Your cart is empty

Keaton Henson - Monument

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
Monument
Keaton Henson
- Released on 23-10-20 by Play It Again Sam
- Main artist: Keaton Henson
- Genre: Pop/Rock Rock Alternative en Indie

Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Language available : english
A songwriter/composer who has alternated between albums of intimate indie rock, piano-based chamber sketches (Romantic Works), experimental electronic music (Behaving), and instrumental orchestral works (Six Lethargies), Monument finds Keaton Henson back in singer/songwriter mode and with his father's worsening health weighing heavily on his mind. (Henson's father died two days before the album's completion following a long illness.) It's a vulnerable set steeped in longing and memory, with recurring audio from home-video recordings contributing to its memoir-like feel. The album opens with tracking distortion from one such childhood clip before the audio clarifies on a song called "Ambulance." After about ten seconds, gentle, broken guitar chords enter alongside what sounds like manipulated keyboard or string samples and Henson's fragile delivery of the lines, "I'll wait 'til there's nothing left of me/Oh no, how lonely I'll be." Bass drum, tambourine, and clarified keys eventually join the arrangement, which expands to include meandering bass and atmospheric guitar. Most of the tracks consist of similarly sparse yet textured arrangements, though songs like "While I Can" and "Husk" venture into more assertive indie rock territory. The hooky "While I Can" declares an intent to live in the present, while the relatively tuneful "Husk" diverges into romantic concerns. These tracks, while still emotionally heavy, offer respite to what would otherwise be a relentlessly whispery, aching set, as do the artfully deployed natural sounds. While Monument is decidedly Henson's, guests of note include Radiohead's Philip Selway on drums, composer Charlotte Harding on saxophone, and Leo Abrahams on guitar.
© Marcy Donelson /TiVo
Monument
Keaton Henson
You are currently listening to samples.
Listen to over 60 million songs with an unlimited streaming plan.
Listen to this album and more than 60 million songs with your unlimited streaming plans.
1 month free, then 19.99€ / month

Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Keaton Henson, Composer, MainArtist
2020 Play It Again Sam 2020 Play It Again Sam
Album Description
A songwriter/composer who has alternated between albums of intimate indie rock, piano-based chamber sketches (Romantic Works), experimental electronic music (Behaving), and instrumental orchestral works (Six Lethargies), Monument finds Keaton Henson back in singer/songwriter mode and with his father's worsening health weighing heavily on his mind. (Henson's father died two days before the album's completion following a long illness.) It's a vulnerable set steeped in longing and memory, with recurring audio from home-video recordings contributing to its memoir-like feel. The album opens with tracking distortion from one such childhood clip before the audio clarifies on a song called "Ambulance." After about ten seconds, gentle, broken guitar chords enter alongside what sounds like manipulated keyboard or string samples and Henson's fragile delivery of the lines, "I'll wait 'til there's nothing left of me/Oh no, how lonely I'll be." Bass drum, tambourine, and clarified keys eventually join the arrangement, which expands to include meandering bass and atmospheric guitar. Most of the tracks consist of similarly sparse yet textured arrangements, though songs like "While I Can" and "Husk" venture into more assertive indie rock territory. The hooky "While I Can" declares an intent to live in the present, while the relatively tuneful "Husk" diverges into romantic concerns. These tracks, while still emotionally heavy, offer respite to what would otherwise be a relentlessly whispery, aching set, as do the artfully deployed natural sounds. While Monument is decidedly Henson's, guests of note include Radiohead's Philip Selway on drums, composer Charlotte Harding on saxophone, and Leo Abrahams on guitar.
© Marcy Donelson /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:54:37
- Main artist: Keaton Henson
- Composer: Keaton Henson
- Label: Play It Again Sam
- Genre: Pop/Rock Rock Alternative en Indie
-
24-Bit 48.0 kHz - Stereo
2020 Play It Again Sam 2020 Play It Again Sam
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.












Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit, even forty-five years after its release.
How does one Mancunian group move from perhaps the gloomiest band of the punk era to a master of the dance-floor? In the early eighties, straight out of Joy Division’s ashes, New Order marked one of the first successful unions of rock’n’roll and dance music. A perfect soundtrack for a morose, Thatcherite England.
An acoustic guitar. Sometimes not much else. But always a unique voice… In recent years, the folk revival has produced some new major and exceptional female singers, just like their elders in the sixties, and particularly the seventies. Some of these Queens of folk have earnt their place in the Hall of Fame, while others remain equally essential hidden gems. This (subjective) selection features ten of the best.