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Rock - Verschenen op 18 augustus 1986 | Island Records (The Island Def Jam Music Group / Universal Music)

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Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone -- especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad. Part of the album's success could be attributed to Desmond Child, a behind-the-scenes songwriter who went on to write hits for Aerosmith, Michael Bolton, and Ricky Martin. With Child's help, Bon Jovi penned a pair of songs that would eventually define their career -- “Living on a Prayer” and “You Give Love a Bad Name” -- two teenage anthems that mixed Springsteen's blue-collar narratives with straightforward, guitar-driven hooks. The band's characters may have been down on their luck -- they worked dead-end jobs, pined for dangerous women, and occasionally rode steel horses -- but Bon Jovi never presented a problem that couldn’t be cured by a good chorus, every one of which seemed to celebrate a glass-half-full mentality. Elsewhere, the group turned to nostalgia, using songs like “Never Say Goodbye” and “Wild in the Streets” to re-create (or fabricate) an untamed, sex-filled youth that undoubtedly appealed to the band’s teen audience. Bon Jovi wasn't nearly as hard-edged as Mötley Crüe or technically proficient as Van Halen, but the guys smartly played to their strengths, shunning the extremes for an accessible, middle-of-the-road approach that wound up appealing to more fans than most of their peers. “It’s alright if you have a good time,” Jon Bon Jovi sang on Slippery When Wet’s first track, “Let It Rock,” and those words essentially served as a mantra for the entire hair metal genre, whose carefree, party-heavy attitude became the soundtrack for the rest of the ‘80s. © Andrew Leahey /TiVo
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Rock - Verschenen op 2 oktober 2020 | Captain Kidd Corp.

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Het album Bon Jovi 2020 had eigenlijk begin 2020 moeten uitkomen. Door de coronapandemie wordt de release echter opgeschoven en dat geeft de Amerikaanse rockband de tijd om enkele songs te te voegen die over actuele onderwerpen als ziekte en oorlog gaan. Het maakt dat Bon Jovi 2020 zonder twijfel een van de meer sombere albums van de band is. © TiVo
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Rock - Verschenen op 9 november 2010 | Island Records (The Island Def Jam Music Group / Universal Music)

Op Greatest Hits: The Ultimate Collection is inderdaad het kaf van Bon Jovi’s koren gescheiden, maar dan wel totaal willekeurig gepresenteerd. Het begint met de twee grote hits “Livin’ on a Prayer” en “You Give Love a Bad Name” voordat het langs de hits “It’s My Life,” “Have a Nice Day,” “Wanted Dead or Alive,” “Bad Medicine,” en “Runaway,” gaat en tijd vindt voor uitstapjes met Jon Bon Jovi's solonummer “Blaze of Glory” en het duet met Jennifer Nettles, “Who Says You Can’t Go Home.” © Stephen Thomas Erlewine /TiVo
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Pop - Verschenen op 1 januari 2003 | Bon Jovi Profit Split (Catalog)

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Pop - Verschenen op 18 oktober 1994 | Bon Jovi Profit Split (Catalog)

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Rock - Verschenen op 1 januari 1992 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 19 september 1988 | Island Records (The Island Def Jam Music Group / Universal Music)

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New Jersey is het vierde album van de Amerikaanse rockformatie Bon Jovi. De plaat verschijnt in 1988 en bevat hits als "Bad Medicine" en "I'll Be There For You". In 2014 wordt er een deluxe edition van het album uitgebracht. Het dubbelalbum omvat een geremasterde versie van het originele album, aangevuld met b-kanten en nog niet uitgebrachte demo-versies. © TiVo
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Rock - Verschenen op 19 september 1988 | Island Records (The Island Def Jam Music Group / Universal Music)

