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Lisa Tatin|Berg Darbellay Mahler: Lieder

Berg Darbellay Mahler: Lieder

Lisa Tatin & Ensemble Orion

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The idea that music begins where language ends goes back to literary Romanticism. In 1835, Joseph von Eichendorff was tracking the “song in all things” with his dowsing rod (“Wünschelrüte” in German, as is entitled one of his most famous poems), searching for the “magic word” that would be capable of transforming the world into song. Only a language that itself becomes music can speak about what it must otherwise keep silent. Thus the credo of romantic poetry.

But if language itself becomes music, what is music then to become? In the musical genre of the Lied, in which words and music are twinned, in which meaning and sound support, ensnare and sometimes infiltrate each other, the composers themselves answer this question. Every art song is basically a meditation on the relationship between music and language.

This is particularly true of the three Lieder cycles on this album. The song settings by Gustav Mahler, Alban Berg and Jean-Luc Darbellay all revolve around an absence revealed by the language – and to which music provides an acoustic presence. Covering a period of eight decades, the three composers approach the fateful intertwining of love, loss and memory, finding a suitable musical language. The three Mahler, Berg and Darbellay song cycles presented by the Ensemble Orion are arrangements for soprano and string quartet or trio. This is the first recording of the works in a chamber music setting. © Claves Records

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Berg Darbellay Mahler: Lieder

Lisa Tatin

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1
Sieben frühe Lieder: I. Nacht
00:03:27

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Carl Hauptmann (1858-1921), Composer - Heime Müller (*1970), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

2
Sieben frühe Lieder: II. Schilflied
00:01:51

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Nikolaus Lenau (1802-1850), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

3
Sieben frühe Lieder: III. Die Nachtigall
00:01:59

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer - Theodor Storm (1817-1888), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

4
Sieben frühe Lieder: IV. Traumgekrönt
00:02:28

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer - Rainer Maria Rilke (1875-1926), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

5
Sieben frühe Lieder: V. Im Zimmer
00:01:10

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer - Johannes Schlaf (1862-1941), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

6
Sieben frühe Lieder: VI. Liebesode
00:01:48

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer - Otto Erich Hartleben (1864-1905), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

7
Sieben frühe Lieder: VII. Sommertage
00:01:56

Alban Berg, Composer - Alban Berg (1885-1935), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Heime Müller (*1970), Composer - Paul Hohenberg (1885-1956), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

8
Sept poèmes romands pour soprano et trio à cordes: I. Le voile
00:03:01

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - François Rossel (1955-2015), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

9
Sept poèmes romands pour soprano et trio à cordes: II. Offrande
00:02:54

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Bruno Ackermann (1957*), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

10
Sept poèmes romands pour soprano et trio à cordes: III. Un arbre
00:01:47

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Pierre-Alain Pingoud, Composer

(C) 2022 Claves Records (P) 2022 Claves Records

11
Sept poèmes romands pour soprano et trio à cordes: IV. L’eau
00:01:08

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Pierre-Alain Pingoud, Composer

(C) 2022 Claves Records (P) 2022 Claves Records

12
Sept poèmes romands pour soprano et trio à cordes: V. La graine
00:00:39

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Pierre-Alain Pingoud, Composer

(C) 2022 Claves Records (P) 2022 Claves Records

13
Sept poèmes romands pour soprano et trio à cordes: VI. La mer
00:01:03

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Pierre-Alain Pingoud, Composer

(C) 2022 Claves Records (P) 2022 Claves Records

14
Sept poèmes romands pour soprano et trio à cordes: VII. Sud
00:05:42

Jean-Luc Darbellay, Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Jean-Luc Darbellay (*1946), Composer - Alain Rochat (*1961), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

15
Kindertotenlieder: I. Nun will die Sonn‘ so hell aufgehn
00:05:14

Gustav Mahler, Composer - Gustav Mahler (1860-1911), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Friedrich Rückert (1788-1866), Composer - Ivo Bauer (*1967), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

16
Kindertotenlieder: II. Nun seh‘ ich wohl, warum so dunkle Flammen
00:04:27

Gustav Mahler, Composer - Gustav Mahler (1860-1911), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Friedrich Rückert (1788-1866), Composer - Ivo Bauer (*1967), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

17
Kindertotenlieder: III. Wenn Dein Mütterlein tritt zur Tür herein
00:04:56

Gustav Mahler, Composer - Gustav Mahler (1860-1911), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Friedrich Rückert (1788-1866), Composer - Ivo Bauer (*1967), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

18
Kindertotenlieder: IV. Oft denk‘ ich, sie sind nur ausgegangen
00:02:33

Gustav Mahler, Composer - Gustav Mahler (1860-1911), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Friedrich Rückert (1788-1866), Composer - Ivo Bauer (*1967), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

19
Kindertotenlieder: V. In diesem Wetter, in diesem Braus
00:05:59

Gustav Mahler, Composer - Gustav Mahler (1860-1911), Composer - Lisa Tatin, MainArtist - Ensemble Orion, Ensemble, MainArtist - Friedrich Rückert (1788-1866), Composer - Ivo Bauer (*1967), Composer

(C) 2022 Claves Records (P) 2022 Claves Records

Album review

The idea that music begins where language ends goes back to literary Romanticism. In 1835, Joseph von Eichendorff was tracking the “song in all things” with his dowsing rod (“Wünschelrüte” in German, as is entitled one of his most famous poems), searching for the “magic word” that would be capable of transforming the world into song. Only a language that itself becomes music can speak about what it must otherwise keep silent. Thus the credo of romantic poetry.

But if language itself becomes music, what is music then to become? In the musical genre of the Lied, in which words and music are twinned, in which meaning and sound support, ensnare and sometimes infiltrate each other, the composers themselves answer this question. Every art song is basically a meditation on the relationship between music and language.

This is particularly true of the three Lieder cycles on this album. The song settings by Gustav Mahler, Alban Berg and Jean-Luc Darbellay all revolve around an absence revealed by the language – and to which music provides an acoustic presence. Covering a period of eight decades, the three composers approach the fateful intertwining of love, loss and memory, finding a suitable musical language. The three Mahler, Berg and Darbellay song cycles presented by the Ensemble Orion are arrangements for soprano and string quartet or trio. This is the first recording of the works in a chamber music setting. © Claves Records

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