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Apollo5|O Radiant Dawn

O Radiant Dawn

Apollo5

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The a cappella group Apollo5 is a smaller offshoot of the similar Voces8, participating in the activities of the same foundation and, so far, pursuing generally similar repertory, including the jazz influences of the larger group. They perform several fixed programs in concert, and O Radiant Dawn presents one of these. Here, the group sheds the jazz and instead goes backward in time. What distinguishes this recording from the common run of small-group a cappella recordings is the presence of the medieval composer Pérotin, who was active around the year 1200 at Notre Dame cathedral in Paris. What's usually heard of Pérotin are his three- and four-voice "discant" sections, giant works that seem designed to fill Notre Dame to its rafters. Here, you get instead the so-called organum purum, with a stretched-out line of chant and a second added, faster-moving line. Perhaps nobody else has tried this, and it has a pleasantly mysterious effect (sample Beata Viscera II). From there the program moves forward for nearly a thousand years: through traditional songs, Renaissance works, Monteverdi, Schumann (another outlier), Vaughan Williams, Finzi, and the titular piece by James MacMillan. It's all beautifully sung, and the music seems to cohere; there is never the feeling of the obligatory touching of the bases that one sometimes gets from such collections. Highly recommended.

© TiVo

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O Radiant Dawn

Apollo5

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1
O Radiant Dawn
00:04:54

James MacMillan, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

2
Beata Viscera I
00:02:56

Perotin, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

3
Beata Viscera
00:02:54

William BYRD, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

4
Ne Irascaris Domine (From 'Cantiones Sacrae I')
00:05:13

William BYRD, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

5
Wishes
00:04:14

Apollo5, MainArtist - Fraser Wilson, Composer

(C) 2019 VCM Records (P) 2019 VCM Records

6
Beata Viscera II
00:02:57

Perotin, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

7
Scarborough Fair (Arr. Fraser Wilson)
00:03:15

Traditional, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

8
The Skye Boat Song (Arr. Fraser Wilson)
00:05:02

Traditional, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

9
The Dark Island (Arr. Paul Smith)
00:05:58

Iain Maclachlan, Composer - Stewart Ross, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

10
I Love, Alas, I Love Thee
00:01:32

THOMAS MORLEY, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

11
The Silver Swan
00:02:07

Orlando Gibbons, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

12
Sfogava con le Stelle, SV 78
00:03:42

Claudio Monteverdi, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

13
Der König In Thule
00:03:07

Robert Schumann, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

14
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett)
00:02:23

Vaughan Williams, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

15
My Spirit Sang All Day
00:02:18

Gerald Finzi, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

16
Beata Viscera III
00:03:16

Perotin, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

17
Oh, You Wide Steppe (Arr. Alexander Levine)
00:04:13

Traditional, Composer - Apollo5, MainArtist

(C) 2019 VCM Records (P) 2019 VCM Records

Albumbeschreibung

The a cappella group Apollo5 is a smaller offshoot of the similar Voces8, participating in the activities of the same foundation and, so far, pursuing generally similar repertory, including the jazz influences of the larger group. They perform several fixed programs in concert, and O Radiant Dawn presents one of these. Here, the group sheds the jazz and instead goes backward in time. What distinguishes this recording from the common run of small-group a cappella recordings is the presence of the medieval composer Pérotin, who was active around the year 1200 at Notre Dame cathedral in Paris. What's usually heard of Pérotin are his three- and four-voice "discant" sections, giant works that seem designed to fill Notre Dame to its rafters. Here, you get instead the so-called organum purum, with a stretched-out line of chant and a second added, faster-moving line. Perhaps nobody else has tried this, and it has a pleasantly mysterious effect (sample Beata Viscera II). From there the program moves forward for nearly a thousand years: through traditional songs, Renaissance works, Monteverdi, Schumann (another outlier), Vaughan Williams, Finzi, and the titular piece by James MacMillan. It's all beautifully sung, and the music seems to cohere; there is never the feeling of the obligatory touching of the bases that one sometimes gets from such collections. Highly recommended.

© TiVo

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