Melvins
Language available : englishThe Melvins weren't the first band to acknowledge the heavy metal influences that most left-of-center bands had been trying to shake off since punk rock broke in 1977 (that honor would go to Black Flag on their polarizing 1984 album My War). But no other band to emerge from the punk/alternative underground would mine Black Sabbath's slow, monolithic roar with greater effect than the Melvins, and they would prove to be wildly influential despite barely breaking out of cult status. The drop-D tunings and brontosaurus stomp of grunge icons such as Tad, Mudhoney, and Soundgarden would be unthinkable without the trails the Melvins blazed, and Kurt Cobain often sang their praises, helping them land their first major-label recording deal in 1993. They became a bridge between the edges of the punk and metal communities, who would find greater common ground from the '90s onward. (Their debut EP, 1986's 6 Songs, found them wavering between speedier punk-oriented numbers and full-on heaviness, but by 1991's Bullhead, the Melvins' trademark gargantuan sound was firmly in place.) And while the Melvins were as recognizable as any band of their day, they also proved to be more creatively flexible than nearly all their peers, willing to experiment with different styles (the massive suite on 1992's Melvins [aka Lysol], the ambitious studio experimentation of 1996's Stag, the noisy soundscapes in 2017's A Walk with Love and Death) and a variety of musical configurations (bringing in multiple guest vocalists on 2000's The Crybaby, using two drummers on 2006's A Senile Animal, working with a rotating team of bassists on 2016's Basses Loaded, recording with two bassists at once on 2018's Pinkus Abortion Technician, and recording an epic-scale acoustic set for 2021's Five Legged Dog), all of which helped the band remain productive and prolific more than three decades after they launched. The band formed in Aberdeen, Washington, the same town that produced Nirvana's Cobain and Krist Novoselic. For Nirvana and many other Seattle-area bands, the Melvins' sludge was inspirational; the younger bands took the Sabbath-styled heaviness of the Melvins and added an equally important pop song structure, which the group tended to lack. While all of their disciples became famous after Nirvana broke big in 1991 (including Mudhoney, which featured former Melvins bassist Matt Lukin), the Melvins only expanded their cult slightly. They did earn a major-label contract with Atlantic, but after releasing three records for the label, they were dropped in late 1996 and the group returned to indie status, landing with Amphetamine Reptile for 1998's Alive at the F*cker Club. The late '90s and early 2000s saw a flurry of releases by the band: The Maggot, The Bootlicker, The Crybaby, Electroretard, The Colossus of Destiny, Hostile Ambient Takeover, Pigs of the Roman Empire, and Houdini Live 2005: A Live History of Gluttony and Lust, all of which (except for the fourth one) were issued on Mike Patton's Ipecac label. In addition to their Melvins activities, singer/guitarist Buzz Osborne joined Patton (and former Slayer drummer Dave Lombardo and Mr. Bungle bassist Trevor Dunn) for the experimental outfit Fantômas, resulting in a number of releases (1999's self-titled debut, 2001's The Director's Cut, 2002's Millennium Monsterwork by "the Fantômas Melvins Big Band" (recorded live in San Francisco on New Year's Eve 2000 but not released until two years later), 2004's Delirium Cordia, and 2005's Suspended Animation), while the Melvins' latest bassist, Kevin Rutmanis, joined Patton in another side project, Tomahawk. In 2006, Big Business bassist Jared Warren and drummer Coady Willis joined the Melvins, appearing on that year's Senile Animal album. The follow-ups, 2008's Nude with Boots, 2010's The Bride Screamed Murder, and a live album titled Sugar Daddy Live, were recorded with the same lineup and released by Ipecac. The band returned in 2012 with a stripped-down lineup, dubbed Melvins Lite, for Freak Puke, which found Crover and Osborne recording without the boys from Big Business and instead adding standup bassist Dunn to their roster to round out the band's already formidable bottom-end sound. Mixing things up even further, the band invited a host of guests, including the likes of Jello Biafra and J.G. Thirlwell, for Everybody Loves Sausages, an album of covers that arrived in 2013. Another new album, Tres Cabrones, released in November of that same year, saw them reunited with original drummer Mike Dillard -- who had previously appeared only on their early demo tapes -- while usual drummer Dale Crover took over on bass duties. Another odd combination occurred in 2014, as Crover and Osborne joined the Butthole Surfers' Jeff "J.D." Pinkus and Paul Leary on the eclectic Hold It In. Two unusual releases from the Melvins arrived in 2016. An album the group began recording in 1999 with Mike Kunka of Godheadsilo was finally completed and released as Three Men and a Baby, credited to Mike & the Melvins. And in the middle of 2016 they issued Basses Loaded, where the group recruited a handful of favorite bass players to collaborate on songs. The guest artists included Krist Novoselic of Nirvana, Steve McDonald of Redd Kross and OFF!, J.D. Pinkus, Trevor Dunn, and Jared Warren. One of the few things the Melvins hadn't done was release a double album, but they were finally able to cross that off their list in 2017 with A Walk with Love and Death. The 23-track release included material written and recorded as the score to a film by Jesse Nieminen. In 2018, the Melvins broke ground with a lineup featuring two bassists on the album Pinkus Abortion Technician. The sessions found J.D. Pinkus (returning from his previous appearances on Hold It In and Basses Loaded) handling the bottom end along with Steve McDonald (also heard on Basses Loaded), while King Buzzo and Dale Crover took their usual places on guitar and drums. The band reunited several times with first drummer Dillard, releasing several EP-length or stand-alone recordings under the sub-moniker Melvins 1983. In 2021, this formation of the band released a full-length titled Working with God. With touring off the table during the COVID-19 pandemic, the hard-working Melvins played a series of live streamed concerts under the banner Melvins TV, and set to work on an unusual project. Five Legged Dog, released in October 2021 and featuring the Osborne/ Crover/McDonald lineup, was the group's first all-acoustic album, running nearly two-and-a-half hours, and featuring new interpretations of songs spanning their recording career, as well as covers of songs that influenced them.
