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Fleetwood Mac|The Pious Bird Of Good Omen

The Pious Bird Of Good Omen

Fleetwood Mac

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Language available : english

With songs taken from Fleetwood Mac and Mr. Wonderful, Pious Bird of Good Omen serves as a worthy 12-track compilation of the band's early Peter Green days. Climbing to number 18 in the U.K., the album managed to catapult Fleetwood Mac's version of Little Willie John's "Need Your Love So Bad" into the English charts for the third time, resting at number 42. The album itself was released by Blue Horizon after the group's contract with them had expired, making it one of the best routes in which to explore their mingling of Chicago and British blues. "Albatross," "Black Magic Woman," and "I Believe My Time Ain't Long" are timeless Fleetwood Mac standards, representing some of the band's best pre-Rumours work. Anyone who isn't familiar with Fleetwood Mac's origins should use Pious Bird of Good Omen as a starting point in investigating the first wave of the band, which will almost certainly lead to further interests into albums such as English Rose, Then Play On, and Kiln House, and then into later albums like Bare Trees and Penguin, which reveal subtle yet effective changes in the band's blues sound. But even aside from its purpose as a collection, Pious Bird of Good Omen makes for a terrific laid-back stroll through some of the best British blues music ever made.

© Mike DeGagne /TiVo

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The Pious Bird Of Good Omen

Fleetwood Mac

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1
Need Your Love So Bad (Version #2(Remake) Take 2)
00:06:56

Fleetwood Mac, Performer - Mike Vernon, Producer - Little Willie John, Composer - Little Willie John, Lyricist

(P) 1999 Blue Horizon Records

2
Rambling Pony
00:03:33

Fleetwood Mac, Performer - Peter A. Green, Composer - Peter A. Green, Lyricist - Mike Vernon, Producer

(P) 1999 Blue Horizon Records

3
I Believe My Time Ain't Long
00:03:01

Fleetwood Mac, Performer - Mike Vernon, Producer - Jeremy Spencer, Composer - Jeremy Spencer, Lyricist

(P) 1999 Blue Horizon Records

4
The Sun Is Shining (Album Version)
00:03:10

Fleetwood Mac, Performer - E. James, Composer - E. James, Lyricist - Mike Vernon, Producer

(P) 1969 Blue Horizon Records

5
Albatross (Album Version)
00:03:10

Fleetwood Mac, Performer - Peter Green, Composer - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

6
Black Magic Woman (Album Version)
00:02:51

Fleetwood Mac, Performer - Peter Green, Composer - Peter Green, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

7
Jigsaw Puzzle Blues (Album Version)
00:01:33

Fleetwood Mac, Performer - Mike Vernon, Producer - Danny Kirwan, Composer

(P) 1969 Blue Horizon Records

8
Like Crying (Previously Unissued)
00:02:29

Fleetwood Mac, Performer - D. Kirwan, Composer - D. Kirwan, Lyricist - Mike Vernon, Producer

(P) 1999 Blue Horizon Records

9
Need Your Love So Bad (Version # 1: Takes 1, 2 & 3)
00:11:33

Fleetwood Mac, Performer - Mike Vernon, Producer - Little Willie John, Composer - Little Willie John, Lyricist

(P) 1999 Blue Horizon Records

10
Need Your Love So Bad (Version 2: Takes 1 & 2)
00:13:06

Fleetwood Mac, Performer - Mike Vernon, Producer - Little Willie John, Composer - Little Willie John, Lyricist

(P) 1999 Blue Horizon Records

11
Need Your Love So Bad (Take 3)
00:06:19

Fleetwood Mac, Performer - Mike Vernon, Producer - Little Willie John, Composer - Little Willie John, Lyricist

(P) 1999 Blue Horizon Records

12
Need Your Love So Bad (USA Version)
00:06:19

Fleetwood Mac, Performer - Mike Vernon, Producer - Little Willie John, Composer - Little Willie John, Lyricist

(P) 1999 Blue Horizon Records

Albumbeschreibung

With songs taken from Fleetwood Mac and Mr. Wonderful, Pious Bird of Good Omen serves as a worthy 12-track compilation of the band's early Peter Green days. Climbing to number 18 in the U.K., the album managed to catapult Fleetwood Mac's version of Little Willie John's "Need Your Love So Bad" into the English charts for the third time, resting at number 42. The album itself was released by Blue Horizon after the group's contract with them had expired, making it one of the best routes in which to explore their mingling of Chicago and British blues. "Albatross," "Black Magic Woman," and "I Believe My Time Ain't Long" are timeless Fleetwood Mac standards, representing some of the band's best pre-Rumours work. Anyone who isn't familiar with Fleetwood Mac's origins should use Pious Bird of Good Omen as a starting point in investigating the first wave of the band, which will almost certainly lead to further interests into albums such as English Rose, Then Play On, and Kiln House, and then into later albums like Bare Trees and Penguin, which reveal subtle yet effective changes in the band's blues sound. But even aside from its purpose as a collection, Pious Bird of Good Omen makes for a terrific laid-back stroll through some of the best British blues music ever made.

© Mike DeGagne /TiVo

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