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Alternative en Indie - Verschenen op 30 augustus 2019 | Polydor Records

Onderscheidingen Pitchfork: Best New Music
Her sensual voice is irresistible. Elizabeth Grant, aka Lana Del Rey, could sing the instruction manual for a wireless vacuum cleaner and she would still have our full attention. Even when she invites the whole world to join her (A$AP Rocky, The Weeknd, Stevie Nicks and Sean Lennon all featured on Lust For Life, her album released in 2017), she lives in her own little world where time moves slow and melancholy reigns supreme. Making music is her way of talking about her era, her contemporaries, the American Dream and, as far as we can tell, herself... With its shocking title, stylised album cover (featuring Duke Nicholson, Jack Nicholson’s grandson, aboard a boat sailing away from a burning coast) and her particularly slow tempos (only ballads here), Norman Fucking Rockwell! is largely rooted in folk. Del Rey roams around this great soundscape, more melancholic and evanescent than ever. She closely collaborated with Jack Antonoff on this album (a sought-after producer for pop stars such as Taylor Swift, St. Vincent, Lorde, Carly Rae Jepsen and Pink) and the producer shapes her melancholy with equal amounts of sobriety and slickness. The slow rhythms on this beautiful record offer a welcome break from the turbulence of today. One of the tracks that stands out is a cover of Sublime’s Doin’ Time (1996), itself a new interpretation of Gershwin’s Summertime, offering further proof of Lana Del Rey’s originality, something which is much more complex than some would have us believe... © Marc Zisman/Qobuz
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Pop - Verschenen op 19 maart 2021 | Polydor Records

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Like everybody else, Lana Del Rey is playing hide-and-seek with quarantine. For her seventh album, the New Yorker based in Los Angeles has opted for hushed intimacy, bedroom melodies and confessional arrangements. With Chemtrails Over the Country Club, her pop is folkier than ever, although the echo and reverb in which her exquisite, sensual and hypnotic voice basks set her high above the clouds. This folk idiom fascinates her to the point that she closes out this record (with some help from Natalie Mering aka Weyes Blood and Zella Day) with a magnificent cover of Joni Mitchell's For Free, taken from her album Ladies of the Canyon (1970). There are also those guitars with an air of the Laurel Canyon 70's scene about them on Not All Who Wander Are Lost, and the equally pure guitar sounds that open Yosemite. As usual, Lana Del Rey takes out her pen to decry the torments of celebrity and the star system, starting with White Dress which opens the album, regretting the good old days when she was a barmaid, unknown and listening to Sun Ra, Kings Of Leon and the White Stripes "when they were white hot". Further on, she offers up more references to the music history as on Breaking Up Slowly (a duet with Nikki Lane) where she addresses the marital storms between those two legends of country music, Tammy Wynette and George Jones. On song after song, this solitary amazon soldiers on, not battling for any particular cause, just doing what is right by her own lights ("Well, I don't care what they think. Drag racing my little red sports car. I'm not unhinged or unhappy, I'm just wild"). Chemtrails Over the Country Club shows above all that she excels in the art of storytelling, wielding her tweezers to fine-tune every detail of her lyrics. At 35, Lana Del Rey has arguably released her freest and most accomplished album. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 27 januari 2012 | Polydor Records

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Alternative en Indie - Verschenen op 21 juli 2017 | Polydor Records

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Alternative en Indie - Verschenen op 1 januari 2014 | Polydor Records

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Alternative en Indie - Verschenen op 18 september 2015 | Polydor Records

In 2014 levert zangeres Lana Del Rey het album Ultraviolence af en jaar later is er al de opvolger: Honeymoon. De Amerikaanse werkt op het nieuwe album samen met songschrijver Rick Nowels, die ook aan haar debuutalbum meewerkte. Naast de gepolijste (indie)popsongs waar we Del Rey van kennen, is op het album ook een cover te vinden van Nina Simone's "Don't Let Me Be Misunderstood". © TiVo
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Alternative en Indie - Verschenen op 1 januari 2014 | Polydor Records

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Pop - Verschenen op 1 januari 2012 | Urban

Booklet
Met haar zwoele, geaffecteerde stemgeluid pakte Lana Del Rey tegen het einde van 2011 in één klap de muziekwereld in door middel van de singles "Blue Jeans" en" Video Games". Born to Die werd daarmee aantoonbaar het langstverwachte album van 2012. Het album demonstreert waar Lana Del Rey toe in staat is. De single "Born to Die" is een typisch voorbeeld van haar dramatische soort popmuziek. © TiVo
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Alternative en Indie - Verschenen op 9 augustus 2019 | Polydor Records

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Alternative en Indie - Verschenen op 1 januari 2012 | Polydor Records

Booklet
Met haar zwoele, geaffecteerde stemgeluid pakte Lana Del Rey tegen het einde van 2011 in één klap de muziekwereld in door middel van de singles "Blue Jeans" en" Video Games". Born to Die werd daarmee aantoonbaar het langstverwachte album van 2012. Het album demonstreert waar Lana Del Rey toe in staat is. De single "Born to Die" is een typisch voorbeeld van haar dramatische soort popmuziek. © TiVo
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Alternative en Indie - Verschenen op 1 januari 2013 | Polydor Records

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Pop - Verschenen op 19 maart 2021 | Polydor Records

Like everybody else, Lana Del Rey is playing hide-and-seek with quarantine. For her seventh album, the New Yorker based in Los Angeles has opted for hushed intimacy, bedroom melodies and confessional arrangements. With Chemtrails Over the Country Club, her pop is folkier than ever, although the echo and reverb in which her exquisite, sensual and hypnotic voice basks set her high above the clouds. This folk idiom fascinates her to the point that she closes out this record (with some help from Natalie Mering aka Weyes Blood and Zella Day) with a magnificent cover of Joni Mitchell's For Free, taken from her album Ladies of the Canyon (1970). There are also those guitars with an air of the Laurel Canyon 70's scene about them on Not All Who Wander Are Lost, and the equally pure guitar sounds that open Yosemite. As usual, Lana Del Rey takes out her pen to decry the torments of celebrity and the star system, starting with White Dress which opens the album, regretting the good old days when she was a barmaid, unknown and listening to Sun Ra, Kings Of Leon and the White Stripes "when they were white hot". Further on, she offers up more references to the music history as on Breaking Up Slowly (a duet with Nikki Lane) where she addresses the marital storms between those two legends of country music, Tammy Wynette and George Jones. On song after song, this solitary amazon soldiers on, not battling for any particular cause, just doing what is right by her own lights ("Well, I don't care what they think. Drag racing my little red sports car. I'm not unhinged or unhappy, I'm just wild"). Chemtrails Over the Country Club shows above all that she excels in the art of storytelling, wielding her tweezers to fine-tune every detail of her lyrics. At 35, Lana Del Rey has arguably released her freest and most accomplished album. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 9 augustus 2019 | Polydor Records

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Pop - Verschenen op 19 november 2020 | Polydor Records

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Alternative en Indie - Verschenen op 17 mei 2019 | Polydor Records

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Alternative en Indie - Verschenen op 21 juli 2017 | Polydor Records

Booklet
Aan de vooravond van haar vierde studioalbum kondigt de Amerikaanse zangeres Lana Del Rey aan nieuwe wegen in te willen slaan. Toch presenteert de 32-jarige zangeres op Lust For Life (2017) wederom melancholieke popsongs, die worden gekenmerkt door een onderkoelde ondertoon. Enige vreemde eend in de bijt is het nummer "Summer Bummer", dat een gastoptreden van de rappers ASAP Rocky en Playboi Carti kent. © TiVo
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Pop - Verschenen op 1 januari 2011 | Polydor Records

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Dance - Verschenen op 1 januari 2013 | Polydor Records

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House - Verschenen op 15 april 2013 | RvS

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Alternative en Indie - Verschenen op 20 mei 2021 | Polydor Records

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