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Jazz - Verschijnt op 5 februari 2021 | Universal Music Division Decca Records France

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Jazz - Verschijnt op 11 december 2020 | Cellar Live

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Jazz - Verschenen op 4 december 2020 | Okeh

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Jazz - Verschenen op 4 december 2020 | Resonance Records

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Jazz - Verschenen op 4 december 2020 | Resonance Records

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Jazz - Verschenen op 4 december 2020 | Ozella

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Jazz - Verschenen op 4 december 2020 | Resonance Records

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Moderne jazz - Verschenen op 27 november 2020 | Blue Note

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Jazz - Verschenen op 27 november 2020 | Sunnyside

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Gospel - Verschenen op 27 november 2020 | iMD-Soundbar

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Jazz - Verschenen op 26 november 2020 | Modest Room

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Jazz - Verschenen op 20 november 2020 | Challenge Records

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Jazz - Verschenen op 20 november 2020 | Enja Horst Weber

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Jazz - Verschenen op 20 november 2020 | Ozella

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Jazz - Verschenen op 13 november 2020 | ACT Music

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Moderne jazz - Verschenen op 13 november 2020 | Blue Note Records

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Nels Cline’s super-eclectic CV is like an ode to experimentation. At nearly 65 years old, the Californian guitarist has worked with artists as varied as Thurston Moore and Lee Ranaldo from Sonic Youth, Tim Berne, singer Rickie Lee Jones, saxophonist Julius Hemphill and Wayne Kramer from MC5. He’s one of those fascinating guitarists on the fringe. Like Marc Ribot or Arto Lindsay, he manipulates sounds, rules and preconceived ideas. Navigating the avant-garde waters of jazz and rock, Nels Cline has been the lead guitarist of Wilco since 2004. Though the full-time job hasn’t stopped him regularly treating himself to other excursions. Like Share The Wealth, which he has released with The Nels Cline Singers, his most audacious band. ‘Singers’ is a bit misleading since there are none. We find ten punk-tinged jazz themes set to electronic soundscapes. These peaceful terrorists are influenced by a whole range of styles (the album opens with a cover of Caetano Veloso’s Segunda!) and they sound a bit like a drunken Os Mutantes or an alternative Weather Report. Cline is joined by his inspired and unruly bandmates – the saxophonist Skerik, keyboardist Brian Marsella, supercharged bassist Trevor Dunn, drummer Scott Amendola and Brazilian percussionist Cyro Baptista. They play with melodies, alternating between improvisations (like Stump The Panel, a trippy rollercoaster ride lasting over 17 minutes) and more floaty, dreamlike atmospheres (Passed Down). All you need to do is sit back and let yourself be carried away by this hypnotic torrent of always-audacious-never-complacent notes. © Marc Zisman/Qobuz
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Jazz - Verschenen op 13 november 2020 | Challenge Records

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Jazz - Verschenen op 6 november 2020 | ECM

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Dino Saluzzi on record is rather uncommon, and Dino Saluzzi playing his bandoneon solo is even rarer.So, Albores is a real treat for aficionados of the Argentinian master. Recorded between February and June 2019 in his Buenos Aires studio, these nine tracks demonstrate how, even with the simplest of instruments, his music is an infinite wellspring of stories. A musical storyteller, Saluzzi renders the most intimate, even personal stories accessible to all. For example, he recounts the work of his composer father Cayetano Saluzzi on Don Caye and on Adiós Maestro Kancheli he pays homage to the Georgian composer Giya Kancheli who died in 2019 and whose repertoire he covered in 2010 on Giya Kancheli: Themes From The Songbook with Gidon Kremer and Andrei Pushkarev. More so than on his previous solo albums released under ECM such as Kultrum (1982) and Andina (1988), Albores completely breaks down the borders between Argentine folklore, jazz, contemporary music and improvised music. The minimalist soliloquies resonate his voice, and his bandoneon seems to play to the rhythm of passing time, drawing the contours of the end of a road that inevitably looms closer at the age of 85. Even in those moments of silence and space in the music, Saluzzi is as charismatic and untouchable as a bard. © Marc Zisman/Qobuz
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Jazz - Verschenen op 6 november 2020 | Double Moon Records

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Jazz - Verschenen op 3 november 2020 | Galileo Music Communication

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Jazz in het magazine