00:05:01

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

9
The Road To Ponta Pora
00:03:49

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

10
Ladron De Corazon (Brazilian Nights Album Version)
00:03:59

Chris McDonald, Composer - Jack Jezzro, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

11
The Beach At Ipanema
00:05:00

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

12
Midnight In Rio
00:03:48

Jack Jezzro, Composer, Producer, MainArtist

(C) 1998 Green Hill Productions ℗ 1998 Green Hill Productions

Album review

Jack Jezzro was among the more versatile session players of the 1980s and 1990s; though the guitarist did his share of country-pop dates in Nashville, he had no problem playing pop-jazz. One of the NAC-oriented albums he recorded as a leader was Brazilian Nights, a decent but unremarkable collection of pop-jazz mood music. The CD is light and gentle enough to appeal to 1990s NAC tastes, but as mellow as it is, Brazilian Nights has some substance and isn't outright elevator Muzak. As its title indicates, this release has strong Brazilian leanings -- instrumentals like "Latin Storm" (which bears a slight resemblance to Kenny Dorham's "Blue Bossa"), "Señor Samba," and "Café Calypso" underscore Jezzro's appreciation of bossa nova. But not everything on the CD is Brazilian-minded "Ladrón de Corazon," for example, has more of an Andean/Peruvian/Bolivian appeal, while "Fiesta Español" is flamenco-influenced. Not fantastic but generally pleasant, Brazilian Nights has more going for it than a lot of the NAC releases that came in the late 1990s.

© Alex Henderson /TiVo

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