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Klassiek - Verschenen op 24 september 2013 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles Classica - Hi-Res Audio
Argentine pianist Nelson Goerner isn't known for French music, although he does perform Debussy's L'Isle Joyeuse in recital sometimes. This beautifully recorded release from the Linn label, however, gives the lie to the idea that pianists necessarily have a specialty, like vocalists, outside which they don't perform well. The album was recorded at the Teldex studios in Berlin, which have rarely if ever been better exploited than by Linn's engineers here. They capture the delicacy of Goerner's mists, the full resonance of the bacchanalian finale of L'Isle Joyeuse. Nearly equally good are the performances themselves. Goerner has lots of competition in these familiar Debussy works, but his versions are worth considering not only for their lovely, subtle palette of textures but also for the unique sound world he coaxes out of each work. Try the rather pan-Asian concept of Pagodes, from the Estampes set at the beginning: the title is East Asian, but the musical inspiration is Indonesian, and the work has rarely sounded more like the cyclical layers of a gamelan echoing in a Javanese night. Each of the Etudes comes to life in its own technical-poetic space. Goerner's program is not organized chronologically nor by complete set; instead it follows an internal poetic logic, and by the end it has become profoundly hypnotic. Very, very fine playing. © TiVo
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Piano solo - Verschenen op 20 mei 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
Nelson Goerner is most closely associated with the piano music of Frédéric Chopin, but his recital repertoire also includes works by Ludwig van Beethoven, even though this 2015 CD from Alpha Classics is the first evidence of that fact in his discography. It's late Beethoven, too, which is usually a portent of things to come from most pianists, and the Piano Sonata No. 29 in B flat major, "Hammerklavier" and the Bagatelles, Op. 126 make a serious statement of intent. Goerner's powerful playing in the expansive "Hammerklavier" demonstrates his focused intellect and volatile energy, while his careful control of pacing shows that its large-scale formal considerations never escape his attention. In contrast, the Bagatelles are concentrated bursts of genius that transcend their designation as trifles. Goerner plays them with a combination of gentle wit and elegant lyricism, and while they are all under five minutes in duration, they leave as strong an impression through their brevity as the "Hammerklavier" does through its massiveness. If this superb disc is an indication that recordings of other late Beethoven sonatas are planned, then Goerner's many admirers should be on the alert. Highly recommended. © TiVo
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Piano solo - Verschenen op 6 oktober 2017 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin’, wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the discs and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland). © Alpha
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Piano solo - Verschenen op 3 november 2015 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Klassiek - Verschenen op 25 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 30 september 2018 | Cascavelle

Onderscheidingen Diapason d'or
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Kamermuziek - Verschenen op 31 maart 1997 | Warner Classics

Onderscheidingen Diapason d'or
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Concertmuziek - Verschenen op 24 september 2013 | Alpha

Hi-Res Booklet
Argentine pianist Nelson Goerner isn't known for French music, although he does perform Debussy's L'Isle Joyeuse in recital sometimes. This beautifully recorded release from the Linn label, however, gives the lie to the idea that pianists necessarily have a specialty, like vocalists, outside which they don't perform well. The album was recorded at the Teldex studios in Berlin, which have rarely if ever been better exploited than by Linn's engineers here. They capture the delicacy of Goerner's mists, the full resonance of the bacchanalian finale of L'Isle Joyeuse. Nearly equally good are the performances themselves. Goerner has lots of competition in these familiar Debussy works, but his versions are worth considering not only for their lovely, subtle palette of textures but also for the unique sound world he coaxes out of each work. Try the rather pan-Asian concept of Pagodes, from the Estampes set at the beginning: the title is East Asian, but the musical inspiration is Indonesian, and the work has rarely sounded more like the cyclical layers of a gamelan echoing in a Javanese night. Each of the Etudes comes to life in its own technical-poetic space. Goerner's program is not organized chronologically nor by complete set; instead it follows an internal poetic logic, and by the end it has become profoundly hypnotic. Very, very fine playing. © TiVo
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Klassiek - Verschenen op 6 september 2010 | Wigmore Hall Live

CD series featuring a specific venue are rarer than those issued by ensembles but in one way more promising: the venue can issue live performances that have manifestly been well received. Consider this Chopin recital by Argentine-born pianist Nelson Goerner, emerging as one of Europe's top Chopin specialists. The engineers from London's Wigmore Hall retain generous stretches of the applause that follows at the end of each work, and you can feel the audience warming to Goerner's approach as the concert proceeds. He is not an exceptionally powerful pianist, but his readings are poetic, with a strong sense of the long line in the opening Polonaise-Fantaisie in A flat major, Op. 61, and the Andante spianato and grande polonaise in E flat major, Op. 22. The shorter Nocturnes, Op. 62, placed between these works have a remarkable floating quality that draws you in consistently. The bulk of the program goes over to the 12 Etudes, Op. 10, which allow Goerner to showcase his technical precision in a quiet, confident way. Following his fellow South American Claudio Arrau, Goerner plays the etudes as a complete set, with only natural pauses between them -- plausible for those who like to hear them this way but questionable in view of the lack of any evidence that Chopin or his followers commonly did so. Still, an above-average Chopin recital on the contemplative side. © TiVo
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Klassiek - Verschenen op 21 oktober 2014 | Zig-Zag Territoires

Hi-Res Booklet
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Concertmuziek - Verschenen op 23 maart 2018 | Alpha

