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102526 albums gesorteerd op Best verkocht en gefilterd op Klassiek
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Klassiek - Verschenen op 15 februari 2019 | Deutsche Grammophon

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Recorded in July 2018 at “Studio” - a new high-tech venue in the outskirts of Paris - this album (which was built entirely on Judith Fuchs' own idea) is dedicated to orphaned women in 19th century opera, between 1815 and 1850, who were struggling to escape the miserable conditions which they found themselves in. Following her huge success in 2018 in Rossini's Count Ory at the Opéra-Comique de Paris, Julie Fuchs was keen to further explore this repertoire. Conducted by Enrique Mazzola (a real “opera maestro”) the Orchestre National d'Île-de-France is dazzling in these operatic excerpts by Donizetti and Rossini, as well as - and most importantly – those by Pacini, Raimondi, Fioravanti, Berlioz, Barbieri and Meyerbeer. This album presents another opportunity for listeners to be won over by Fuchs’ sumptuous voice. The young French lyrical soprano first made a name for herself at the Festival d'Aix-en-Provence, before joining the opera ensemble at the Zurich Opera House in 2013. Further successes followed in Salzburg, Vienna and Paris as well as at the Teatro Real in Madrid. This incredibly versatile repertoire jumps from Mozart to Barbara, Cole Porter, George Crumb and Björk. Julie Fuchs knows no musical boundaries, performing with equal ease in opera as she does in concert next to the young pianist Alphonse Cemin. On Mademoiselle she sings in Italian, French and Spanish, journeying through romantic Bel Canto with a wonderfully original touch and revealing all aspects of her agile, sensual voice. © François Hudry/Qobuz
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Klassiek - Verschenen op 22 februari 2019 | Decca Music Group Ltd.

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Klassiek - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 15 februari 2019 | Sony Classical

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Klassiek - Verschenen op 8 februari 2019 | Deutsche Grammophon

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The first great asset of this second album from Simon Graichy for the Yellow Label is the clarity of its recording which captures the exquisite sound of this Franco-Lebanese Mexican pianist and the intense energy with which he plays, especially in Schumann’s Humoreske. Its second great asset is that it includes Schumann’s very rare Etudes in Variation Form on a Theme by Beethoven based on the second movement of Ludwig van Beethoven’s symphony No.7, which many people may not be familiar with. The very first version was developed in the years 1831-32 and was scarcely recorded, but it is a true masterpiece from Schumann’s youth. To summarise, Simon Graichy takes us on a unique journey through his imagination on this album, where the possibilities are endless. It is not often that Schumann’s Humoreske is combined with “minimalist” pieces like Chilly Gonzales’ amazing Robert on the bridge and Pawel Szymanski’s poetic Etudes pour piano. An intriguing voyage that makes for a mesmerising experience. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 22 februari 2019 | UMC - Decca Gold

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Klassiek - Verschenen op 22 februari 2019 | Warner Classics

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Klassiek - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 maart 2019 | Chandos

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In this fascinating recording the legendary Neeme Järvi explores two lesser-known French ballets by Sauguet and Ibert, complemented by the Ballet Suite from Massenet’s opera Hérodiade. Sauguet studied composition with Canteloube and Koechlin. He wrote in a variety of genres, notably for radio and for film, but his ballet scores – more than twenty of them – were central to his output. Les Forains (‘The Showfolk’) was first performed at the Théâtre des Champs-Élysées in March 1945. The cast was led by the work’s brilliant young choreographer, Roland Petit, and conducted by André Cluytens. Sauget’s wide-ranging influences, notably the orchestration of Richard Strauss as well as the works of Satie and les Six, give his work a flowing, openly melodic style that is immediately appealing and full of wit and charm. Following the success of Les Forains, and the formal establishment in October 1945 of Les Ballets des Champs-Élysées, Roland Petit and Boris Kochno devised a number of new ballets for the company. One of these was Ibert’s Les Amours de Jupiter, premiered on 9 March 1946 with a cast led by Petit himself as Jupiter. © Chandos
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Klassiek - Verschenen op 8 maart 2019 | Sony Classical

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Klassiek - Verschenen op 8 februari 2019 | Sony Classical

