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Joe Bataan|Mestizo  (Bonus Version)

Mestizo (Bonus Version)

Joe Bataan

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Language available : english

Culturally, mestizos are folks of mixed Latin and Indian heritage who live along the U.S./Mexico borderlands; Filipino-born Joe Bataan felt enough of that same duality to name his record label Salsoul (salsa plus soul, see) and to name his late-'70s backing group his Mestizo Band. A retitled reissue of 1980's Mestizo, with no bonus tracks and most of the songs edited into lengthy suites, Joe Bataan and His Mestizo Band is primarily a late-era disco record, with only minimal Latin accents on songs like the by-the-numbers opener, "Mestizo." However, by 1980, Bataan was susssed enough to tell not only that disco was dying, but that something new was taking its place: the single "Rap-O Clap-O" was one of the first examples of R&B glomming onto the new sound, a pale rewrite of "Rapper's Delight" that today sounds oddly charming in how naff it is, and that sense of not-quite-rightness is enhanced later in the song's rather pointless reiteration "Rap-O Dance-O," which simply boosts the bass and wah-wah guitar a little louder than the vocals. Still, none of this compares to the album's monumentally odd high point, "I See Your Hiney," which has both the album's most attractive beat and a chorus that warrants quoting in full: "I see your hiney/It's black and shiny/If you don't hide it/I'm gonna bite it." Only during the disco era, folks.

© Stewart Mason /TiVo

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Mestizo (Bonus Version)

Joe Bataan

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1
Mestizo (2013 - Remaster)
00:06:44

Joe Bataan, Composer, MainArtist - Unknown, Composer

© 2017 Salsoul Records ℗ 1973 2013 Salsoul Leyendas

2
Rap-O Clap-O (2013 - Remaster)
00:03:51

Joe Bataan, Composer, MainArtist - Unknown, Composer - J. Bataan, Composer

© 2017 Salsoul Records ℗ 1973 2013 Salsoul Leyendas

3
Sadie (She Smokes) [feat. Jocelyn Brown] (2013 - Remaster)
00:05:05

Joe Bataan, Performance, MainArtist - Jocelyn Brown, FeaturedArtist

© 2017 Salsoul Records ℗ 1973 2013 Salsoul Leyendas

4
Latin Lover
00:04:49

Joe Bataan, Composer, MainArtist - Leon Darnelle Bryant, Composer

© 2017 Salsoul Records ℗ 2011 Verse Music Group LLC

5
Rock Me All Night Long
00:04:26

Joe Bataan, Performance, MainArtist

© 2017 Salsoul Records ℗ 1980 Verse Music Group

6
I See Your Hiney
00:03:17

Joe Bataan, Performance, MainArtist

© 2017 Salsoul Records ℗ 1980 Verse Music Group

7
Rap-O Dance-O
00:04:10

Joe Bataan, Composer, Performance, MainArtist - Unknown, Composer

© 2017 Salsoul Records ℗ 1980 Verse Music Group

8
Always and Forever
00:05:53

Joe Bataan, MainArtist

© 2017 Salsoul Records ℗ 2011 Verse Music Group LLC

9
Rap-O Dance-O (Single Version)
00:04:11

Joe Bataan, Composer, Vocals, MainArtist - Unknown, Composer

© 2017 Salsoul Records ℗ 1973 Salsoul Leyendas

10
Sadie (She Smokes) (Joe Bataan 12" Mix)
00:06:36

Joe Bataan, Composer, Remixer, Vocals, MainArtist

© 2017 Salsoul Records ℗ 2001 Salsoul Records

11
Rap-O Clap-O (Instrumental)
00:04:25

Joe Bataan, Composer, Vocals, MainArtist - Unknown, Composer - J. Bataan, Composer

© 2017 Salsoul Records ℗ 1973 Salsoul Leyendas

12
Rap-O Clap-O (12" Version)
00:05:47

Joe Bataan, Composer, Vocals, MainArtist - Unknown, Composer - J. Bataan, Composer

© 2017 Salsoul Records ℗ 1973 Salsoul Leyendas

Albumbeschreibung

Culturally, mestizos are folks of mixed Latin and Indian heritage who live along the U.S./Mexico borderlands; Filipino-born Joe Bataan felt enough of that same duality to name his record label Salsoul (salsa plus soul, see) and to name his late-'70s backing group his Mestizo Band. A retitled reissue of 1980's Mestizo, with no bonus tracks and most of the songs edited into lengthy suites, Joe Bataan and His Mestizo Band is primarily a late-era disco record, with only minimal Latin accents on songs like the by-the-numbers opener, "Mestizo." However, by 1980, Bataan was susssed enough to tell not only that disco was dying, but that something new was taking its place: the single "Rap-O Clap-O" was one of the first examples of R&B glomming onto the new sound, a pale rewrite of "Rapper's Delight" that today sounds oddly charming in how naff it is, and that sense of not-quite-rightness is enhanced later in the song's rather pointless reiteration "Rap-O Dance-O," which simply boosts the bass and wah-wah guitar a little louder than the vocals. Still, none of this compares to the album's monumentally odd high point, "I See Your Hiney," which has both the album's most attractive beat and a chorus that warrants quoting in full: "I see your hiney/It's black and shiny/If you don't hide it/I'm gonna bite it." Only during the disco era, folks.

© Stewart Mason /TiVo

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