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Eric Clapton|This Has Gotta Stop

This Has Gotta Stop

Eric Clapton

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This Has Gotta Stop

Eric Clapton

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1
This Has Gotta Stop
00:04:07

Tom Keane, RecordingEngineer - Simon Climie, Producer, MixingEngineer, RecordingEngineer, CoProducer - Nick Ingman, Arranger - Eric Clapton, Composer, Producer, MainArtist, CoProducer - Alan Douglas, RecordingEngineer - Simon Francis, MasteringEngineer - Unichappell Music Inc. (BMI), MusicPublisher - Adrian Porter, RecordingEngineer

(C) 2021 EPC Enterprises LLP (P) 2021 EPC Enterprises LLP

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J.J. Cale: Big Brother o' Blues

More than five years after his death, there is still no getting away from the vital wellspring of music that is the works of J.J. Cale. With his unique alloy of blues, folk, country and jazz, the man worshipped by Clapton, who lived for a while in a trailer, is still one of rock's most influential hermits.

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“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.

The British Blues Boom, Chronicle of a Revolution

If Joe Bonamassa has come back with British Blues Explosion, a year after the Rolling Stones’ Blue And Lonesome, it has cemented the fact that the British Blues Boom was more than just a trend. More than a simple musical trend, it was the interest of a younger generation for the great American blues idols that had been ignored in their country, which led to a real revolution, with three major agitators leading the charge, Eric Clapton, Jeff Beck and Jimmy Page, considered in the UK as the “Holy Trinity” of rock and guitar. If they were far from being the only musicians involved, it is through their respective careers that we have discovered that blues, far from being an outdated musical genre, is some kind of getaway to other musical areas and has allowed for endless innovations.

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