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Camilla Tilling|Loves Me... Loves Me Not...

Loves Me... Loves Me Not...

Camilla Tilling, Musica Saeculorum and Philipp von Steinaecker

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This release by soprano Camilla Tilling is one of those with a dual purpose. One is on the surface: the album is a collection of arias about love in its more joyful and its sadder sides. The other is not explicit, but is equally important: the operatic languages of Mozart and Gluck have everything to do with each other, but the two are not so often placed side by side in recital. Tilling is in fine voice, and she executes both halves of this proposition beautifully. The most Gluckian opera in the Mozart canon is Idomeneo, K. 366, and Tilling opens with the overture in a fine, sharp reading by the historical-performance group Musica Saeculorum, followed by a pair of arias. These, and the other arias on the program, are preceded by their recitatives. That's unusual by and large in Classical-era opera recitals, but Tilling is in pursuit of the dramatic sense of each scene she explores, and she makes each one count. From there Tilling moves into Gluck and then into the later Mozart operas, touching on a few roles she might have previously avoided in her youthful, light-soprano guise. It all works wonderfully, and you can sample "Dove sono" for evidence that the singer's voice is as creamy as ever. Note also BIS' strong engineering work from Italy's Grand Hotel Toblach: not a usual venue for the label's team, but you'd never know that. An unusually satisfying operatic recital.

© TiVo

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Loves Me... Loves Me Not...

Camilla Tilling

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Idomeneo, K. 366 (Wolfgang Amadeus Mozart)

1
Overture
Musica Saeculorum
00:04:42

Wolfgang Amadeus Mozart, Composer - Giovanni Battista Varesco, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

2
Quando avran fine omai
Camilla Tilling
00:03:52

Wolfgang Amadeus Mozart, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

3
Padre, germani, addio!
Camilla Tilling
00:03:57

Wolfgang Amadeus Mozart, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

4
Solitudini amiche
Camilla Tilling
00:00:59

Wolfgang Amadeus Mozart, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

5
Zeffiretti lusinghieri
Camilla Tilling
00:05:28

Wolfgang Amadeus Mozart, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Giovanni Battista Varesco, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Orfeo ed Euridice, Wq. 30 (Christoph Willibald von Gluck)

6
Qual vita è questa mai
Camilla Tilling
00:02:06

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Ranieri Calzabigi, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

7
Che fiero momento!
Camilla Tilling
00:03:17

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Ranieri Calzabigi, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Le nozze di Figaro, K. 492 (Wolfgang Amadeus Mozart)

8
Giunse alfin
Camilla Tilling
00:01:13

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

9
Deh vieni, non tardar
Camilla Tilling
00:03:17

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Così fan tutte, K. 588 (Wolfgang Amadeus Mozart)

10
Temerari! Sortite!
Camilla Tilling
00:01:16

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

11
Come scoglio
Camilla Tilling
00:04:38

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Armide, Wq. 45 (Christoph Willibald von Gluck)

12
Enfin, il est en ma puissance
Camilla Tilling
00:02:52

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Philippe Quinault, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

13
Ah quelle cruauté
Camilla Tilling
00:04:09

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Philippe Quinault, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

14
Ah! Si la liberté
Camilla Tilling
00:03:54

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Philippe Quinault, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Così fan tutte, K. 588 (Wolfgang Amadeus Mozart)

15
Ei parte
Camilla Tilling
00:01:29

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

16
Per pietà, ben mio, perdona
Camilla Tilling
00:07:43

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Le nozze di Figaro, K. 492 (Wolfgang Amadeus Mozart)

17
E Susanna non vien!
Camilla Tilling
00:01:31

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

18
Dove sono i bei momenti
Camilla Tilling
00:04:36

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist - Camilla Tilling, MainArtist, AssociatedPerformer - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist

2017 BIS 2017 (P) BIS

Iphigénie en Tauride (Christoph Willibald von Gluck)

19
Ô malheureuse Iphigénie
Camilla Tilling
00:04:47

Christoph Willibald Gluck, Composer - Camilla Tilling, MainArtist, AssociatedPerformer - Nicolas-Francois Guillard, Lyricist - Philipp von Steinaecker, Conductor, MainArtist - Musica Saeculorum, Orchestra, MainArtist - Adèle Charvet, MainArtist, AssociatedPerformer - Victoria Jung, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

Albumbeschreibung

This release by soprano Camilla Tilling is one of those with a dual purpose. One is on the surface: the album is a collection of arias about love in its more joyful and its sadder sides. The other is not explicit, but is equally important: the operatic languages of Mozart and Gluck have everything to do with each other, but the two are not so often placed side by side in recital. Tilling is in fine voice, and she executes both halves of this proposition beautifully. The most Gluckian opera in the Mozart canon is Idomeneo, K. 366, and Tilling opens with the overture in a fine, sharp reading by the historical-performance group Musica Saeculorum, followed by a pair of arias. These, and the other arias on the program, are preceded by their recitatives. That's unusual by and large in Classical-era opera recitals, but Tilling is in pursuit of the dramatic sense of each scene she explores, and she makes each one count. From there Tilling moves into Gluck and then into the later Mozart operas, touching on a few roles she might have previously avoided in her youthful, light-soprano guise. It all works wonderfully, and you can sample "Dove sono" for evidence that the singer's voice is as creamy as ever. Note also BIS' strong engineering work from Italy's Grand Hotel Toblach: not a usual venue for the label's team, but you'd never know that. An unusually satisfying operatic recital.

© TiVo

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