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WDR Sinfonieorchester Köln|Beethoven: Symphonies Nos. 4 & 5

Beethoven: Symphonies Nos. 4 & 5

WDR Sinfonieorchester Köln, Jukka-Pekka Saraste

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Having completed his Brahms orchestral set with the WDR Sinfonieorchester on Profil, Jukka-Pekka Saraste turns to Beethoven for a complete cycle of the nine symphonies, recorded for broadcast on Cologne radio. On CD, the series begins with the two middle symphonies, the Symphony No. 4 in B flat major, Op. 60, and the Symphony No. 5 in C minor, Op. 67, suggesting an unconventional pattern for subsequent releases. Yet this unusual pairing opens up the possibility of exploring sharp contrasts between the symphonies, by pitting the gentle Romantic lyricism of the often overlooked Fourth against the dynamic energy of the Fifth, possibly the best known of all classical symphonies. Saraste has performed Beethoven's symphonies before, usually with chamber orchestras, so these performances with a large symphony orchestra show his disciplined approach and attention to details, while strong ensemble playing from the brass and woodwinds demonstrate the orchestra's modern resources. There is no attempt to re-create the orchestral scale or sonorities of Beethoven's time, though one might say these performances offer the clarity of a period performance with the robust sound of a modern reading, which may be the best of both worlds. This is a solid start for a Beethoven set and highly recommended.
© TiVo

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Beethoven: Symphonies Nos. 4 & 5

WDR Sinfonieorchester Köln

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Symphony No. 4 In B-flat Major, Op. 60 (Ludwig van Beethoven)

1
I. Adagio - Allegro vivace
00:11:23

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

2
II. Adagio
00:09:28

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

3
III. Menuetto: Allegro vivace
00:05:42

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

4
IV. Allegro ma non troppo
00:06:56

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

Symphony No. 5 in C minor, Op. 67 (Ludwig van Beethoven)

5
I. Allegro con brio
00:07:15

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

6
II. Andante con moto
00:09:15

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

7
III. Allegro
00:05:23

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

8
IV. Allegro
00:10:36

Ludwig van Beethoven, Composer - Jukka-Pekka Saraste, Conductor - WDR Sinfonieorchester Köln, Orchestra, MainArtist

(C) 2018 Profil (P) 2018 Profil

Album review

Having completed his Brahms orchestral set with the WDR Sinfonieorchester on Profil, Jukka-Pekka Saraste turns to Beethoven for a complete cycle of the nine symphonies, recorded for broadcast on Cologne radio. On CD, the series begins with the two middle symphonies, the Symphony No. 4 in B flat major, Op. 60, and the Symphony No. 5 in C minor, Op. 67, suggesting an unconventional pattern for subsequent releases. Yet this unusual pairing opens up the possibility of exploring sharp contrasts between the symphonies, by pitting the gentle Romantic lyricism of the often overlooked Fourth against the dynamic energy of the Fifth, possibly the best known of all classical symphonies. Saraste has performed Beethoven's symphonies before, usually with chamber orchestras, so these performances with a large symphony orchestra show his disciplined approach and attention to details, while strong ensemble playing from the brass and woodwinds demonstrate the orchestra's modern resources. There is no attempt to re-create the orchestral scale or sonorities of Beethoven's time, though one might say these performances offer the clarity of a period performance with the robust sound of a modern reading, which may be the best of both worlds. This is a solid start for a Beethoven set and highly recommended.
© TiVo

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