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Klassiek - Verschenen op 6 maart 2020 | Alpha

Hi-Res Booklet Onderscheidingen Choc de Classica
After several recordings with Anima Eterna and Jos Van Immerseel, the French violinist Chouchane Siranossian tackles a programme of extremely virtuosic concertos that few Baroque violinists dare to face. Thanks to her technical gifts and to partners ideally suited to this repertory – the Venice Baroque Orchestra and its conductor Andrea Marcon, a specialist in the Italian Baroque style – she takes up the challenge with brio. This album is released to coincide with the 250th anniversary of Tartini’s death in 2020. Of special interest is a completely unknown and unpublished Concerto in G major, the manuscript of which was recently found by the musicologist Margherita Canale. © Alpha Classics
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Kamermuziek - Verschenen op 17 mei 2019 | Glossa

Hi-Res Booklet
In the course of his illustrious career, Fabio Biondi has nurtured a remarkable empathy with Italian music from across many centuries, but strikingly so with the early Baroque violin sonata repertory, the development of which was dramatically propelled into the future by Arcangelo Corelli with his Op 5 collection. It is this empathy possessed by Biondi which has inspired the Accademia Nazionale di Santa Cecilia in Rome (from its bowed instrument collection) to make him a loan of the precious 1690 “Tuscan” violin made by Antonio Stradivari, for this Glossa recording. Another skill possessed by Biondi is his deft assemblage of programmes, whether for concert or for recordings, and this new release of early eighteenthcentury violin works touches on the impact that Corelli’s music had on music-making in Dresden, Venice, Padua, London and Amsterdam, to name just a few of the destinations affected as the fame of “Arcangelo Bolognese” fanned out from Rome across Europe. With a continuo team from his Europa Galante ensemble (Antonio Fantinuoli, cello, Giangiacomo Pinardi, theorbo and Paola Poncet, harpsichord), Biondi plays sonatas by Vivaldi, Corelli, Geminiani, Tartini and Locatelli, and a Ciaccona by Veracini. Recorded in Rome, on an instrument which was originally made for the Florentine court of Ferdinando de’ Medici (and which, over time, has survived all manner of vicissitudes on its journey to Rome!), Fabio Biondi expertly captures the flavour of the eighteenth-century violin sonata. © Glossa
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Klassiek - Verschenen op 2 oktober 2020 | Ricercar

Hi-Res Booklet
After devoting a recording to sonatas by Giuseppe Tartini, for this anniversary year of the illustrious Paduan virtuoso, Evgeny Sviridov offers us a recording of Violin C
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Klassiek - Verschenen op 1 januari 1992 | naïve classique

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Klassiek - Verschenen op 25 september 2020 | MUSO

Hi-Res Booklet
It is the music of this master that inspires noble feelings. Original in everything, his only laws are those of his genius. The sublime quality of his works means that all men consider him able to feel the truth. He has been able to rid music of its superficiality in order to serve its nature. He is known throughout Europe, yet cherished by few, just as few people are happy enough to distinguish the noise from feeling and expression. Such was the opinion, in 1752, of a thoughtful observer of Tartini. His assertion is readily transposable to our period, when the name of Giuseppe Tartini resonates with familiarity in the ears of music-lovers, whereas his music remains mysteriously little-known and underestimated. The fault probably lies with the inevitable Devil’s Trill, its celebrity, as deserved as it is overworked, obscuring a tremendous output of more than 130 sonatas. In rendering homage to the master of Padua on the occasion of the 250th anniversary of his death, the choice proved to be delicate given the abundance of music of constant and exceptional quality. David Plantier and Annabelle Luis have selected the 5 unpublished sonatas in this programme from Manuscript 9796, preserved in the Bibliothèque nationale de France, and taken from the Italian city in 1796 by Napoleon’s army as a prize of war. Four of these date from the latter years of Tartini. They all have in common an extreme virtuosity necessary for performance, yet also the necessity of a perfect mastery of the instrument for producing a natural, musical version, the reflection of the composer’s typical cantabile. David Plantier is without question the baroque violinist most suited for this mission, having been a passionate defender of Tartini and his music for years. Giuseppe Tartini often performed in duets with his cellist friend the abbé Vandini. The destiny of these two formidable musicians was indivisible, and it is this historic duet that the Duo Tartini aims to bring back to life; the violin and the cello give this richly diverse music a setting of velvet tones, they revitalise the beauty and modernity within so as to touch the hearts of contemporary listeners. © muso label
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Klassiek - Verschenen op 1 mei 2006 | BIS

Hi-Res Booklet
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Kamermuziek - Verschenen op 21 september 2018 | Ricercar

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
The Russian violinist Evgeny Sviridov, winner of the MA Festival Bruges Competition in 2017, has chosen to devote his first recording to the sonatas of Giuseppe Tartini. As heir to the Baroque tradition of the early eighteenth century, Tartini developed technical concepts much bolder than those of his predecessors, thus preparing the violin for the language of the Classical period. His treatise served as a model for Leopold Mozart and his reputation was still very much alive in the Romantic era, which continued to propagate the famous anecdote of his dream during which the Devil suggested to him how to perform reputedly impossible trills... © Ricercar
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Kamermuziek - Verschenen op 15 september 2017 | Tactus

Booklet
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Klassiek - Verschenen op 28 januari 2014 | Toccata Classics

Booklet
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Klassiek - Verschenen op 3 juli 2015 | Toccata Classics

Booklet
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Klassiek - Verschenen op 1 januari 1992 | Doron Music

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Klassiek - Verschenen op 20 maart 2020 | Dynamic

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Klassiek - Verschenen op 3 juli 2020 | Ulysses Arts

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Klassiek - Verschenen op 5 juni 2012 | Dynamic

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Kamermuziek - Verschenen op 1 januari 1977 | Warner Classics

Concertmuziek - Verschenen op 26 mei 2015 | Dynamic

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Kamermuziek - Verschenen op 26 maart 2013 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 1996 | Dynamic

Booklet
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Klassiek - Verschenen op 2 augustus 2019 | Toccata Classics

Hi-Res Booklet
In the last years of his life, the composer, violinist and swordsman Giuseppe Tartini (1692–1770) laboured at a vast cycle of sonatas for solo violin. The resulting manuscript offers the most important composition for solo violin after Bach and, at six hours in duration, the largest integrated work for the instrument. This first complete recording is based on a fresh study of the source and includes a number of works deciphered from Tartini’s shorthand and overlooked in earlier editions. These ‘Little Sonatas’ tread a delicate line between Baroque formality and proto-Romantic passion, occasionally illuminated with an echo of the folk-fiddling of his Slovenian homeland. © Toccata Classics
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Kamermuziek - Verschenen op 1 juli 2013 | Tactus