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Sveinung Bjelland|Tveitt: Piano Concerto No. 5 / Variations On A Folk-Song From Hardanger

Tveitt: Piano Concerto No. 5 / Variations On A Folk-Song From Hardanger

Sveinung Bjelland, Nils Mortensen, Stavanger Symphony Orchestra and Ole Kristian Ruud

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An ardent nationalist, Geirr Tveitt found inspiration in the folk melodies of the Hardanger fjord and promoted this little-known material in his songs and orchestral works. Tveitt's music is tinged with nostalgia and Norwegian brooding, communicated in a familiar neo-Romantic style that was considered reactionary by critics, but was easily accepted by audiences. The Piano Concerto No. 5, premiered by Tveitt in 1954, is in three movements. The piece is agreeably melodic with modal inflections, yet it has enough muscularity and harmonic bite in places to suggest the influence of Ravel and Prokofiev. Nils Mortensen executes the piano part with hard-edged brilliance, and the orchestral accompaniment is strong without overwhelming the soloist. The Variations on a Folksong from Hardanger is, loosely, a concerto for two pianos and orchestra. Less coherent than the Piano Concerto No. 5, the Variations tend to ramble, and Tveitt's self-indulgence and impulsiveness may have contributed to this piece's episodic construction. Mortensen and fellow pianist Sveinung Bjelland are a solid pair, always synchronized and audible above the orchestra. The Stavanger Symphony Orchestra, conducted by Ole Kristian Ruud, plays with sufficient vigor and color, though this moody music affords them few opportunities to shine. The sound is fairly soft in places, so volume adjustments may be necessary.

© TiVo

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Tveitt: Piano Concerto No. 5 / Variations On A Folk-Song From Hardanger

Sveinung Bjelland

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Piano Concerto No. 5, Op. 156 (Geirr Tveitt)

1
I.
Nils Mortensen
00:14:57

Ole Kristian Ruud, Conductor, MainArtist - Stavanger Symphony Orchestra, Orchestra, MainArtist - Geirr Tveitt, Composer - Nils Mortensen, MainArtist, AssociatedPerformer

2004 BIS 2004 (P) BIS

2
II.
Nils Mortensen
00:06:58

Ole Kristian Ruud, Conductor, MainArtist - Stavanger Symphony Orchestra, Orchestra, MainArtist - Geirr Tveitt, Composer - Nils Mortensen, MainArtist, AssociatedPerformer

2004 BIS 2004 (P) BIS

3
III.
Nils Mortensen
00:12:42

Ole Kristian Ruud, Conductor, MainArtist - Stavanger Symphony Orchestra, Orchestra, MainArtist - Geirr Tveitt, Composer - Nils Mortensen, MainArtist, AssociatedPerformer

2004 BIS 2004 (P) BIS

Variations on a Folk Tune from Hardanger (Geirr Tveitt)

4
Variations on a Folk Song from Hardanger
Sveinung Bjelland
00:30:52

Ole Kristian Ruud, Conductor, MainArtist - Stavanger Symphony Orchestra, Orchestra, MainArtist - Geirr Tveitt, Composer - Sveinung Bjelland, MainArtist, AssociatedPerformer - Nils Mortensen, MainArtist, AssociatedPerformer

2004 BIS 2004 (P) BIS

Albumbeschreibung

An ardent nationalist, Geirr Tveitt found inspiration in the folk melodies of the Hardanger fjord and promoted this little-known material in his songs and orchestral works. Tveitt's music is tinged with nostalgia and Norwegian brooding, communicated in a familiar neo-Romantic style that was considered reactionary by critics, but was easily accepted by audiences. The Piano Concerto No. 5, premiered by Tveitt in 1954, is in three movements. The piece is agreeably melodic with modal inflections, yet it has enough muscularity and harmonic bite in places to suggest the influence of Ravel and Prokofiev. Nils Mortensen executes the piano part with hard-edged brilliance, and the orchestral accompaniment is strong without overwhelming the soloist. The Variations on a Folksong from Hardanger is, loosely, a concerto for two pianos and orchestra. Less coherent than the Piano Concerto No. 5, the Variations tend to ramble, and Tveitt's self-indulgence and impulsiveness may have contributed to this piece's episodic construction. Mortensen and fellow pianist Sveinung Bjelland are a solid pair, always synchronized and audible above the orchestra. The Stavanger Symphony Orchestra, conducted by Ole Kristian Ruud, plays with sufficient vigor and color, though this moody music affords them few opportunities to shine. The sound is fairly soft in places, so volume adjustments may be necessary.

© TiVo

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