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Alternative en Indie - Verschenen op 23 oktober 2020 | Loma Vista Recordings

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Alternative en Indie - Verschenen op 26 april 2019 | Loma Vista Recordings

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Rock - Verschenen op 2 november 2009 | Infectious Music

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Rock - Verschenen op 29 januari 2013 | Infectious Music

Het uit Los Angeles afkomstige Local Natives volgt met zijn tweede album, Hummingbird, het goed ontvangen debuut, Gorilla Manor (2010), op. Terwijl ze op tournee waren met The National in 2011, besloot het kwintet om aan de slag te gaan met gitarist Aaron Dessner van de uit Brooklyn afkomstige band, na lange discussies onderweg. De samenwerking bloeide op en Dessner gaf de band een duw in de richting van nieuw terrein, vol energie, uptempo melodieën en spontaniteit. © TiVo
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Alternative en Indie - Verschenen op 21 mei 2020 | Loma Vista Recordings

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Alternative en Indie - Verschenen op 9 september 2016 | Infectious Music

Local Natives' sophomore LP, 2013's Hummingbird, took a moderately darker, more atmospheric turn, reflecting a period of personal loss for the group. Things are looking up on their follow-up, Sunlit Youth. The band's typically detailed arrangements, often noted for their multi-part harmonies and Afro-pop rhythms, get a boost from electronics here that's apparent from track one, "Villainy." A slice of pure synth pop led by shimmering textures and mechanical drums, its vocal harmonies and wafting melody still mark it theirs, as do the song's evolving rhythms. A later entry, "Psycho Lovers," has a stronger guitar presence, but also more of that synth sound on a chorus ready for the arena, along with enthusiastic beats reinforced by claps. The slinkier "Coins" incorporates funk and R&B-styled vocals while remaining in the realm of danceable synth pop. Taking a different sort of excursion, the more yearning "Everything All at Once" has a piano intro, then horn voices, eventual strings, and drums that fade in on cue and continue to play with dynamics. Also more off-kilter is "Jellyfish," a living-room recording with a mix of irregular percussion, bell tones, harmonized vocals, and sound effects that include pouring cereal. The overall tone of the album, though, is poppy and bright. While in the process of embracing more electronics they lose a bit of their organic warmth, particularly compared to their debut, Local Natives hang on to a significant amount of their quirkiness and rhythmic flair. It's a trade-off that, in this case, should favor the concert venues without ruffling the feathers of those in it for a sweet refrain. © Marcy Donelson /TiVo
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Alternative en Indie - Verschenen op 26 april 2019 | Loma Vista Recordings

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With their fourth album, 2019's effusive Violet Street, Local Natives strike a pleasing balance between the promise of their kinetic debut and the atmospheric explorations of their subsequent follow-ups. Produced by longtime studio associate Shawn Everett, who has also contributed to albums by Weezer, Lucius, and the War on Drugs, among others, Violet Street is a strong album that feels more connected to 2009's Gorilla Manor than either 2013's Hummingbird or 2016's synthy Sunlit Youth. Still showcasing the yearning, falsetto-rich vocals of Taylor Rice, along with keyboardist/vocalist Kelcey Ayer, guitarist/vocalist Ryan Hahn, drummer/vocalist Matt Frazier, and bassist/vocalist Nik Ewing, Local Natives have grown into an ensemble that favors nuanced melodies and a textural group aesthetic over slick, commercially driven hits. There's an undercurrent of experimental dance pop here, as on "Someday Now," "Gulf Shores," and "Shy," which frame Rice's warm vocal melodies in spiraling percussion grooves, sweeping orchestral synths, and sundry guitar lines. Despite the group's experimental inclinations, there are still plenty of hooky moments here. "Cafe Amarillo" brings to mind a fertile combination of '90s Wallflowers and '70s Boz Scaggs. Equally catchy, "Megaton Mile" sounds like something Fleetwood Mac might have come up with if they'd been obsessed with Gang of Four. Elsewhere, the band evokes the soulful pop dizziness of Jeff Buckley on the midtempo "When Am I Gonna Lose You" and on the piano-driven ballad "Vogue." These influences imbue Violet Street with a new level of sophistication -- one that makes good on all that early promise. © Matt Collar /TiVo
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Rock - Verschenen op 2 november 2009 | Infectious Music

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Alternative en Indie - Verschenen op 17 september 2020 | Loma Vista Recordings

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Alternative en Indie - Verschenen op 16 juli 2020 | Concord Loma Vista

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Alternative en Indie - Verschenen op 6 december 2019 | Loma Vista Recordings

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Rock - Verschenen op 28 februari 2010 | Infectious Music

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Alternative en Indie - Verschenen op 23 maart 2017 | Infectious Music

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Alternative en Indie - Verschenen op 28 mei 2021 | Loma Vista Recordings

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Alternative en Indie - Verschenen op 6 september 2019 | Loma Vista Recordings

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Rock - Verschenen op 19 oktober 2009 | Infectious Music

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Alternative en Indie - Verschenen op 15 november 2019 | Loma Vista Recordings

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Rock - Verschenen op 21 november 2010 | Infectious Music

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Alternative en Indie - Verschenen op 7 juni 2019 | Loma Vista Recordings

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Folk - Verschenen op 5 juli 2010 | Infectious Music

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