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Rachel Podger|Bach: Sonatas & Partitas, Vol. 1

Bach: Sonatas & Partitas, Vol. 1

Rachel Podger

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A poem about the poverty and riches of the violin. A bit of wood, a few strings and a bow, yet unbelievable what it can be made to produce. The last three lines are about mankind’s enormous power of perception - about all that his heart is able to follow and understand. Grillparzer is confident about man’s capabilities in this respect. He does not speak about what is beyond him.
It is highly debatable whether Grillparzer (a contemporary of Beethoven and Schubert) knew Bach’s six works for solo violin. Nevertheless he manages in this poem, without actually intending to do so, to go right to their core. It seems as if Bach demands the extremes from the violin, even more than it is capable of. A great deal is not actually performable as written, such as much of the chordal writing. Violinists and musicologists have devoted gallons of ink and hundreds of pages to this and numerous other aspects of the performance practice of Bach’s solo violin writing: much more than Bach himself needed to write down his six sonatas and partitas.
All these writers, from the first Bach biographer Forkel, to Albert Schweitzer and the great contemporary Bach expert Christoph Wolf, are children of their time and attest over and over to their ‘understanding’, their ‘truth’. In doing so, these authors raise more questions about Bach’s enigmatic works for unaccompanied violin than they can provide answers for. And then they give answers preceded by ‘perhaps’, ‘possibly’, or on occasion, ‘probably’...

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Bach: Sonatas & Partitas, Vol. 1

Rachel Podger

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Violin Sonata No. 1 in G Minor, BWV 1001 (Johann Sebastian Bach)

1
I. Adagio
00:03:42

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

2
II. Fuga. Allegro
00:05:38

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

3
III. Siciliana
00:03:03

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

4
IV. Presto
00:03:51

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Violin Partita No. 1 in B Minor, BWV 1002 (Johann Sebastian Bach)

5
I. Allemanda
00:05:47

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

6
II. Double
00:03:33

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

7
III. Corrente
00:03:25

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

8
IV. Double. Presto
00:03:44

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

9
V. Sarabande
00:03:49

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

10
VI. Double
00:02:33

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

11
VII. Tempo di Borea
00:03:40

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

12
VIII. Double
00:04:03

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Violin Partita No. 2 in D Minor, BWV 1004 (Johann Sebastian Bach)

13
I. Allemanda
00:04:30

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

14
II. Corrente
00:02:45

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

15
III. Sarabanda
00:04:28

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

16
IV. Giga
00:03:59

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

17
V. Ciaccona
00:13:31

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Album review

A poem about the poverty and riches of the violin. A bit of wood, a few strings and a bow, yet unbelievable what it can be made to produce. The last three lines are about mankind’s enormous power of perception - about all that his heart is able to follow and understand. Grillparzer is confident about man’s capabilities in this respect. He does not speak about what is beyond him.
It is highly debatable whether Grillparzer (a contemporary of Beethoven and Schubert) knew Bach’s six works for solo violin. Nevertheless he manages in this poem, without actually intending to do so, to go right to their core. It seems as if Bach demands the extremes from the violin, even more than it is capable of. A great deal is not actually performable as written, such as much of the chordal writing. Violinists and musicologists have devoted gallons of ink and hundreds of pages to this and numerous other aspects of the performance practice of Bach’s solo violin writing: much more than Bach himself needed to write down his six sonatas and partitas.
All these writers, from the first Bach biographer Forkel, to Albert Schweitzer and the great contemporary Bach expert Christoph Wolf, are children of their time and attest over and over to their ‘understanding’, their ‘truth’. In doing so, these authors raise more questions about Bach’s enigmatic works for unaccompanied violin than they can provide answers for. And then they give answers preceded by ‘perhaps’, ‘possibly’, or on occasion, ‘probably’...

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