Your basket is empty

Categories :

Vergelijkbare artiesten

Albums

From
CD€ 9,99

Jazz - Verschenen op 2 september 2010 | Fresh Sound Records

Onderscheidingen 4F de Télérama - 4 étoiles Jazzman
From
HI-RES€ 19,49
CD€ 13,99

Jazz - Verschenen op 1 januari 1964 | Verve

Hi-Res Onderscheidingen The Qobuz Ideal Discography
From
CD€ 12,49

Jazz - Verschenen op 1 januari 1962 | Verve Reissues

Onderscheidingen Qobuz Referentie
 
From
CD€ 21,99

Jazz - Verschenen op 1 januari 1998 | Verve

Onderscheidingen The Qobuz Ideal Discography
From
CD€ 14,99

Jazz - Verschenen op 1 januari 1958 | Verve

Onderscheidingen Qobuz Referentie
From
CD€ 26,49

Jazz - Verschenen op 1 januari 2011 | Verve

Onderscheidingen Indispensable JAZZ NEWS
From
HI-RES€ 21,49
CD€ 14,99

Jazz - Verschenen op 1 januari 1964 | Verve

Hi-Res
From
HI-RES€ 15,49
CD€ 10,99

Jazz - Verschenen op 13 februari 1962 | Verve Reissues

Hi-Res
From
HI-RES€ 21,49
CD€ 14,99

Jazz - Verschenen op 1 januari 1966 | Verve

Hi-Res
From
HI-RES€ 21,49
CD€ 14,99

Jazz - Verschenen op 1 januari 1963 | Verve Reissues

Hi-Res
Here's some more bossa nova from Stan Getz when the bloom was still on the first Brazilian boom. This time, however, on his third such album, Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time. Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal. Getz injects more high-wailing passages into his intuitive affinity for the groove, even going for some fast bop on "Un Abraco No Getz," and Bonfá takes adept care of the guitar solos against Jobim's rock-steady rhythm. Clearly Jobim's songwriting contributions -- "So Danco Samba," "How Insensitive," and "O Morro Nao Tem Vez" -- would have the longest shelf life, and though the album didn't sell as well as its two predecessors, it certainly helped break these tunes into the permanent jazz repertoire. Avid bossa nova fans will certainly treasure this album for the lesser-known Bonfá tunes. © Richard S. Ginell /TiVo
From
HI-RES€ 30,99
CD€ 21,99

Jazz - Verschenen op 3 mei 2019 | Verve Reissues

Hi-Res
Verve Records have released a live album, recorded on November 26th 1961 at New York’s famous jazz club, Village Gate. On stage are Stan Getz and his new quartet comprising of pianist Steve Kuhn, double bass player John Neves and drummer Roy Haynes. Although the recordings were set aside after that night and had ended up in the record company’s archives, 58 years later, they have now re-emerged with flawless sound. Getz at the Gate understandably arouses much interest as the saxophonist’s artistic direction throughout the entirety of the 2 hours 20-minute concert is one that he did not pursue thereafter.Getz formed this new group having just returned from Europe and its more modern and aggressive sound was most likely influenced by John Coltrane’s quartet in which Kuhn played. But in 1962, his album with guitarist Charlie Byrd was a hit, sparking the trend for bossa nova-infused jazz and propelling Getz not only down other stylistic paths but also to the top of the charts with numerous albums with Luiz Bonfá, João Gilberto, Antonio Carlos Jobim and Astrud Gilberto. Getz at the Gate is quite clearly light years away from this exoticism but is still far from the Getz bop, cool or West Coast jazz from his early days. Here, in a highly effective post-bop style, he revisits tracks played during the 1950s such as When The Sun Comes Out, Like Someone in Love and even Spring Can Really Hang You Up The Most and Roy Haynes’ drumming ties everything together brilliantly, as always. Of course, the four men also show their admiration for Coltrane by taking on his legendary Impressions. In short - a previously unreleased and utterly thrilling concert. © Marc Zisman/Qobuz
From
HI-RES€ 21,49
CD€ 14,99

