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Donny Osmond|Various: Somewhere in Time (US Version)

Various: Somewhere in Time (US Version)

Donny Osmond

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Language available : english

Now in the third phase of his recording career, following an early-'70s stint as a teen idol and a late-'80s period as a dance-pop star, Donny Osmond returned to recording in 2001 with This Is the Moment, on which he performed contemporary show tunes in contemporary pop arrangements. It was the kind of album concept a pre-rock pop singer might have undertaken (and which many did in the '50s and '60s), and the follow-up is another one of those concepts: an album of covers of pop songs done in contemporary arrangements and in Osmond's familiar vocal style. The difference, of course, is that while Frank Sinatra, say, in the '50s might do an album of old Tin Pan Alley standards from the '30s, they were songs not so closely associated with a particular singer or a particular recording, and thus were easier to claim for his own. Osmond, on the other hand, must contend with the original hit recordings of 10cc's "I'm Not in Love," Crowded House's "Don't Dream It's Over," and the Turtles' "Happy Together," to name only three. And when it comes to "Without You" and "Puppy Love," there are two hit recordings to consider (in the latter case, of course, one of them his own). He doesn't really improve on any of the originals, but he does do a respectable job, and in so doing he does these songs a favor by demonstrating that they can have legitimate lives as songs beyond the familiar recordings of them; they really are standards. He has chosen material that works well with his elastic tenor, and he has thought about the lyrics, lending greater coherency to them than they had originally. [The album closes with an up-tempo hidden track, "Crazy Horses," that harks back to Osmond's dance-pop days.]

© William Ruhlmann /TiVo

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Various: Somewhere in Time (US Version)

Donny Osmond

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1
Without You (US Version)
Donny Osmond
00:03:30

Gary Barlow, Keyboards, Background Vocalist, AssociatedPerformer - Eliot Kennedy, Keyboards, Background Vocalist, AssociatedPerformer - Tim Woodcock, Background Vocalist, AssociatedPerformer - Pete Ham, ComposerLyricist - Tom Evans, ComposerLyricist - Donny Osmond, MainArtist - Ami Richardson, Background Vocalist, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

2
I Can't Go For That
Ryan Carline
00:03:57

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Guitar, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Daryl Hall, ComposerLyricist - John Oates, ComposerLyricist - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - SARA ALLEN, ComposerLyricist - Donny Osmond, MainArtist - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Alto Saxophone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

3
All Out Of Love (US Version)
Gary Barlow
00:03:34

Gary Barlow, Producer, Co-Arranger, Keyboards, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Donny Osmond, MainArtist - Clive Davis, ComposerLyricist - Graham Russell, ComposerLyricist - Lewis Martinee, ComposerLyricist - Ami Richardson, Background Vocalist, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

4
Could It Be I'm Falling In Love
Donny Osmond
00:03:40

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - Donny Osmond, MainArtist - Ed Collins, Flugelhorn, Trumpet, AssociatedPerformer - Melvin Howard Steals, ComposerLyricist - Mervin Harold Steals, ComposerLyricist - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Saxophone, AssociatedPerformer - Henrik Linnemann, Flute, AssociatedPerformer - Ronnie Critchlow, Trombone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

5
Don't Dream It's Over
Tim Woodcock
00:03:43

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Guitar, Keyboards, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Keyboards, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Neil Finn, ComposerLyricist - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Donny Osmond, MainArtist

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

6
After The Love Has Gone (US Version)
Ryan Carline
00:03:57

Gary Barlow, Producer, Co-Arranger, Keyboards, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - DAVID FOSTER, ComposerLyricist - BILL CHAMPLIN, ComposerLyricist - JAY GRAYDON, ComposerLyricist - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - Donny Osmond, MainArtist - Ed Collins, Flugelhorn, Trumpet, AssociatedPerformer - David W. Foster, ComposerLyricist - William B. Champlin, ComposerLyricist - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Saxophones, AssociatedPerformer - Henrik Linnemann, Flute, AssociatedPerformer - Pete Shand, Bass Guitar, AssociatedPerformer - Ronnie Critchlow, Trombone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

7
Would I Lie To You (US Version)
Donny Osmond
00:04:11

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Guitar, Keyboards, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - Leeson, ComposerLyricist - Vale, Author - Dave Koz, Tenor Saxophone, AssociatedPerformer - Donny Osmond, MainArtist - Ed Collins, Trumpet, AssociatedPerformer - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Saxophone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

8
I'm Not In Love (US Version)
Donny Osmond
00:03:34

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Graham Gouldman, Composer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - Eric Stewart, Composer - Donny Osmond, MainArtist

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

9
Puppy Love
Philippe Saisse
00:02:48

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Remixer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, AssociatedPerformer - Jeff Mironov, Guitar, AssociatedPerformer - Paul Anka, ComposerLyricist - ELLIOT SCHEINER, Mixer, Recording Engineer, StudioPersonnel - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - PHILIPPE SAISSE, Keyboards, AssociatedPerformer - Donny Osmond, MainArtist

℗ 2001 Universal Classics Group, a Division of UMG Recordings Inc.

10
Happy Together
Eliot Kennedy
00:03:23

Eliot Kennedy, Keyboards, AssociatedPerformer - Tim Woodcock, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Ryan Carline, Keyboards, AssociatedPerformer - Garry Bonner, ComposerLyricist - Donny Osmond, MainArtist - Ed Collins, Flugelhorn, AssociatedPerformer - Alan Lee Gordon, ComposerLyricist - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Saxophone, AssociatedPerformer - Henrik Linnemann, Flute, AssociatedPerformer - Ronnie Critchlow, Trombone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

11
Don't Give Up On Us (US Version)
Donny Osmond
00:03:08

Gary Barlow, Producer, Co-Arranger, Keyboards, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Donny Osmond, MainArtist - Ed Collins, Flugelhorn, Trumpet, AssociatedPerformer - Anthony Gordon Instone, Composer - Steve Beighton, Saxophone, AssociatedPerformer - Henrik Linnemann, Flute, AssociatedPerformer - Ronnie Critchlow, Trombone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

12
No One Has To Be Alone (US Version)
Donny Osmond
00:05:04

Gary Barlow, Keyboards, AssociatedPerformer - Amanda McBroom, Composer - Donny Osmond, MainArtist - Michele Brourman, Composer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

13
Crazy Horses
Donny Osmond
00:03:12

Gary Barlow, Producer, Co-Arranger, AssociatedPerformer - Eliot Kennedy, Producer, Mixer, Co-Arranger, Keyboards, Recording Engineer, AssociatedPerformer, StudioPersonnel - Tim Woodcock, Producer, Co-Arranger, Background Vocalist, AssociatedPerformer - Cary Baylis, Guitar, AssociatedPerformer - Ben Coombs, Asst. Recording Engineer, StudioPersonnel - Ryan Carline, Keyboards, AssociatedPerformer - Donny Osmond, MainArtist - Ed Collins, Flugelhorn, Trumpet, AssociatedPerformer - Alan Osmond, ComposerLyricist - Merrill Osmond, ComposerLyricist - Wayne Osmond, ComposerLyricist - Ami Richardson, Background Vocalist, AssociatedPerformer - Steve Beighton, Saxophone, AssociatedPerformer - Henrik Linnemann, Flute, AssociatedPerformer - Ronnie Critchlow, Trombone, AssociatedPerformer

℗ 2002 Universal Classics Group, a Division of UMG Recordings Inc.

Albumbeschreibung

Now in the third phase of his recording career, following an early-'70s stint as a teen idol and a late-'80s period as a dance-pop star, Donny Osmond returned to recording in 2001 with This Is the Moment, on which he performed contemporary show tunes in contemporary pop arrangements. It was the kind of album concept a pre-rock pop singer might have undertaken (and which many did in the '50s and '60s), and the follow-up is another one of those concepts: an album of covers of pop songs done in contemporary arrangements and in Osmond's familiar vocal style. The difference, of course, is that while Frank Sinatra, say, in the '50s might do an album of old Tin Pan Alley standards from the '30s, they were songs not so closely associated with a particular singer or a particular recording, and thus were easier to claim for his own. Osmond, on the other hand, must contend with the original hit recordings of 10cc's "I'm Not in Love," Crowded House's "Don't Dream It's Over," and the Turtles' "Happy Together," to name only three. And when it comes to "Without You" and "Puppy Love," there are two hit recordings to consider (in the latter case, of course, one of them his own). He doesn't really improve on any of the originals, but he does do a respectable job, and in so doing he does these songs a favor by demonstrating that they can have legitimate lives as songs beyond the familiar recordings of them; they really are standards. He has chosen material that works well with his elastic tenor, and he has thought about the lyrics, lending greater coherency to them than they had originally. [The album closes with an up-tempo hidden track, "Crazy Horses," that harks back to Osmond's dance-pop days.]

© William Ruhlmann /TiVo

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