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Botch|We Are the Romans

We Are the Romans

Botch

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We Are the Romans is a solid display of new-school metallic hardcore (or metalcore) from a band that's not afraid to experiment. In other words, there are plenty of heavy guitars and angry, raw-throated vocals, but these more standard elements are offset by jagged math rock rhythms, a keen sense of dynamics, and some unusual-for-the-genre production techniques. For example, "Transitions From Persona to Object" uses an almost electronic drum sound in one spot, the subdued "Swimming the Channel vs. Driving the Channel" features a close-up guitar tone that differs sharply from the rest of the album, and "Man the Ramparts" includes a lengthy, reverb-drenched choir/chant interlude. In terms of songwriting, Botch doesn't strive for the dizzying complexity of Dillinger Escape Plan (with whom they've toured) or even Coalesce, whom they otherwise more closely resemble. However, their odd-time grooves and jagged, interweaving guitar lines are definitely a few steps beyond the ordinary hardcore-metal fare. As some of the song titles suggest, the lyrics tend toward the obscure side of the spectrum and are often merely vague (e.g., "People you never see the ones you'll never be/Working with their hands we've downsized again" from "Mondrian Was a Liar"). Like many other bands in the metalcore genre, Botch could stand to take themselves a tad less seriously, but We Are the Romans is still an impressive release that is generally stronger for its ambitions -- lyrical and otherwise -- despite the little bit of baggage they yield.

© William York /TiVo

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We Are the Romans

Botch

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1
To Our Friends in the Great White North Explicit
00:05:11

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

2
Mondrian Was a Liar
00:02:41

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

3
Transitions from Persona to Object
00:06:04

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

4
Swimming the Channel vs. Driving the Chunnel
00:04:30

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

5
C. Thomas Howell as the “Soul Man”
00:04:44

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

6
Saint Matthew Returns to the Womb Explicit
00:03:04

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

7
Frequency Ass Bandit
00:04:26

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

8
I Wanna Be a Sex Symbol on My Own Terms
00:03:35

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

9
Man the Ramparts
00:10:54

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

10
Thank God for Worker Bees (Remix)
00:07:30

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

DISC 2

1
To Our Friends in the Great White North (Demo) Explicit
00:05:17

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

2
I Wanna Be a Sex Symbol on My Own Terms (Demo)
00:03:41

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

3
Transitions from Persona to Object (Demo)
00:06:34

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

4
Mondrian Was a Liar (Demo)
00:03:02

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

5
Saint Matthew Returns to the Womb (Demo) Explicit
00:03:21

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

6
C. Thomas Howell as the “Soul Man” (Demo)
00:04:25

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

7
Man the Ramparts (Demo)
00:06:33

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

8
Saint Matthew Returns to the Womb (Live) Explicit
00:04:20

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

9
Vietmam (Live) Explicit
00:03:13

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

10
Transitions from Persona to Object (Live)
00:06:01

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

11
Hutton's Great Heat Engine (Live)
00:06:19

Brian Cook, Composer, Writer - Botch, MainArtist - David Knudson, Composer, Writer - Tim Latona, Composer, Writer - David Verellen, Composer, Writer

© 1999 Sargent House ℗ 1999 Sargent House

Albumbeschreibung

We Are the Romans is a solid display of new-school metallic hardcore (or metalcore) from a band that's not afraid to experiment. In other words, there are plenty of heavy guitars and angry, raw-throated vocals, but these more standard elements are offset by jagged math rock rhythms, a keen sense of dynamics, and some unusual-for-the-genre production techniques. For example, "Transitions From Persona to Object" uses an almost electronic drum sound in one spot, the subdued "Swimming the Channel vs. Driving the Channel" features a close-up guitar tone that differs sharply from the rest of the album, and "Man the Ramparts" includes a lengthy, reverb-drenched choir/chant interlude. In terms of songwriting, Botch doesn't strive for the dizzying complexity of Dillinger Escape Plan (with whom they've toured) or even Coalesce, whom they otherwise more closely resemble. However, their odd-time grooves and jagged, interweaving guitar lines are definitely a few steps beyond the ordinary hardcore-metal fare. As some of the song titles suggest, the lyrics tend toward the obscure side of the spectrum and are often merely vague (e.g., "People you never see the ones you'll never be/Working with their hands we've downsized again" from "Mondrian Was a Liar"). Like many other bands in the metalcore genre, Botch could stand to take themselves a tad less seriously, but We Are the Romans is still an impressive release that is generally stronger for its ambitions -- lyrical and otherwise -- despite the little bit of baggage they yield.

© William York /TiVo

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