Categories:
Cart 0

Your cart is empty

Miami Sound Machine|Primitive Love

Primitive Love

Miami Sound Machine

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Language available : english

Few modern-day listeners realize it because so much of the group's back catalog languished out of print seemingly forever, but it took Miami Sound Machine nearly ten albums to score a crossover hit. That crossover hit, "Conga," was quite a song, of course, and it not only allowed Miami Sound Machine to "cross over," but also rocketed them from regional to international recognition in one fell swoop as the song became a dancefloor phenomenon. (For instance, there allegedly was a news story at the time about how people in Miami were so enamored with the song that they formed a three-mile-long line dance in the city streets!) There's more to Primitive Love than "Conga," of course, but the song is so singular that it's hard to discuss the album without going on and on about the song and its storied success. Anyhow, as aforementioned, Primitive Love was not the debut of Miami Sound Machine; it was something like their ninth album (the back catalog remains mysterious because of its rarity, hence its nonexistence in the minds of most). Granted, the group had scored a very minor hit a year prior with "Dr. Beat" (debatably the inspiration for the more well-known "Surgery" by World Class Wreckin' Cru -- or at least the "calling Dr. Dre" part), but nothing to date readied the group for the recognition Primitive Love would bring. The sound and style of the album are firmly entrenched in mid-'80s dance-pop, not unlike, say, Lisa Lisa and Cult Jam. That comparison is apt because both acts were ethnically Latina yet kept the Latin elements of their music toned down to a rhythmic undercurrent. For example, you'll hear very little Spanish on Primitive Love. What you will hear is a minor dance-pop gem for its time. About half of the songs admittedly are misfires for one reason or another, often because of the canned synth-drum percussion that instantly dates the music. But the other half either borders on unabashed dance-pop greatness or actually attains it, as in the case of "Conga," "Bad Boy," "Falling in Love (Uh-Oh)," and "Words Get in the Way." Miami Sound Machine's next album, Let It Loose, is almost a song-for-song rewrite of this one -- and a better one, it should be noted. But Primitive Love certainly has its own charms, and while it may sound jarring to modern ears with its pervasive mid-'80s synth-drums, that's part of its quirky charm. And if anything, there's always "Conga," which alone makes this album noteworthy.

© Jason Birchmeier /TiVo

More info

Primitive Love

Miami Sound Machine

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From 13,50€/month

1
Body to Body
00:03:56

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Background Vocal, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Background Vocal - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Suzi Carr, Background Vocal - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer - Susan Carr, Composer, Lyricist

(P) 1985 Epic Records, a division of Sony Music Entertainment

2
Primitive Love
00:04:42

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Composer, Lyricist - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer

(P) 1985 Epic Records, a division of Sony Music Entertainment

3
Words Get In the Way
00:03:25

Emilio Estefan, Jr., Producer, Percussion - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Roger Fisher, Keyboards - Enrique E. Garcia, Drums - Gloria Estefan, Composer, Lyricist - Ed Calle, Saxophone - Rafael Padilla, Percussion - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal

(P) 1985 Epic Records, a division of Sony Music Entertainment

4
Bad Boy
00:03:55

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Composer, Lyricist - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer

(P) 1985 Epic Records, a division of Sony Music Entertainment

5
Falling In Love (Uh-Oh)
00:03:53

Emilio Estefan, Jr., Producer, Percussion - Lawrence Dermer, Composer, Lyricist - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Composer, Lyricist - Roger Fisher, Keyboards - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Rafael Padilla, Percussion - JOE GALDO, Composer, Lyricist - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal

(P) 1985 Epic Records, a division of Sony Music Entertainment

6
Conga!
00:04:14

Emilio Estefan, Jr., Producer, Percussion - Gloria Estefan And Miami Sound Machine, AssociatedPerformer - Miami Sound Machine, MainArtist, AssociatedPerformer - Roger Fisher, Keyboards - Enrique Elias Garcia, Composer, Lyricist - Enrique E. Garcia, Drums - Paquito Hechevarría, Piano - Ed Calle, Saxophone - Rafael Padilla, Percussion - Juanito Marquez, Guitar - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal

(P) 1985 Epic Records, a division of Sony Music Entertainment

7
Mucho Money
00:04:41

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Composer, Lyricist - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Juanito Marquez, Arranger - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer

(P) 1985 Epic Records, a division of Sony Music Entertainment

8
You Made a Fool of Me
00:02:54

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, AssociatedPerformer, Performance Arranger - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - JOE GALDO, AssociatedPerformer, Performance Arranger - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer - Wesley Brooks Wright, Composer, Lyricist

(P) 1985 Epic Records, a division of Sony Music Entertainment

9
Movies
00:02:56

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Rafael Vigil, Composer, Lyricist - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - Juanito Marquez, Arranger - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer

(P) 1985 Epic Records, a division of Sony Music Entertainment

10
Surrender Paradise
00:04:46

Emilio Estefan, Jr., Producer, Percussion - Lawrence P. Dermer, Arranger, AssociatedPerformer - Gloria M. Estefan, Vocal - Miami Sound Machine, MainArtist, AssociatedPerformer - Roger Fisher, Keyboards - Carlos Santos, Assistant Engineer - Enrique E. Garcia, Drums - Ed Calle, Saxophone - Eric Schilling, Engineer, Mixing Engineer - Rafael Padilla, Percussion - JOE GALDO, Arranger, AssociatedPerformer - Tony Concepcion, Trumpet - Victor Lopez, Trumpet - Ted Stein, Engineer - Wesley B. Wright, Guitar - Juan Marcos Avila, Bass - Gustavo Lezcano, Harmonica - Betty Cortez, Keyboards, Background Vocal - John Haag, Engineer - Mark Richman, Engineer - Teresa Verplanck, Assistant Engineer - Patrice Carroll Levinshon, Assistant Engineer - Susan Carr, Composer, Lyricist

(P) 1985 Epic Records, a division of Sony Music Entertainment

Albumbeschreibung

Few modern-day listeners realize it because so much of the group's back catalog languished out of print seemingly forever, but it took Miami Sound Machine nearly ten albums to score a crossover hit. That crossover hit, "Conga," was quite a song, of course, and it not only allowed Miami Sound Machine to "cross over," but also rocketed them from regional to international recognition in one fell swoop as the song became a dancefloor phenomenon. (For instance, there allegedly was a news story at the time about how people in Miami were so enamored with the song that they formed a three-mile-long line dance in the city streets!) There's more to Primitive Love than "Conga," of course, but the song is so singular that it's hard to discuss the album without going on and on about the song and its storied success. Anyhow, as aforementioned, Primitive Love was not the debut of Miami Sound Machine; it was something like their ninth album (the back catalog remains mysterious because of its rarity, hence its nonexistence in the minds of most). Granted, the group had scored a very minor hit a year prior with "Dr. Beat" (debatably the inspiration for the more well-known "Surgery" by World Class Wreckin' Cru -- or at least the "calling Dr. Dre" part), but nothing to date readied the group for the recognition Primitive Love would bring. The sound and style of the album are firmly entrenched in mid-'80s dance-pop, not unlike, say, Lisa Lisa and Cult Jam. That comparison is apt because both acts were ethnically Latina yet kept the Latin elements of their music toned down to a rhythmic undercurrent. For example, you'll hear very little Spanish on Primitive Love. What you will hear is a minor dance-pop gem for its time. About half of the songs admittedly are misfires for one reason or another, often because of the canned synth-drum percussion that instantly dates the music. But the other half either borders on unabashed dance-pop greatness or actually attains it, as in the case of "Conga," "Bad Boy," "Falling in Love (Uh-Oh)," and "Words Get in the Way." Miami Sound Machine's next album, Let It Loose, is almost a song-for-song rewrite of this one -- and a better one, it should be noted. But Primitive Love certainly has its own charms, and while it may sound jarring to modern ears with its pervasive mid-'80s synth-drums, that's part of its quirky charm. And if anything, there's always "Conga," which alone makes this album noteworthy.

© Jason Birchmeier /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Takin' Off

Herbie Hancock

Takin' Off Herbie Hancock

Blue Train

John Coltrane

Blue Train John Coltrane
More on Qobuz
By Miami Sound Machine

EYES OF INNOCENCE

Miami Sound Machine

EYES OF INNOCENCE Miami Sound Machine

Good Life

Miami Sound Machine

Good Life Miami Sound Machine

Eyes Of The Innocence

Miami Sound Machine

Eyes Of The Innocence Miami Sound Machine

Playlists

You may also like...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Radical Optimism

Dua Lipa

Radical Optimism Dua Lipa

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift