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Jazz - Verschenen op 25 januari 2019 | ECM

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Jazz
Even if his name has appeared on multiple ECM albums (John Abercrombie, Marc Johnson, Steve Kuhn, Paul Motian, etc.), Joe Lovano has until now never had the chance to be the leader of a record for Manfred Eicher’s label. At 66 years old, the saxophonist from Cleveland is finally the boss on Trio Tapestry which has been put together with pianist Marilyn Crispell and drummer Carmen Castaldi. It’s a formation without a double bass that offers the inner pow-er of an orchestra. Less voluble than usual, here Lovano throws himself into quite intimate narratives. “This trio”, he stated, “is a melodic, harmonic and rhythmic musical tapestry which creates moods and atmospheres.” This group is above all an ambassador for a colorful style of jazz. Spirituality and calmness underline each improvisation. We continue to wonder as to why Crispell isn’t a more well-know and praised musician. Following in the footsteps of Paul Bley and Cecil Taylor, she brings her piano into contemporary music territory laced with lyricism and proves that she is an essential member of this group which is equipped with a stunning creative force. © Marc Zisman/Qobuz
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Jazz - Verschenen op 29 januari 2021 | ECM

Hi-Res Booklet
What if Trio Tapestry was one of the most crucial outfits in all of Joe Lovano's long career? A year after a first album for ECM, the Cleveland saxophonist has reunited with his two accomplices, pianist Marilyn Crispell and drummer Carmen Castaldi, for an even more moving recording. Upon the release of the first, Lovano had described this Trio as "a melodic, harmonic, rhythmic musical tapestry throughout, sustaining moods and atmospheres.” Trio Tapestry, above all, had all the hallmarks of a spirited piece of jazz. With this Garden of Expression, spirituality and calm once again underline each improvisation. Lovano, who writes all the compositions, is never a lider maximo but one third of a tightly-welded unit. A unique voice driven by a desire for purity. In what is unspoken, in the notes that are left unplayed, Crispell displays astounding precision. The depth of the playing of this unfairly underestimated pianist has rarely reached such a level. In terms of restraint too, Lovano blows a light wind of saving serenity in these turbulent times (the album is dedicated to the victims of Covid): a breeze that does good and is felt as a welcome pause for recollection. Wonderful. © Marc Zisman/Qobuz

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Jazz in het magazine