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Symfonieën - Verschenen op 1 januari 2016 | Universal Music Group International

Hi-Res Onderscheidingen 5 de Diapason - 4F de Télérama
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Klassiek - Verschenen op 25 oktober 2005 | Warner Classics International

Onderscheidingen Diapason d'or - Choc de Classica
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Klassiek - Verschenen op 1 januari 2003 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Hi-Res Audio
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Symfonische muziek - Verschenen op 30 juni 2000 | Warner Classics International

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 1 januari 2011 | Deutsche Grammophon (DG)

Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 29 augustus 2006 | Warner Classics International

Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 13 september 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
Daniel Barenboim is no stranger to complete collections. Glutton that he is, he records them several times over, whether it's Beethoven's Sonatas, or as here, Mozart's Trios (already recorded for EMI in 2006 with violinist Nicolai Znaider and cellist Kyril Zlotnikov). And so it's not the immortal Amadeus that we are hearing so much as a portrait of Barenboim that ages with the years. The accomplished artists create a close dialogue, greedily following each other's music. Amongst all these scores, can we detect an aesthetic vision? The scores follow one after the other, like at a family musical soirée, with a convivial, sweetish piano sound – likely a matter of sound quality rather than sherry consumption – in particular on the Piano Trio in B Flat Major, K.502, but also in the opening passages of the Allegro of the Piano Trio in E Major, K.542, whose dramatic dimension is somewhat lacking here. But at least the piano doesn't overshadow the strings or upset the balance required in these tightly-wound, respected works. Mozart's chamber music isn't simple: the contrapunctual writing builds a delicate world whose poetry is flavoured by harmonies and chromatism. Daniel Barenboim has found some fitting partners. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 24 juli 2020 | Decca Music Group Ltd.

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Three composers are particularly well suited to conductor Daniel Barenboim: Bruckner, Wagner and Sir Edward Elgar; no doubt a question of orchestral colour and texture. Since his collaboration with the Universal labels has resumed (Decca for orchestral projects, Deutsche Grammophon for piano), he has once again been exploring the English composer's orchestral works with his beloved Staatskapelle Berlin, an ensemble characterised by dark timbres. After beautiful versions of the two symphonies and The Dream of Gerontius, what a joy it is to now be able to immerse ourselves in Sea Pictures, one of the most poetic song cycles of the late 19th century. The broad spectrum of the Latvian mezzo-soprano Elīna Garanča's voice and her silky timbre fit perfectly with the lyrical yet tragic lines of Where Corals Lie (the most beautiful “song” of the cycle), as well as with the more theatrical The Swimmer, which takes on a truly extravagant tone. Unlike many other recordings since the legendary 1965 recording by Dame Janet Baker and Sir John Barbirolli with the London Symphony Orchestra (His Master's Voice), Elīna Garanča and Daniel Barenboim willingly drop the melancholy and contemplative tone of Sea Pictures. More in keeping with the romantic performances of the early 19th century (Berlioz), following a pattern of "Introduction" (Sea Slumber Song), "Aria I" (In Haven), an alternating form mixing recitatives and ariosos (Sabbath Morning at Sea), "Aria II" (Where Corals Lie) and "Conclusion" (The Swimmer), they have created a much more dramatic atmosphere despite very measured tempo contrasts. Barenboim's clearly drawn phrasings in the introduction of the last "song" can testify to this new approach, which in this respect is very different from the earlier recording with Yvonne Minton (CBS). Daniel Barenboim and the Staatskapelle Berlin continue the programme with the symphonic study Falstaff, composed in 1912, on which the conductor underlines its links with the work of Richard Strauss (Don Quixote, Ein Heldenleben). As always, Daniel Barenboim's conducting is full of verve (Falstaff's March). A truly wonderful rendition. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 1 januari 1974 | Deutsche Grammophon (DG)

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Concertmuziek - Verschenen op 2 augustus 2013 | Warner Classics

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Klassiek - Verschenen op 1 januari 1987 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 1974 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2001 | Westminster

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Klassiek - Verschenen op 1 januari 1984 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 2 augustus 2013 | Warner Classics

HI-RES€ 58,49
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Klassiek - Verschenen op 1 januari 2014 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 12 januari 2018 | Deutsche Grammophon (DG)

Booklet
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Klassiek - Verschenen op 7 februari 1996 | Warner Classics International

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Klassiek - Verschenen op 2 augustus 2013 | Warner Classics

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Klassiek - Verschenen op 1 januari 1992 | Deutsche Grammophon (DG)

Artiest

Daniel Barenboim in het magazine
  • De Qobuz Minuut #19
    De Qobuz Minuut #19 Deze week presenteert De Qobuz Minuut de volgende muziek releases: 5 minuten, 5 artiesten, 5 albums met Zaz, Damien Rice, Isang Enders, Initiative H, Aziz Sahmaoui en een retrospectief op de piano ...