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Jazz - Verschenen op 1 januari 1959 | Somerset

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Jazz - Verschenen op 17 mei 2013 | Nonesuch

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Dixieland - Verschenen op 1 januari 1958 | Somerset

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Jazz - Verschenen op 21 mei 1984 | WM Japan

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Jazz - Verschenen op 21 juni 1984 | WM Japan

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Jazz fusion en jazz rock - Verschenen op 19 april 2019 | Jersika Records

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Jazz - Verschenen op 26 februari 2016 | BnF Collection

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Jazz - Verschenen op 8 november 2011 | Mack Avenue Records

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Jazz - Verschenen op 15 januari 2021 | Blue Engine Records

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Jazz - Verschenen op 8 augustus 2014 | BnF Collection

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Jazz - Verschenen op 15 december 2014 | BnF Collection

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Bebop - Verschenen op 28 augustus 2020 | Savant

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Jazz - Verschenen op 14 september 2018 | Mack Avenue Records

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At the dawn of the 80’s you could say the Yellowjackets were the kings of the highway. Highway jazz to be precise. The type of Jazz fusion that one would’ve listened to in a Los Angeles traffic jam, wearing an Armani suit, with an oversized shirt, the window down, hair in the wind... Elevator music for their critics. Groovy, virtuoso, pop jazz for their fans. Like a very, very mainstream very, very smooth version of Weather Report... Three long decades later the Californian group have calmed it down a bit and have released some less built-up more acoustic jazz. Pianist and founder Russell Ferrante, saxophonist Bob Mintzer, drummer Will Kennedy and Australian virtuoso bassist Dane Alderson did not push the boundaries into a free and avant-garde style, but despite this the score for Raising Our Voice is an excellent one. The voice of Brazilian singer Luciana Souza on seven of the thirteen tracks also brings some originality to the album. The Yellowjackets stick with a smooth sound but never take the easy route. And just like in the 2016 album Cohearence, even if the melodies are very sensual, the improvisation remains, as always, very interesting. © Clotilde Maréchal/Qobuz
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Moderne jazz - Verschenen op 7 augustus 2020 | Cadillac Records

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Jazz - Verschenen op 22 december 2014 | BnF Collection

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Jazz - Verschenen op 22 september 2017 | Mack Avenue Records

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Bass player Christian McBride regularly sets his big gleaming band in motion. This time for a second album, Bringin’ It, following the brilliant The Good Feeling released in 2011. An enchanting break for the musician, whose name is featured on over 300 albums. A configuration that the best bass players in jazz history – Charles Mingus, Charlie Haden, Jaco Pastorius, William Parker, Ron Carter, etc. – have always favoured, and that lets McBride shine as a leader, but also as an arranger. But even more so, he falls in the tradition of the great ensembles led by Oliver Nelson, Benny Golson, Duke Ellington, and Billy Strayhorn, over even Maria Schneider. And let’s not forget (in a reduced format), the Art Blakey’s Jazz Messenger, a major influence as well. The strength of Bringin’ It is to incorporate this entire big-band heritage, handpicking the past to reach a rather personal partition dominated by colours. In order to reach this rhythmically staggering rainbow, Christian McBride surrounded himself with true virtuosos whose main attribute is to be receptive to others around them. © MD/Qobuz
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Moderne jazz - Verschenen op 1 november 2019 | C-Nut Records

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Jazz - Verschenen op 1 januari 1960 | BnF Collection

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Jazz - Verschenen op 19 oktober 2018 | Mack Avenue Records

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Jazz - Verschenen op 4 november 2016 | Play DZ

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Jazz in het magazine