Booklet
It seems that international recognition has at long last arrived for Argentine pianist Nelson Goerner, even if he had been known on the professional circuit for many years. His most recent recital albums, of Debussy, Schumann, Chopin, and Beethoven were met with rave reviews: and here he is today in one of the greatest concertos in the repertoire. Recorded in concert in Tokyo on 20 May 2009, with the excellent NHK Orchestra, this is a particularly sumptuous rendition of the Second Concerto by Brahms, twilit and intimate, with a velvet piano sound and well-chosen phrasing that provides a perfect match for Brahms's long melodic motifs. Tadaaki Otaka attentively follows his soloist's every move, supporting him with broad gestures from the podium. Discovered by Martha Argerich during an audition for gifted children in Buenos Aires, Goerner was sent to work in Geneva with Maria Tipo, where in 1990 he would win first prize at the International Competition, giving a magisterial rendition of Rachmaninov's Third Concerto with the Orchestre de la Suisse Romande. Since then, he has travelled the world, building his career stone by stone, taking his time, and only bringing pieces before the public when they are perfectly ripe. This is a thrilling version of a major work by Brahms, even among the already-crowded discography – from which it can be hard to choose. © François Hudry/Qobuz
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Klassiek - Verschenen op 1 mei 2010 | CD Accord

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Klassiek - Verschenen op 21 oktober 2014 | Zig-Zag Territoires

Hi-Res Booklet
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Klassiek - Verschenen op 4 december 2007 | Irco Video

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Klassiek - Verschenen op 25 oktober 2019 | Alpha Classics

Hi-Res Booklet
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Klassiek - Verschenen op 24 september 2013 | Alpha Classics

Hi-Res Booklet
Argentine pianist Nelson Goerner isn't known for French music, although he does perform Debussy's L'Isle Joyeuse in recital sometimes. This beautifully recorded release from the Linn label, however, gives the lie to the idea that pianists necessarily have a specialty, like vocalists, outside which they don't perform well. The album was recorded at the Teldex studios in Berlin, which have rarely if ever been better exploited than by Linn's engineers here. They capture the delicacy of Goerner's mists, the full resonance of the bacchanalian finale of L'Isle Joyeuse. Nearly equally good are the performances themselves. Goerner has lots of competition in these familiar Debussy works, but his versions are worth considering not only for their lovely, subtle palette of textures but also for the unique sound world he coaxes out of each work. Try the rather pan-Asian concept of Pagodes, from the Estampes set at the beginning: the title is East Asian, but the musical inspiration is Indonesian, and the work has rarely sounded more like the cyclical layers of a gamelan echoing in a Javanese night. Each of the Etudes comes to life in its own technical-poetic space. Goerner's program is not organized chronologically nor by complete set; instead it follows an internal poetic logic, and by the end it has become profoundly hypnotic. Very, very fine playing. © TiVo
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HI-RES€ 17,99
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Klassiek - Verschenen op 24 september 2013 | Zig-Zag Territoires

Hi-Res Booklet
Argentine pianist Nelson Goerner isn't known for French music, although he does perform Debussy's L'Isle Joyeuse in recital sometimes. This beautifully recorded release from the Linn label, however, gives the lie to the idea that pianists necessarily have a specialty, like vocalists, outside which they don't perform well. The album was recorded at the Teldex studios in Berlin, which have rarely if ever been better exploited than by Linn's engineers here. They capture the delicacy of Goerner's mists, the full resonance of the bacchanalian finale of L'Isle Joyeuse. Nearly equally good are the performances themselves. Goerner has lots of competition in these familiar Debussy works, but his versions are worth considering not only for their lovely, subtle palette of textures but also for the unique sound world he coaxes out of each work. Try the rather pan-Asian concept of Pagodes, from the Estampes set at the beginning: the title is East Asian, but the musical inspiration is Indonesian, and the work has rarely sounded more like the cyclical layers of a gamelan echoing in a Javanese night. Each of the Etudes comes to life in its own technical-poetic space. Goerner's program is not organized chronologically nor by complete set; instead it follows an internal poetic logic, and by the end it has become profoundly hypnotic. Very, very fine playing. © TiVo
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Klassiek - Verschenen op 20 mei 2016 | Alpha Classics

Hi-Res Booklet
Nelson Goerner is most closely associated with the piano music of Frédéric Chopin, but his recital repertoire also includes works by Ludwig van Beethoven, even though this 2015 CD from Alpha Classics is the first evidence of that fact in his discography. It's late Beethoven, too, which is usually a portent of things to come from most pianists, and the Piano Sonata No. 29 in B flat major, "Hammerklavier" and the Bagatelles, Op. 126 make a serious statement of intent. Goerner's powerful playing in the expansive "Hammerklavier" demonstrates his focused intellect and volatile energy, while his careful control of pacing shows that its large-scale formal considerations never escape his attention. In contrast, the Bagatelles are concentrated bursts of genius that transcend their designation as trifles. Goerner plays them with a combination of gentle wit and elegant lyricism, and while they are all under five minutes in duration, they leave as strong an impression through their brevity as the "Hammerklavier" does through its massiveness. If this superb disc is an indication that recordings of other late Beethoven sonatas are planned, then Goerner's many admirers should be on the alert. Highly recommended. © TiVo
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Klassiek - Verschenen op 6 oktober 2017 | Alpha Classics

Hi-Res Booklet
Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin’, wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the discs and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland). © Alpha