Jazz - Verschenen op 1 januari 1964 | Verve

Hi-Res
From
HI-RES€ 15,49
CD€ 10,99

Jazz - Verschenen op 7 oktober 1962 | Verve Reissues

Hi-Res
From
CD€ 10,99

Jazz - Verschenen op 24 september 2021 | The Lost Recordings

From
CD€ 9,99

Bebop - Verschenen op 25 september 2003 | BDMUSIC

Booklet
The warmth of Stan Getz's saxophone sound is unique in jazz history. A great expressiveness and a rainbow of tones that reached from the softest tenderness to the most assertive vigour have always been a constant for this West Coast jazz virtuoso who has always been good at picking his sidemen. This double album brings together tracks recorded between 1948 and 1952, when he was only twenty years old. Alongside Getz are masters such as guitarist Jimmy Raney, pianists Duke Jordan, Al Haig and Horace Silver and double bass players Tommy Potter and Percy Heath. Between them, they trace the contours of an emerging post-bop. We also feel Getz beginning to assert himself aesthetically more and more, moving away from his idol, Lester Young. With less flamboyance than is often found in bebop, Getz's cool, unique style simmers sensuously on a theme like Thanks For the Memory. No wonder Getz was such an immensely popular artist well beyond the circles of jazz lovers... © Marc Zisman / Qobuz
From
CD€ 13,99

Jazz - Verschenen op 27 januari 2006 | Verve Reissues

From
HI-RES€ 13,49
CD€ 9,99

Jazz - Verschenen op 1 januari 1963 | Verve Reissues

Hi-Res
Three weeks after completing his meeting with Luiz Bonfá and only two days after the epochal Getz/Gilberto sessions, Stan Getz was back in the studio recording more bossa nova. Producer Creed Taylor was obviously striking while the iron was hot, getting in as many Brazilian sessions as he could, yet the quality of the music-making remained consistently marvelous. Continuing his practice of running through one star guitarist after another, this time Getz has Laurindo Almeida as the designated rhythm man, featured composer, and solo foil. The rhythm section is an authentically swinging mixture of American sidemen (including Steve Kuhn on piano and George Duvivier on bass) and Brazilian percussionists. Almeida didn't like to improvise, so his solos stay close to the tunes, inflected with a perfectly matched feeling for the groove along with classical poise. Jobim's "Outra Vez" is a particularly lovely example of Getz's freedom and effortless lyricism contrasted against Almeida's anchored embroidering. Sessions like these might have been seen as cashing in on the boom at the time, yet in the long view, one should be thankful that these musicians were recording so much cherishable material. © Richard S. Ginell /TiVo
From
HI-RES€ 19,49
CD€ 13,99

Jazz - Verschenen op 17 januari 1964 | Verve

Hi-Res
From
HI-RES€ 21,49
CD€ 14,99

Jazz - Verschenen op 1 januari 1963 | Verve Reissues

Hi-Res
Here's some more bossa nova from Stan Getz when the bloom was still on the first Brazilian boom. This time, however, on his third such album, Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time. Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal. Getz injects more high-wailing passages into his intuitive affinity for the groove, even going for some fast bop on "Un Abraco No Getz," and Bonfá takes adept care of the guitar solos against Jobim's rock-steady rhythm. Clearly Jobim's songwriting contributions -- "So Danco Samba," "How Insensitive," and "O Morro Nao Tem Vez" -- would have the longest shelf life, and though the album didn't sell as well as its two predecessors, it certainly helped break these tunes into the permanent jazz repertoire. Avid bossa nova fans will certainly treasure this album for the lesser-known Bonfá tunes. © Richard S. Ginell /TiVo
From
CD€ 13,99

Jazz - Verschenen op 1 maart 1973 | Verve Reissues