© Stephen Thomas Erlewine & Greg Prato /TiVo Read more
The Melvins weren't the first band to acknowledge the heavy metal influences that most left-of-center bands had been trying to shake off since punk rock broke in 1977 (that honor would go to Black Flag on their polarizing 1984 album My War). But no other band to emerge from the punk/alternative underground would mine Black Sabbath's slow, monolithic roar with greater effect than the Melvins, and they would prove to be wildly influential despite barely breaking out of cult status. The drop-D tunings and brontosaurus stomp of grunge icons such as Tad, Mudhoney, and Soundgarden would be unthinkable without the trails the Melvins blazed, and Kurt Cobain often sang their praises, helping them land their first major-label recording deal in 1993. They became a bridge between the edges of the punk and metal communities, who would find greater common ground from the '90s onward. (Their debut EP, 1986's 6 Songs, found them wavering between speedier punk-oriented numbers and full-on heaviness, but by 1991's Bullhead, the Melvins' trademark gargantuan sound was firmly in place.) And while the Melvins were as recognizable as any band of their day, they also proved to be more creatively flexible than nearly all their peers, willing to experiment with different styles (the massive suite on 1992's Melvins [aka Lysol], the ambitious studio experimentation of 1996's Stag, the noisy soundscapes in 2017's A Walk with Love and Death) and a variety of musical configurations (bringing in multiple guest vocalists on 2000's The Crybaby, using two drummers on 2006's A Senile Animal, working with a rotating team of bassists on 2016's Basses Loaded, recording with two bassists at once on 2018's Pinkus Abortion Technician, and recording an epic-scale acoustic set for 2021's Five Legged Dog), all of which helped the band remain productive and prolific more than three decades after they launched.
The band formed in Aberdeen, Washington, the same town that produced Nirvana's Cobain and Krist Novoselic. For Nirvana and many other Seattle-area bands, the Melvins' sludge was inspirational; the younger bands took the Sabbath-styled heaviness of the Melvins and added an equally important pop song structure, which the group tended to lack. While all of their disciples became famous after Nirvana broke big in 1991 (including Mudhoney, which featured former Melvins bassist Matt Lukin), the Melvins only expanded their cult slightly. They did earn a major-label contract with Atlantic, but after releasing three records for the label, they were dropped in late 1996 and the group returned to indie status, landing with Amphetamine Reptile for 1998's Alive at the F*cker Club. The late '90s and early 2000s saw a flurry of releases by the band: The Maggot, The Bootlicker, The Crybaby, Electroretard, The Colossus of Destiny, Hostile Ambient Takeover, Pigs of the Roman Empire, and Houdini Live 2005: A Live History of Gluttony and Lust, all of which (except for the fourth one) were issued on Mike Patton's Ipecac label.
In addition to their Melvins activities, singer/guitarist Buzz Osborne joined Patton (and former Slayer drummer Dave Lombardo and Mr. Bungle bassist Trevor Dunn) for the experimental outfit Fantômas, resulting in a number of releases (1999's self-titled debut, 2001's The Director's Cut, 2002's Millennium Monsterwork by "the Fantômas Melvins Big Band" (recorded live in San Francisco on New Year's Eve 2000 but not released until two years later), 2004's Delirium Cordia, and 2005's Suspended Animation), while the Melvins' latest bassist, Kevin Rutmanis, joined Patton in another side project, Tomahawk. In 2006, Big Business bassist Jared Warren and drummer Coady Willis joined the Melvins, appearing on that year's Senile Animal album. The follow-ups, 2008's Nude with Boots, 2010's The Bride Screamed Murder, and a live album titled Sugar Daddy Live, were recorded with the same lineup and released by Ipecac.
