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Wayne Shorter|Wayning Moments - Plus

Wayning Moments - Plus

Wayne Shorter

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Language available : english

The liner notes, the originals of which are included with this reissue, reflect that "this is not experimental jazz." It isn't. It is finely performed mainstream jazz of the era in which it was made. While this recording does not equal the quality of the sessions to be recorded by Shorter later in the decade for Blue Note, it is pleasantly played bop. Shorter's tenor saxophone shows a conservative side, to be sure, and a young Freddie Hubbard hardly takes any chances. Still, the rhythm section anchored by pianist Eddie Higgins and including bassist Jymie Merritt and drummer Marshall Thompson, keeps a solid beat and the results are pleasant enough. Double takes of all but one of the eight charts is included, though there are really not any important substantive differences from the originals. The short recording times of each track limits the solos, but there is nonetheless an attractive simplicity infusing the set. Overall, this does not represent the best work of either Shorter or Hubbard, but it is still an interesting, if non-essential part of the discography of each of them.

© Steven Loewy /TiVo

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Wayning Moments - Plus

Wayne Shorter

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1
Black Orpheus
00:04:35

GEORGE DAVID WEISS, ComposerLyricist - Antonio Maria, ComposerLyricist - Luiz Bonfa, ComposerLyricist - Hugo Peretti, ComposerLyricist - Luigi Creatore, ComposerLyricist - Wayne Shorter, MainArtist

℗ 1961 Concord Music Group, Inc.

2
Devil's Island
00:03:56

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

3
Moon Of Manakoora (Take 2)
00:03:43

Alfred Newman, ComposerLyricist - FRANK LOESSER, ComposerLyricist - Wayne Shorter, MainArtist

℗ 1961 Concord Music Group, Inc.

4
Dead End (Take 8)
00:04:33

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

5
Wayning Moments (Take 2)
00:04:21

Wayne Shorter, MainArtist - Eddie Higgins, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

6
Powder Keg (Take 5)
00:03:13

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

7
All Or Nothing At All (Take 3)
00:02:57

Arthur Altman, ComposerLyricist - Wayne Shorter, MainArtist

℗ 1961 Concord Music Group, Inc.

8
Callaway Went That-A-Way (Take 3)
00:04:51

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

9
Black Orpheus (Take 3)
00:04:40

GEORGE DAVID WEISS, ComposerLyricist - Antonio Maria, ComposerLyricist - Luiz Bonfa, ComposerLyricist - Hugo Peretti, ComposerLyricist - Luigi Creatore, ComposerLyricist - Wayne Shorter, MainArtist

℗ 1961 Concord Music Group, Inc.

10
Devil's Island (Take 7)
00:03:58

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

11
Moon Of Manakoora (Take 1)
00:04:47

Alfred Newman, ComposerLyricist - FRANK LOESSER, ComposerLyricist - Wayne Shorter, MainArtist

℗ 1961 Concord Music Group, Inc.

12
Dead End (Take 7)
00:05:09

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

13
Wayning Moments (Take 3)
00:04:20

Wayne Shorter, MainArtist - Eddie Higgins, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

14
Powder Keg (Take 1)
00:03:38

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

15
Callaway Went That-A-Way (Take 1)
00:03:56

Wayne Shorter, MainArtist, ComposerLyricist

℗ 1961 Concord Music Group, Inc.

Albumbeschreibung

The liner notes, the originals of which are included with this reissue, reflect that "this is not experimental jazz." It isn't. It is finely performed mainstream jazz of the era in which it was made. While this recording does not equal the quality of the sessions to be recorded by Shorter later in the decade for Blue Note, it is pleasantly played bop. Shorter's tenor saxophone shows a conservative side, to be sure, and a young Freddie Hubbard hardly takes any chances. Still, the rhythm section anchored by pianist Eddie Higgins and including bassist Jymie Merritt and drummer Marshall Thompson, keeps a solid beat and the results are pleasant enough. Double takes of all but one of the eight charts is included, though there are really not any important substantive differences from the originals. The short recording times of each track limits the solos, but there is nonetheless an attractive simplicity infusing the set. Overall, this does not represent the best work of either Shorter or Hubbard, but it is still an interesting, if non-essential part of the discography of each of them.

© Steven Loewy /TiVo

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