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New Jersey is het vierde album van de Amerikaanse rockformatie Bon Jovi. De plaat verschijnt in 1988 en bevat hits als "Bad Medicine" en "I'll Be There For You". In 2014 wordt er een deluxe edition van het album uitgebracht. Het dubbelalbum omvat een geremasterde versie van het originele album, aangevuld met b-kanten en nog niet uitgebrachte demo-versies. © TiVo
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Pop - Verschenen op 21 januari 1984 | Island Records (The Island Def Jam Music Group / Universal Music)

From the opening track, "Runaway," which rode to glory on E Street Band-mate Roy Bittan's distinctive keyboard riff, to the sweaty arena rock of "Get Ready," which closed the album, Bon Jovi's debut is an often-overlooked minor gem from the early days of hair metal. The songs may be simple and the writing prone to all clichés of the form, but the album boasts a pretty consistent hard rock attack, passionate playing, and a keen sense of melody. The prominence that keyboardist David Bryan (credited as David Rashbaum in the liner notes) gets on this record is an indicator, perhaps, that Bon Jovi had more than a passing interest in the pop market, which was then dominated by new wave and synth pop. Mixing Journey-like '70s rock ("She Don't Know Me") with shout-along stadium anthems ("Love Lies"), the self-titled Bon Jovi lay the foundation for the band's career, which reached its apex several years later with that very same combination of pop melody and arena-sized amibiton. © Leslie Mathew /TiVo
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Rock - Verschenen op 1 januari 1995 | Island Records (The Island Def Jam Music Group / Universal Music)

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Pop - Verschenen op 21 januari 1984 | Island Records (The Island Def Jam Music Group / Universal Music)

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From the opening track, "Runaway," which rode to glory on E Street Band-mate Roy Bittan's distinctive keyboard riff, to the sweaty arena rock of "Get Ready," which closed the album, Bon Jovi's debut is an often-overlooked minor gem from the early days of hair metal. The songs may be simple and the writing prone to all clichés of the form, but the album boasts a pretty consistent hard rock attack, passionate playing, and a keen sense of melody. The prominence that keyboardist David Bryan (credited as David Rashbaum in the liner notes) gets on this record is an indicator, perhaps, that Bon Jovi had more than a passing interest in the pop market, which was then dominated by new wave and synth pop. Mixing Journey-like '70s rock ("She Don't Know Me") with shout-along stadium anthems ("Love Lies"), the self-titled Bon Jovi lay the foundation for the band's career, which reached its apex several years later with that very same combination of pop melody and arena-sized amibiton. © Leslie Mathew /TiVo
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Rock - Verschenen op 18 augustus 1986 | Island Records (The Island Def Jam Music Group / Universal Music)

Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone -- especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad. Part of the album's success could be attributed to Desmond Child, a behind-the-scenes songwriter who went on to write hits for Aerosmith, Michael Bolton, and Ricky Martin. With Child's help, Bon Jovi penned a pair of songs that would eventually define their career -- “Living on a Prayer” and “You Give Love a Bad Name” -- two teenage anthems that mixed Springsteen's blue-collar narratives with straightforward, guitar-driven hooks. The band's characters may have been down on their luck -- they worked dead-end jobs, pined for dangerous women, and occasionally rode steel horses -- but Bon Jovi never presented a problem that couldn’t be cured by a good chorus, every one of which seemed to celebrate a glass-half-full mentality. Elsewhere, the group turned to nostalgia, using songs like “Never Say Goodbye” and “Wild in the Streets” to re-create (or fabricate) an untamed, sex-filled youth that undoubtedly appealed to the band’s teen audience. Bon Jovi wasn't nearly as hard-edged as Mötley Crüe or technically proficient as Van Halen, but the guys smartly played to their strengths, shunning the extremes for an accessible, middle-of-the-road approach that wound up appealing to more fans than most of their peers. “It’s alright if you have a good time,” Jon Bon Jovi sang on Slippery When Wet’s first track, “Let It Rock,” and those words essentially served as a mantra for the entire hair metal genre, whose carefree, party-heavy attitude became the soundtrack for the rest of the ‘80s. © Andrew Leahey /TiVo
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Rock - Verschenen op 1 januari 2000 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 22 mei 2001 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 1 januari 2003 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 11 augustus 2016 | Bon Jovi Profit Split

