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Frisbie|The Subversive Sounds of Love

The Subversive Sounds of Love

Frisbie

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Language available : english

Heralded by many as the banner carriers of power pop for the 21st century, few bands have displayed such a mastery of pop songcraft on a debut release. Though not horribly adventurous with their sound, the unabashed reliance on sophisticated harmonic vocal arrangements, fuzzed out guitars, and occasional brass sections was seen as near revelatory in some critical circles. No doubt, the sweeping Big Star-inspired melodic progressions of tracks like "Shine" and "To See and Be Seen" more than deserved the accolades that The Subversive Sounds of Love garnered. When upping the tempo and volume on tracks like the galloping "Paid in Kind" or the punchy "Vertigogo," Frisbie can sound downright anthemic, though the more California-styled rock of "Disaster" probably fits their sound just as well. Still, it's hard to say that you ever get a real sense of the group dynamic that's at work in the process. And while that process delivers on an undeniably cohesive pop product, the personalities involved are never totally evident. An exception to this, the album closes with the theatrical whimsy of piano and banjo in "The Shuffle," proving the band can put a more pronounced face on their sound. Although artists like this emerge on a semi-frequent basis, and usually don't amount to very much in the long term, Frisbie gives hope to the power pop true believers.
© Matt Fink /TiVo

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The Subversive Sounds of Love

Frisbie

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1
Let's Get Started
00:03:28

Frisbie, MainArtist - Kantor/Frisbie/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

2
Pollyanna
00:04:39

Frisbie, MainArtist - Frisbie/Kantor/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

3
Shine
00:04:16

Frisbie, MainArtist - Davis/Frisbie/Kantor/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

4
Paid in Kind
00:02:56

Frisbie, MainArtist - Kantor/Frisbie/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

5
Martha
00:05:19

Frisbie, MainArtist - Davis/Frisbie/Kantor/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

6
To See and Be Seen
00:03:45

Frisbie, MainArtist - Kantor/Frisbie/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

7
Disaster
00:05:26

Frisbie, MainArtist - Davis/Frisbie/Kantor/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

8
Momentito
00:03:57

Frisbie, MainArtist - Frisbie/Kantor/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

9
Wrecking Ball
00:04:28

Frisbie, MainArtist - Kantor/Frisbie/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

10
Hifalutin
00:03:50

Frisbie, MainArtist - Frisbie/Kantor/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

11
Booksong
00:03:44

Frisbie, MainArtist - Frisbie/Kantor/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

12
Vertigogo
00:03:08

Frisbie, MainArtist - Davis/Frisbie/Kantor/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

13
The Shuffle
00:05:25

Frisbie, MainArtist - Kantor/Frisbie/Davis/Bergseth/Carlson, Composer

2000 Frisbie 2000 Frisbie

Albumbeschreibung

Heralded by many as the banner carriers of power pop for the 21st century, few bands have displayed such a mastery of pop songcraft on a debut release. Though not horribly adventurous with their sound, the unabashed reliance on sophisticated harmonic vocal arrangements, fuzzed out guitars, and occasional brass sections was seen as near revelatory in some critical circles. No doubt, the sweeping Big Star-inspired melodic progressions of tracks like "Shine" and "To See and Be Seen" more than deserved the accolades that The Subversive Sounds of Love garnered. When upping the tempo and volume on tracks like the galloping "Paid in Kind" or the punchy "Vertigogo," Frisbie can sound downright anthemic, though the more California-styled rock of "Disaster" probably fits their sound just as well. Still, it's hard to say that you ever get a real sense of the group dynamic that's at work in the process. And while that process delivers on an undeniably cohesive pop product, the personalities involved are never totally evident. An exception to this, the album closes with the theatrical whimsy of piano and banjo in "The Shuffle," proving the band can put a more pronounced face on their sound. Although artists like this emerge on a semi-frequent basis, and usually don't amount to very much in the long term, Frisbie gives hope to the power pop true believers.
© Matt Fink /TiVo

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