The band returned in 2012 with a stripped-down lineup, dubbed Melvins Lite, for Freak Puke, which found Crover and Osborne recording without the boys from Big Business and instead adding standup bassist Dunn to their roster to round out the band's already formidable bottom-end sound. Mixing things up even further, the band invited a host of guests, including the likes of Jello Biafra and J.G. Thirlwell, for Everybody Loves Sausages, an album of covers that arrived in 2013. Another new album, Tres Cabrones, released in November of that same year, saw them reunited with original drummer Mike Dillard -- who had previously appeared only on their early demo tapes -- while usual drummer Dale Crover took over on bass duties. Another odd combination occurred in 2014, as Crover and Osborne joined the Butthole Surfers' Jeff "J.D." Pinkus and Paul Leary on the eclectic Hold It In.
Two unusual releases from the Melvins arrived in 2016. An album the group began recording in 1999 with Mike Kunka of Godheadsilo was finally completed and released as Three Men and a Baby, credited to Mike & the Melvins. And in the middle of 2016 they issued Basses Loaded, where the group recruited a handful of favorite bass players to collaborate on songs. The guest artists included Krist Novoselic of Nirvana, Steve McDonald of Redd Kross and OFF!, J.D. Pinkus, Trevor Dunn, and Jared Warren. One of the few things the Melvins hadn't done was release a double album, but they were finally able to cross that off their list in 2017 with A Walk with Love and Death. The 23-track release included material written and recorded as the score to a film by Jesse Nieminen. In 2018, the Melvins broke ground with a lineup featuring two bassists on the album Pinkus Abortion Technician. The sessions found J.D. Pinkus (returning from his previous appearances on Hold It In and Basses Loaded) handling the bottom end along with Steve McDonald (also heard on Basses Loaded), while King Buzzo and Dale Crover took their usual places on guitar and drums. The band reunited several times with first drummer Dillard, releasing several EP-length or stand-alone recordings under the sub-moniker Melvins 1983. In 2021, this formation of the band released a full-length titled Working with God. With touring off the table during the COVID-19 pandemic, the hard-working Melvins played a series of live streamed concerts under the banner Melvins TV, and set to work on an unusual project. Five Legged Dog, released in October 2021 and featuring the Osborne/ Crover/McDonald lineup, was the group's first all-acoustic album, running nearly two-and-a-half hours, and featuring new interpretations of songs spanning their recording career, as well as covers of songs that influenced them.
© Stephen Thomas Erlewine & Greg Prato /TiVo
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Ozma / Gluey Porch Treatments
Melvins
Punk en New Wave - Released by Boner on 5 jul. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Five Legged Dog (Acoustic)
Melvins
Rock - Released by Ipecac Recordings on 15 okt. 2021
One of the reasons the Melvins remain vital and productive as they approach 40 years as a band is they've never been afraid to try new things and give ...
24-Bit 48.0 kHz - Stereo -
Stoner Witch
Melvins
Alternative en Indie - Released by Atlantic Records on 1 sep. 1994
The early to mid-'90s proved the Melvins' golden age, and the three principal albums from that period -- Stoner Witch provides the centerpiece -- are ...
16-Bit CD Quality 44.1 kHz - Stereo -
Houdini
Melvins
Alternative en Indie - Released by Atlantic Records on 31 aug. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
King Buzzo
Melvins
Alternative en Indie - Released by Boner on 30 mei 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Dale Crover
Melvins
Alternative en Indie - Released by Boner on 30 mei 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Rebel Girl feat. Teri Gender Bender
Melvins
Hardrock - Released by Joyful Noise Recordings on 31 mei 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Joe Preston
Melvins
Alternative en Indie - Released by Boner on 30 mei 1992
16-Bit CD Quality 44.1 kHz - Stereo -
A Senile Animal
Melvins
Rock - Released by Ipecac Recordings on 10 okt. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Stag
Melvins
Alternative en Indie - Released by Atlantic - Mammoth on 12 jul. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Everybody Loves Sausages
Melvins
Rock - Released by Ipecac Recordings on 30 apr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
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The Bootlicker
Melvins
Rock - Released by Ipecac Recordings on 23 aug. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Working With God
Melvins
Rock - Released by Ipecac Recordings on 26 feb. 2021
As the years turned into decades, grunge forecasters the Melvins became more and more mercurial in their overall concept of where the band began and e ...
24-Bit 48.0 kHz - Stereo -
The Bulls & the Bees / Electroretard
Melvins
Rock - Released by Ipecac Recordings on 2 jun. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Crybaby
Melvins
Rock - Released by Ipecac Recordings on 7 mrt. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
A Walk With Love and Death
Melvins
Rock - Released by Ipecac Recordings on 7 jul. 2017
Do punks age well? That's rather the metaphysical question that the Melvins seek to answer with each new album, and A Walk With Love and Death, with i ...
24-Bit 44.1 kHz - Stereo -
Revolve (Acoustic)
Melvins
Rock - Released by Ipecac Recordings on 14 sep. 2021
24-Bit 48.0 kHz - Stereo -
Nude with Boots
Melvins
Rock - Released by Ipecac Recordings on 6 jul. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
26 Songs
Melvins
Rock - Released by Ipecac Recordings on 11 mrt. 2003
16-Bit CD Quality 44.1 kHz - Stereo