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Competition between composers was fierce and ruthless in the princely courts of 18th century Europe, and Mozart was just one of many. This new album from Russian soprano Olga Peretyatko serves as the perfect reminder of this, dedicated to Mozart’s famous arias (The Abduction from the Seraglio, The Marriage of Figaro, Don Giovanni and The Clemency of Titus) but also including works by Traetta, Martín y Soler and Paisiello, which are equally as masterful. The three excerpts from Tommaso Traetta’s Antigone which derived from Neapolitan opera and was composed for the court of Catherine II of Russia, are a testament to the passion that motivated composers from this period. His melodic phrases are full of tenderness and affliction and they certainly did not go unnoticed by the young Mozart. Paisiello and Martín y Soler were also both very successful in their time and completely eclipsed Mozart’s opera The Marriage of Figaro, which only really gained popularity in Prague and was the reason why he was asked by the Czech capital to compose Don Giovanni. Even if Mozart’s contemporaries were tough on him, his unique genius has been recognised overtime and his extraordinary legacy has overshadowed all those of other great composers from his time. This album provides an enthralling replica of his music, featuring top-class performer Olga Peretyatko alongside the Basel Symphony Orchestra conducted by Ivor Bolton. © François Hudry/Qobuz
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Klassiek - Verschenen op 15 februari 2019 | Warner Classics

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This concerto begins with a march that is reminiscent of the first act of Beethoven’s Fidelio, which announces the arrival of the sinister character Pizarro - a jest that in turn sets the scene for the soloist's arrival on Jacques Offenbach’s Grand Concerto for Cello in G Major. The piece was tackled by Jérôme Pernoo in 2009 for Archiv Produktion. Twenty-two years his junior, it is the talented Edgar Moreau recording this work here; composed in Paris in 1847, the concerto is presented in a meticulous reconstruction by Jean-Christophe Keck, the undisputed specialist of the German composer. It’s a challenging work for the soloist, testing both virtuosity and stamina with a staggering duration of over forty minutes. Born before his time, the pianist Friedrich Gulda was an expert in musical hybridization, viewing classical music as too constraining. Being open to jazz and all other kinds of music, he wrote a concerto (one of the highlights on this record) for the cellist Heinrich Schiff in 1980. Composed for a varied ensemble of musicians, it mixes a big band with a classical orchestra, using an amp to accentuate the cello's quiet voice. The result is a perplexing score that fuses jazz, waltz (let's not forget that Gulda is Viennese), Ländler and a peaceful “Ranz des Vaches” – traditional melodies played in the Swiss Alps by herdsmen driving cattle. This is a deliciously iconoclastic record that’s as hair-raising as Edgar Moreau's messy locks and the cellist tackles the work with a beautifully playful approach. He is the youngest of a large group of French cellists working today who are perpetuating the appeal of this instrument that has been hugely popular in the western world since replacing the viola da gamba. The carefully selected musicians from the ensemble Les Forces Majeures are conducted with precision and humour by Raphaël Merlin. © François Hudry/Qobuz
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Klassiek - Verschenen op 8 februari 2019 | Nonesuch

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Klassiek - Verschenen op 8 maart 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 15 februari 2019 | deutsche harmonia mundi

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In 1634, an important collection of folk stories and legends appeared in Naples: the Pentamerone or Lo cunto de li cunti (meaning “The Tale of Tales”), collected by Giambattista Basile. For the very first time in history, these myths, sayings, legends and narratives (which until then had only been transmitted orally) were recorded on paper. The publisher was no doubt addressing an informed public - one that could grasp the moral and ethical principles, the ambiguities and metaphors that were hidden in what might appear as simple entertainment. The book is composed of fifty fairy tales that are recounted by ten different storytellers over the course of five days in Neapolitan dialect - hence the name “Pentamerone”, meaning “five days”. Many of these tales would resurface much later, with the likes of Perrault and Grimm, who wrote the preface to the first German translation of the “Pentamerone” two centuries later... Of course, the collection doesn’t include a single musical note – they’re fairy tales after all. The Oni Wytars Ensemble have set about gathering popular songs from that period or earlier, as well as villanelles, tarantellas and canzones by well-known composers such as Baldassare Donato or Giovanni Girolamo Kapsberger. They stick to the inherent rhythms of prosody and the result is all the more convincing as everything seems to have come straight from the depths of time, with their lively voices and mischievous instrumentations. A wonderful record. © SM/Qobuz
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Klassiek - Verschenen op 1 maart 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 25 januari 2019 | Deutsche Grammophon (DG)

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Symfonische muziek - Verschenen op 8 februari 2019 | LSO Live

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Widely recognized as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works with memorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration. © LSO Live
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Klassiek - Verschenen op 8 maart 2019 | B Records

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Short just as love, life, poetry, and a winter concert given at the Théâtre de l’Athénée, this new B Records album proposes a program of musical miniatures, from Fauré to Schumann and Brahms. An opportunity to hear the baritone Stéphane Degout, one of the best french melodists, and his partner Simon Lepper behind his piano, in a sometimes soft, sometimes stormy, always romantic album.
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Klassiek - Verschenen op 8 maart 2019 | audite Musikproduktion

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