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Avec This House Is Not For Sale paru en 2016, la formation hard rock américaine Bon Jovi ouvre une nouvelle page dans sa carrière, ce dernier constituant non seulement son premier effort pour Island Records mais aussi et surtout son premier sans le guitariste Richie Sambora fidèle au poste de 1983 à 2013 remplacé par le canadien Phil X (Powder). Coproduit par Jon Bon Jovi et John Shanks, collaborateur du groupe depuis The Circle en 2009, ce nouveau recueil de 12 titres porté par les singles "Knockout" et son morceau titre ne déroge pas à la règle et propose son lot de mélodies accrocheuses et emphatiques auxquelles le quatuor du New Jersey a habitué ses fans depuis "Runaway" en 1984. © TiVo
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Rock - Verschenen op 2 oktober 2020 | Captain Kidd Corp.

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Het album Bon Jovi 2020 had eigenlijk begin 2020 moeten uitkomen. Door de coronapandemie wordt de release echter opgeschoven en dat geeft de Amerikaanse rockband de tijd om enkele songs te te voegen die over actuele onderwerpen als ziekte en oorlog gaan. Het maakt dat Bon Jovi 2020 zonder twijfel een van de meer sombere albums van de band is. © TiVo
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Rock - Verschenen op 1 januari 2005 | Island Records (The Island Def Jam Music Group / Universal Music)

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Rock - Verschenen op 1 januari 2007 | Lost Highway PS (Audio)

Ondanks duetten met LeAnn Rimes en Big & Rich en ondanks een viool of een steelguitar af en toe, doet het country-album Lost Highway van Bon Jovi vooral denken aan de latere albums van Bon Jovi, omdat fist-pumping arena anthems worden afgewisseld met zware dosissen gevoelens. Niet lang nadat de begraven violen op "Lost Highway" uit je geheugen vervagen en er genoeg tijd verstrijkt om de slechte imitatie van Toby Keiths "Summertime," door de vingers te zien, is het zo goed als onmogelijk om dit album te onderscheiden van hun werk dat ze hebben gemaakt sinds Keep the Faith in 1992. Wat niet noodzakelijk een slechte zaak is, want Bon Jovi weet hoe ze de gevoelige plek tussen het gewone en het melodische raken, en op bepaalde plaatsen op Lost Highway doet de groep dat opnieuw. © Stephen Thomas Erlewine /TiVo
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Rock - Verschenen op 27 maart 1985 | Bon Jovi Profit Split (Catalog)

Bon Jovi's sophomore release found the New Jersey group continuing with its engaging mix of hard rock dynamics and blatant pop-metal overtones, and primed the pump for the coming popular explosion of Slippery When Wet. Ever since the keyboard call to arms of the breakthrough "Runaway," Bon Jovi had understood that real success lay in a billowing smoke, soft-focus derivation of true metal, where Journey-style synthesizers and soft rock chorus vocals were the name of the game. To that end, 7800° Fahrenheit tempered its black-leather rock & roll with a rudimentary form of the sound that would make Bon Jovi superstars. They puffed out their chests for the groupie-groping, Mötley Crüe-style catcalls of "In and Out of Love" and made sure "King of the Mountain" rumbled with boys-night-out bravado. But they seemed much more comfortable with the twittering ballad "Silent Night" or "Price of Love," where arena-ready riffing met smoke machine keys and vocal trills. There was even "Tokyo Road," a valiant attempt at the epic scope of Springsteen that featured a Japanese-language intro and full-on character development. It was in these moments -- when the tenets of metal tried on the hairstyles of pop -- that 7800° Fahrenheit burned its brightest; the professional songwriting and increased cash flow of Slippery When Wet just made the existing mercury burst. © Johnny Loftus /TiVo