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Jim Dvorak|This Isn't Sex

This Isn't Sex

Jim Dvorak and Eric Mingus

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The mix of poetry and jazz has a checkered career, and after the 1950s, most of the efforts have been mediocre at best. This duo between trumpeter Jim Dvorak and wordsmith and bassist Eric Mingus brings the concept to the late 1990s with a compelling and inspiring performance that works on several levels. While there are whiffs of hip-hop and rap, this is not in any sense a commercial release. Instead, there is measure after measure of powerful trumpet (often pushing the edges) and some powerful and effective spoken word. This Mingus is a poet for the times, a conscience for a generation immersed in material values. He is also a fine bassist, and the two musicians create some entertaining jazz. Mingus' gruff voice contains elements of Jon Hendricks and Ken Nordine. The recording is a prime example of two plus two equals five -- surprises abound and preconceived notions shatter.

© Steven Loewy /TiVo

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This Isn't Sex

Jim Dvorak

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1
I Can't Wait for Brooklyn
00:00:55

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

2
Blood on the Streets
00:04:09

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

3
Brick Exposed
00:02:39

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

4
This Isn't Sex
00:03:18

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

5
Blue and White Lights
00:04:12

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

6
The Phone Went Dead
00:04:37

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

7
Baba O'riley
00:02:07

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

8
Sex as a Weapon
00:03:09

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

9
It Isn't Good Poetry Til You Mention Sex
00:01:17

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

10
I Broke Down
00:03:33

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

11
Feel Good Factor
00:07:30

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

12
Yuppie Status Symbol
00:03:35

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

13
Butchie
00:03:05

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

14
I Think of You
00:03:10

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist - Jim Dvorak, Composer, Lyricist, MainArtist

1999 SLAM 1999 SLAM

15
Chemical Attitude Adjustment
00:03:49

Copyright Control, MusicPublisher - Eric Mingus, Composer, Lyricist, MainArtist, AssociatedPerformer - Jim Dvorak, MainArtist

1999 SLAM 1999 SLAM

Albumbeschreibung

The mix of poetry and jazz has a checkered career, and after the 1950s, most of the efforts have been mediocre at best. This duo between trumpeter Jim Dvorak and wordsmith and bassist Eric Mingus brings the concept to the late 1990s with a compelling and inspiring performance that works on several levels. While there are whiffs of hip-hop and rap, this is not in any sense a commercial release. Instead, there is measure after measure of powerful trumpet (often pushing the edges) and some powerful and effective spoken word. This Mingus is a poet for the times, a conscience for a generation immersed in material values. He is also a fine bassist, and the two musicians create some entertaining jazz. Mingus' gruff voice contains elements of Jon Hendricks and Ken Nordine. The recording is a prime example of two plus two equals five -- surprises abound and preconceived notions shatter.

© Steven Loewy /TiVo

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